Full page view
HISTORY

A news item in the Sep 1915 Movie Pictorial stated that production was in progress at Reliance-Majestic Studios in Hollywood, CA, later known as the Fine Arts Studio. The film was referred to by its working title, The Scarlett Band. Later that month, the 18 Sep 1915 Motion Picture News reported that the company was on location in San Diego, CA, filming scenes at the harbor, where a number of U.S. Navy submarines were docked. The article claimed that actor-writer John Emerson was in the process of novelizing his scenario for commercial publication.
       The 25 Nov 1916 Motion Picture News noted that the film marked the first featured role for teenaged actress Bessie Love, who was reportedly discovered by Emerson among a group of background actors. As stated in the 2 Oct 1915 issue, additional cast members included Ralph Lewis, Alfred Paget, James Gibson, Charles I. Pearce, Bert Hadley, “Curly” Baldwin, Elliott Griffin, and Charles Gill in the respective roles of “Thomas A. Edison,” “John Hayes Hammond, Jr.,” “Dr. Charles P. Steinmetz,” “Hudson Maxim,” “Orville Wright,” “Henry Ford,” “Thomas Nixon,” and “Alexander Graham Bell,” all real-life figures who comprised the film’s fictional Department of the Navy. The article mentioned the alternate working title, In 1921.
       According to the 6 Nov 1915 Motion Picture News more than 500 members of the U.S. Navy and Navy Reserve were transported by train from San Diego to Santa Ana, CA, for a three-day shoot of battle scenes under the direction of William Christy Cabanne, with the assistance of Lt. Muirhead and other Navy ...

