The Battle of Hearts (1916)

Drama | 22 May 1916

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HISTORY

The copyright entry for this film lists its title as A Battle of Hearts.
       On 8 Apr 1916, Motion Picture News announced that the cast was complete, and listed H. J. Herbert and H. A. Barrows among them. A later item in the 21 Oct 1916 Motography cited Harry T. De Vere as a cast member. Leading actress Elda Flurry (a.k.a. Elda Millar) went on to become Hedda Hopper, a widely read gossip columnist.
       Shooting took place on Santa Cruz Island, where cast and crew stayed in camps, as noted in the 15 Apr 1916 [Waterloo, IA] Waterloo Evening Courier. Actor Willard Louis reportedly brought his Persian cat, “Laddie,” to accompany him during the shoot. According to the 1 April 1916 Motion Picture News, "A fishing village similar to those seen on islands off the coast of Maine or Newfoundland will be built in Los Angeles and transported to the [Santa Cruz] islands." Items in the 15 Apr 1916 Motography and Motion Picture News stated that a “wireless plant” was established, since there were no telegraph or telephone communications available on the island. The plant was said to be the first of its kind built for a motion picture company. The sets were designed by Fox technical director George Grenier, according to the 13 May 1916 Motography, which incorrectly identified Catalina Island as the shooting location. Director Oscar Apfel encountered some difficulty in locating a ship to be used in the picture. An article in the 9 Apr 1916 NYT stated that Apfel had initially sought a steel hull ship, then ...

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The copyright entry for this film lists its title as A Battle of Hearts.
       On 8 Apr 1916, Motion Picture News announced that the cast was complete, and listed H. J. Herbert and H. A. Barrows among them. A later item in the 21 Oct 1916 Motography cited Harry T. De Vere as a cast member. Leading actress Elda Flurry (a.k.a. Elda Millar) went on to become Hedda Hopper, a widely read gossip columnist.
       Shooting took place on Santa Cruz Island, where cast and crew stayed in camps, as noted in the 15 Apr 1916 [Waterloo, IA] Waterloo Evening Courier. Actor Willard Louis reportedly brought his Persian cat, “Laddie,” to accompany him during the shoot. According to the 1 April 1916 Motion Picture News, "A fishing village similar to those seen on islands off the coast of Maine or Newfoundland will be built in Los Angeles and transported to the [Santa Cruz] islands." Items in the 15 Apr 1916 Motography and Motion Picture News stated that a “wireless plant” was established, since there were no telegraph or telephone communications available on the island. The plant was said to be the first of its kind built for a motion picture company. The sets were designed by Fox technical director George Grenier, according to the 13 May 1916 Motography, which incorrectly identified Catalina Island as the shooting location. Director Oscar Apfel encountered some difficulty in locating a ship to be used in the picture. An article in the 9 Apr 1916 NYT stated that Apfel had initially sought a steel hull ship, then a wooden hull ship, and finally he was in search of any available vessel.
       An item in the 15 April 1916 Moving Picture World described how a gale completely wrecked a village set that director Apfel's carpenters had built on Catalina Island, near the harbor. The company's sixty actors were staying in the island's town of Avalon, "awaiting the abatement of the wind."
       A general release of 22 May 1916 was preceded by a 3 May 1916 opening in Greenfield, MA, and a 17 May 1916 opening in Pittsburgh, PA, according to advertisements in the 26 Apr 1916 [Greenfield, MA] Gazette and Courier and 14 May 1916 Pittsburgh Daily Post.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Gazette and Courier [Greenfield, MA]
26 Apr 1916
p. 2
Motion Picture News
1 Apr 1916
p. 1887
Motion Picture News
8 Apr 1916
p. 2038
Motion Picture News
15 Apr 1916
p. 2172
Motion Picture News
3 Jun 1916
p. 3430
Motography
15 Apr 1916
pp. 887-888
Motography
13 May 1916
p. 1117
Motography
27 May 1916
p. 1204
Motography
27 May 1916
p. 1235
Motography
21 Oct 1916
p. 921
Moving Picture World
15 Apr 1916
p. 425
Moving Picture World
10 Jun 1916
p. 1898
New York Clipper
3 Jun 1916
p. 37
New York Times
9 Apr 1916
---
Pittsburgh Daily Post [Pittsburgh, PA]
14 May 1916
p. 38
Variety
26 May 1916
p. 22
Waterloo Evening Courier [Waterloo, IA]
15 Apr 1916
p. 6
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
WRITERS
PHOTOGRAPHY
DETAILS
Alternate Title:
A Battle of Hearts
Release Date:
22 May 1916
Premiere Information:
Greenfield, MA, opening: 3 May 1916; Pittsburgh, PA, opening: 17 May 1922
Production Date:
ca. Apr 1916
Copyright Info
Claimant
Date
Copyright Number
William Fox
21 May 1916
LP8339
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Martin Cane, who owns a fleet of fishing boats, loves Maida Rhodes, but despite Martin's insistence that nothing can keep her from him, Maida prefers Jo Sprague, the lighthouse keeper's son. Martin has his mind taken off Maida when his fleet is ruined and he is forced to begin again. Meanwhile, Jo has joined a band of smugglers and drugs his father to keep the lighthouse from functioning, thus allowing the smugglers to attempt a raid in darkness. It also causes Maida, who had been sailing, to crash. In the end, Martin captures the smugglers and rescues Maida, who realizes that she really does love ...

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Martin Cane, who owns a fleet of fishing boats, loves Maida Rhodes, but despite Martin's insistence that nothing can keep her from him, Maida prefers Jo Sprague, the lighthouse keeper's son. Martin has his mind taken off Maida when his fleet is ruined and he is forced to begin again. Meanwhile, Jo has joined a band of smugglers and drugs his father to keep the lighthouse from functioning, thus allowing the smugglers to attempt a raid in darkness. It also causes Maida, who had been sailing, to crash. In the end, Martin captures the smugglers and rescues Maida, who realizes that she really does love him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.