Crashin' Thru (1923)

Western | 1 April 1923

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HISTORY

A production chart in the 26 Aug 1922 Camera indicated that principal photography had begun during the previous week at Robertson-Cole Studios in Hollywood, CA. The scenario, provisionally titled The One Man, was based on the story, “If a Woman Will” by Elizabeth Dejeans, published in the Feb through Apr 1919 editions of Blue Book magazine. Filming was completed over a six-week period, according to the 30 Sep 1922 Camera. The production marked Carey’s third for distributor Film Booking Offices of America (FBO).
       The 17 Mar 1923 Motion Picture News announced the 1 Apr 1923 release under its official title, Crashin’ Thru. A Los Angeles, CA, opening followed in early Aug 1923 at the Hillstreet Theatre. Reviews were unenthusiastic.
       An unrelated picture titled Crashin' Through (1924, see entry) was released by Anchor Film Distributors. ...

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A production chart in the 26 Aug 1922 Camera indicated that principal photography had begun during the previous week at Robertson-Cole Studios in Hollywood, CA. The scenario, provisionally titled The One Man, was based on the story, “If a Woman Will” by Elizabeth Dejeans, published in the Feb through Apr 1919 editions of Blue Book magazine. Filming was completed over a six-week period, according to the 30 Sep 1922 Camera. The production marked Carey’s third for distributor Film Booking Offices of America (FBO).
       The 17 Mar 1923 Motion Picture News announced the 1 Apr 1923 release under its official title, Crashin’ Thru. A Los Angeles, CA, opening followed in early Aug 1923 at the Hillstreet Theatre. Reviews were unenthusiastic.
       An unrelated picture titled Crashin' Through (1924, see entry) was released by Anchor Film Distributors.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
26 Aug 1922
p. 12
Camera
30 Sep 1922
p. 12
Camera
7 Oct 1922
p. 12
Camera
11 Aug 1923
p. 4
Exhibitors Trade Review
7 Oct 1922
p. 1226d
Exhibitors Trade Review
7 Apr 1923
p. 967
Film Daily
1 Apr 1923
---
Motion Picture
Jul 1923
p. 54
Motion Picture News
16 Sep 1922
p. 1363
Motion Picture News
11 Nov 1922
p. 2411
Motion Picture News
17 Mar 1923
p. 1221
Motion Picture News
7 Apr 1923
p. 1686
Moving Picture World
16 Sep 1922
p. 1363
Moving Picture World
7 Apr 1923
p. 655
Variety
19 Apr 1923
p. 36
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Dir
WRITER
PHOTOGRAPHY
Dir of photog
Robert De Grasse
Dir of photog
SOURCES
LITERARY
Based on the short story "If a Woman Will" by Elizabeth Dejeans in Blue Book (Feb--Apr 1919).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Titles:
Crashing Thru
The One Man
Release Date:
1 April 1923
Premiere Information:
Los Angeles opening: early Aug 1923 at the Hillstreet Theatre
Production Date:
mid Aug--late Sep 1922
Copyright Info
Claimant
Date
Copyright Number
R-C Pictures Corp.
16 March 1923
LP18773
Physical Properties:
Silent
Black and White
Length(in feet):
5047, 5,190, 6,500
Length(in reels):
5-6
Country:
United States
Language:
English
SYNOPSIS

Rancher Jim Blake narrowly escapes being gored by an angry bull, thanks to his partner, Saunders, who loses the use of his legs as a result. Celia and her daughter, Diane, arrive at the ranch in response to Jim’s advertisement for a wife. Although Jim declines Celia’s offer, he allows her and Diane to stay at the ranch. Cons Saunders blames his father’s condition on Jim and partners with a dancer named Gracia, who seeks revenge against the rancher because he is oblivious to her charms. She plots with Cons to steal Jim’s cattle, leaving him unable to repay the money he owes his Uncle Benedict. When Uncle Benedict is murdered, Cons and Blake blame each other, until it is discovered that Gracia is the culprit. Saunders recovers under Celia’s care, and Jim finds love with ...

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Rancher Jim Blake narrowly escapes being gored by an angry bull, thanks to his partner, Saunders, who loses the use of his legs as a result. Celia and her daughter, Diane, arrive at the ranch in response to Jim’s advertisement for a wife. Although Jim declines Celia’s offer, he allows her and Diane to stay at the ranch. Cons Saunders blames his father’s condition on Jim and partners with a dancer named Gracia, who seeks revenge against the rancher because he is oblivious to her charms. She plots with Cons to steal Jim’s cattle, leaving him unable to repay the money he owes his Uncle Benedict. When Uncle Benedict is murdered, Cons and Blake blame each other, until it is discovered that Gracia is the culprit. Saunders recovers under Celia’s care, and Jim finds love with Diane.

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GENRE
Genre:


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.