More Less

A news item in the Sep 1915 Movie Pictorial stated that production was in progress at Reliance-Majestic Studios in Hollywood, CA, later known as the Fine Arts Studio. The film was referred to by its working title, The Scarlett Band. Later that month, the 18 Sep 1915 Motion Picture News reported that the company was on location in San Diego, CA, filming scenes at the harbor, where a number of U.S. Navy submarines were docked. The article claimed that actor-writer John Emerson was in the process of novelizing his scenario for commercial publication.
       The 25 Nov 1916 Motion Picture News noted that the film marked the first featured role for teenaged actress Bessie Love, who was reportedly discovered by Emerson among a group of background actors. As stated in the 2 Oct 1915 issue, additional cast members included Ralph Lewis, Alfred Paget, James Gibson, Charles I. Pearce, Bert Hadley, “Curly” Baldwin, Elliott Griffin, and Charles Gill in the respective roles of “Thomas A. Edison,” “John Hayes Hammond, Jr.,” “Dr. Charles P. Steinmetz,” “Hudson Maxim,” “Orville Wright,” “Henry Ford,” “Thomas Nixon,” and “Alexander Graham Bell,” all real-life figures who comprised the film’s fictional Department of the Navy. The article mentioned the alternate working title, In 1921.
       According to the 6 Nov 1915 Motion Picture News more than 500 members of the U.S. Navy and Navy Reserve were transported by train from San Diego to Santa Ana, CA, for a three-day shoot of battle scenes under the direction of William Christy Cabanne, with the assistance of Lt. Muirhead and other Navy Reserve officers, with some aviation duties performed by J. H. Hogan. The 16 Oct 1915 Picture-Play Weekly credited Glenn Martin as the pilot in aviation scenes. Also appearing in the film was character actor Carl Formes, Jr., as noted in the 21 Oct 1916 Motion Picture News.
       On 15 Jan 1916, Motography announced the picture’s official title as The Flying Torpedo. The premiere was scheduled for the Knickerbocker Theatre in New York City. A Los Angeles, CA, debut followed at the Burbank Theatre, which had recently been converted to a movie house, as stated in the 5 Feb 1916 Motography. The opening night was reportedly attended by prominent members of the film industry. Two nights later, the audience included several retired military officers, proceeded the next night by members of the Pacific Coast Defense League.
       A general release was scheduled for 4 Feb 1916, but it was delayed until 12 Mar 1916. Reviews were generally positive.
       Although the 25 Mar 1916 Motography suggested that the titular weapon was merely a product of the writers’ imaginations, the 2 Dec 1916 issue revealed that such a weapon had been invented in Alberta, Canada, by Ernst Edward Gerard Hedenstrom. Coincidentally, the film opened in Alberta while Hedenstrom and his associate, John Jacob Bleiler, were on trial for attempting to sell the device to the German government.
       The scenario was adapted as a short story by Robert J. Shores for the Jan 1916 Motion Picture.
       The Flying Torpedo is one of the few feature films from this period to take place in the future.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture
Jan 1916
p. 25
Motion Picture News
11 Sep 1915
p. 69
Motion Picture News
18 Sep 1915
p. 69
Motion Picture News
2 Oct 1915
p. 69
Motion Picture News
6 Nov 1915
p. 76
Motion Picture News
25 Mar 1916
p. 1774
Motion Picture News
21 Oct 1916
p. 48
Motion Picture News
25 Nov 1916
p. 3323
Motography
15 Jan 1916
p. 113
Motography
29 Jan 1916
p. 261
Motography
5 Feb 1916
p. 322
Motography
19 Feb 1916
p. 401, 435
Motography
18 Mar 1916
p. 663
Motography
25 Mar 1916
p. 709
Motography
2 Dec 1916
p. 1241
Movie Pictorial
Sep 1915
p. 25
Moving Picture World
8 Jan 1916
p. 231
Moving Picture World
18 Mar 1916
p. 1896
Moving Picture World
25 Mar 1916
p. 2028
NYDM
8 Jan 1916
p. 23
NYDM
18 Mar 1916
p. 28
Picture-Play Weekly
16 Oct 1915
p. 21
Variety
17 Mar 1916
p. 32
Wid's Daily
16 Mar 1916
p. 437
DETAILS
Alternate Titles:
In 1921
The Scarlet Band
Release Date:
12 March 1916
Premiere Information:
Los Angeles opening: late Jan 1916
Production Date:
began late summer 1915
Copyright Info
Claimant
Date
Copyright Number
Triangle Film Corp.
31 January 1916
LP8297
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In 1921, the U.S. is threatened with a foreign invasion on the California Coast. Realizing the country is defenseless, American officials offer a reward of one million dollars to anyone who invents a weapon capable of defeating the invading force. Hearing of the prize, novelist and detective Winthrop Clavering encourages his friend, scientist Bartholomew Thompson, to complete his plans for a flying torpedo. Just as Bartholomew finishes the project, a gang of spies kills him and steals his plans. Winthrop tracks down the spies, retrieves the plans, and builds the torpedoes for the U.S. Army. The attackers are repelled, and Winthrop claims the million ...

More Less

In 1921, the U.S. is threatened with a foreign invasion on the California Coast. Realizing the country is defenseless, American officials offer a reward of one million dollars to anyone who invents a weapon capable of defeating the invading force. Hearing of the prize, novelist and detective Winthrop Clavering encourages his friend, scientist Bartholomew Thompson, to complete his plans for a flying torpedo. Just as Bartholomew finishes the project, a gang of spies kills him and steals his plans. Winthrop tracks down the spies, retrieves the plans, and builds the torpedoes for the U.S. Army. The attackers are repelled, and Winthrop claims the million dollars.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Incendiary Blonde

The working titles of this film were The Smoothest Gal in Town , The Life of Texas Guinan and Texas Guinan . The film opens ... >>

That Forsyte Woman

The working title for this film was The Forsyte Saga . According to a pre-release news item in Time magazine, M-G-M decided to change the title ... >>

Pretty Baby

The summary and note for this entry were completed with participation from the AFI Academic Network. Summary and note were written by participant Jeremy Carr, Visiting Research Fellow ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.