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HISTORY

The 6 May 1916 Motion Picture News announced the upcoming production by its working title, Dope Fiend, starring Fay Tincher, Tully Marshall, Max Davidson, Fred J. Butler, and scenarist Chester Withey, to be directed by Eddie Dillon at Fine Arts Studios in Los Angeles, CA. Two weeks later, the 20 May 1916 Motography noted that Withey had been promoted to director, and Tincher had been replaced by Norma Talmadge. Tully Marshall was the only member of the original cast to continue with the production. The close of principal photography was reported in the 10 Jun 1916 Motion Picture News, after which the film was screened for Norma Talmadge prior to her departure for New York City. While the 24 Jun 1916 Motography stated that the film had been renamed Drugged Hopes, that day’s Motion Picture News announced the official title as The Devil’s Needle.
       The 22 Jul 1916 Moving Picture World reported that the scheduled 16 Jul 1916 release date was reserved for another Fine Arts production, The Little School Ma’am (1916, see entry). The Devil’s Needle was released four weeks later on 13 Aug 1916. Although reviews in the 5 Aug 1916 editions of Motion Picture News, Moving Picture World, and Motography approved the film’s portrayal of opiate addiction, the 28 Jul 1916 Var dismissed the story as “commonplace” and mocked the scenarists’ assertion that addiction could be cured with intensive farm labor. The 4 Nov 1916 Moving Picture World ...

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The 6 May 1916 Motion Picture News announced the upcoming production by its working title, Dope Fiend, starring Fay Tincher, Tully Marshall, Max Davidson, Fred J. Butler, and scenarist Chester Withey, to be directed by Eddie Dillon at Fine Arts Studios in Los Angeles, CA. Two weeks later, the 20 May 1916 Motography noted that Withey had been promoted to director, and Tincher had been replaced by Norma Talmadge. Tully Marshall was the only member of the original cast to continue with the production. The close of principal photography was reported in the 10 Jun 1916 Motion Picture News, after which the film was screened for Norma Talmadge prior to her departure for New York City. While the 24 Jun 1916 Motography stated that the film had been renamed Drugged Hopes, that day’s Motion Picture News announced the official title as The Devil’s Needle.
       The 22 Jul 1916 Moving Picture World reported that the scheduled 16 Jul 1916 release date was reserved for another Fine Arts production, The Little School Ma’am (1916, see entry). The Devil’s Needle was released four weeks later on 13 Aug 1916. Although reviews in the 5 Aug 1916 editions of Motion Picture News, Moving Picture World, and Motography approved the film’s portrayal of opiate addiction, the 28 Jul 1916 Var dismissed the story as “commonplace” and mocked the scenarists’ assertion that addiction could be cured with intensive farm labor. The 4 Nov 1916 Moving Picture World reported the film’s passage by the Philadelphia, PA, censor board, even though it offended several members. A reissue was scheduled for 21 Oct 1917, according to the 29 Sep 1917 Moving Picture World.
       A short story based on the scenario was written by Steve Talbot for the Aug 1916 Photo-Play Journal.
       The film was released in 1916, but not copyrighted until its re-release in 1923, by Tri-Stone Pictures.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
6 May 1916
p. 2697
Motion Picture News
10 Jun 1916
p. 3567
Motion Picture News
24 Jun 1916
p. 3901
Motion Picture News
5 Aug 1916
p. 789
Motion Picture News
26 Aug 1916
p. 1259
Motography
20 May 1916
p. 1151
Motography
24 Jun 1916
p. 1461
Motography
1 Jul 1916
p. 25
Motography
5 Aug 1916
p. 327
Moving Picture World
15 Jul 1916
p. 530
Moving Picture World
6 May 1916
p. 1023
Moving Picture World
22 Jul 1916
p. 692
Moving Picture World
5 Aug 1916
p. 941
Moving Picture World
19 Aug 1916
p. 1302
Moving Picture World
29 Sep 1917
p. 2021
Moving Picture World
4 Nov 1916
p. 728
Photo-Play Journal
Aug 1916
p. 5
Variety
28 Jul 1916
p. 24
DETAILS
Alternate Titles:
Drugged Hopes
The Dope Fiend
Release Date:
13 August 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Tri-Stone Pictures, Inc.
2 November 1923
LP19559
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Wynne Mortimer's wealthy father breaks her engagement to Bohemian artist David White. At the urging of his model, Rene, David turns to narcotics to ease the pain of his failed romance. Wynne rebels against her father and elopes with David, but the marriage cannot withstand his drug habit and Wynne returns to her father's home. David overcomes his addiction, while Wynne leaves her father once again in search of her husband. Arriving in the most dangerous part of the city, Wynne is attacked by a stranger, but David comes to her rescue and the couple is ...

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Wynne Mortimer's wealthy father breaks her engagement to Bohemian artist David White. At the urging of his model, Rene, David turns to narcotics to ease the pain of his failed romance. Wynne rebels against her father and elopes with David, but the marriage cannot withstand his drug habit and Wynne returns to her father's home. David overcomes his addiction, while Wynne leaves her father once again in search of her husband. Arriving in the most dangerous part of the city, Wynne is attacked by a stranger, but David comes to her rescue and the couple is reunited.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.