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HISTORY

According to the 25 December 1915 Motion Picture News, actress-director Cleo Madison and her film company were in San Francisco, CA, "making a vampire story entitled The Soul's Crucible, from a scenario by Miss Madison and Kathleen Kerrigan. Many of the scenes for this will be made in the famous resorts of the San Francisco's Barbary Coast....The company went equipped with electric lighting devices which will be used for making interiors in the dives." The film was scheduled to be part of Universal's Gold Seal brand. The company included actor Joe King, who may also have been part of the crew.
       Madison was one of the few Universal directors who was able to take advantage of a freak snowfall of "some four or five inches...on the north slope of the San Fernando foothills," a 6 January datelined item in the 22 January 1916 Motion Picture News reported. Universal studios lay under a carpet of snow, and Madison's company "happened to be working on some holiday scenes requiring 'snow stuff.' Abandoning the prop effects which they had arranged for the scenes, they made use of the genuine article which had been dropped at their door, and they worked throughout the day on exteriors about the studio grounds."
       The 18 March 1916 Moving Picture World announced that Madison had just finished directing her second feature film, giving its title as A Heart's Crucible. An early Universal press release in the 25 March 1916 Moving Picture World declared that Madison had "succeeded even beyond her own expectation" with A Heart's Crucible. The studio changed the title to ...

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According to the 25 December 1915 Motion Picture News, actress-director Cleo Madison and her film company were in San Francisco, CA, "making a vampire story entitled The Soul's Crucible, from a scenario by Miss Madison and Kathleen Kerrigan. Many of the scenes for this will be made in the famous resorts of the San Francisco's Barbary Coast....The company went equipped with electric lighting devices which will be used for making interiors in the dives." The film was scheduled to be part of Universal's Gold Seal brand. The company included actor Joe King, who may also have been part of the crew.
       Madison was one of the few Universal directors who was able to take advantage of a freak snowfall of "some four or five inches...on the north slope of the San Fernando foothills," a 6 January datelined item in the 22 January 1916 Motion Picture News reported. Universal studios lay under a carpet of snow, and Madison's company "happened to be working on some holiday scenes requiring 'snow stuff.' Abandoning the prop effects which they had arranged for the scenes, they made use of the genuine article which had been dropped at their door, and they worked throughout the day on exteriors about the studio grounds."
       The 18 March 1916 Moving Picture World announced that Madison had just finished directing her second feature film, giving its title as A Heart's Crucible. An early Universal press release in the 25 March 1916 Moving Picture World declared that Madison had "succeeded even beyond her own expectation" with A Heart's Crucible. The studio changed the title to Her Bitter Cup before releasing the picture as its twelfth Red Feather Production on 17 April 1916.
       The 1 July 1916 Moving Picture Weekly ran a photo-illustrated profile of the director titled "The Dual Personality of Cleo Madison," which discussed her rise as a director in addition to her success as an actress and stuntwoman. "Every play in which women appear needs the feminine touch," she said, and named director Lois Weber as one of her inspirations. In 1915-1916 she directed eighteen films, all shorts except for two features, A Soul Enslaved (see entry) and this one.
       A full-page color advertisement in the 8 April 1916 Motion Picture News called Her Bitter Cup "a dramatic story of a woman's sacrifice for her people—the poor!" Motion Picture News reviewer Peter Milne commented, "[Madison's] acting is emotional and strong and her work as a director is good. The settings and the light effect deserve unusual commendation." Elsewhere in the same issue, a short review offered this praise" "A visualization of the dope fiend's dream that he has crucified Cleo is one of the most daring scenes ever filmed."
       The 8 April 1916 Motion Picture News listed Joe King as co-director. No actor was credited with the role of the drug addict "Harry Burke" despite its prominence in the picture. Co-writer Kathleen Kerrigan was the sister of film star J. Warren Kerrigan; Her Bitter Cup was the first of two films for which she received writer credit.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
9 Oct 1915
p. 72
Motion Picture News
25 Dec 1915
p. 87
Motion Picture News
22 Jan 1916
p. 371
Motion Picture News
29 Jan 1916
p. 542
Motion Picture News
8 Apr 1916
p. 1972, 2050, 2062
Motography
25 Sep 1915
p. 1353
Motography
27 May 1916
p. 1235
Moving Picture Weekly
1 Jul 1916
pp. 24-25, 34
Moving Picture World
18 Mar 1916
p. 1859
Moving Picture World
25 Mar 1916
p. 2038
Moving Picture World
29 Apr 1916
pp. 855, 856
Wid's
30 Mar 1916
p. 472
Wid's
15 Jul 1916
p. 526
DETAILS
Alternate Titles:
A Heart's Crucible
The Soul's Crucible
Release Date:
17 April 1916
Production Date:
December 1915 - January 1916
Copyright Info
Claimant
Date
Copyright Number
Universal Film Mfg. Co., Inc.
21 March 1916
LP7877
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Rethna, a natural fighter raised in poverty, works hard to organize her fellow factory employees against the oppressive and miserly owner, Henry Burke. Then, realizing that she needs money to fight Burke, she begins an affair with his unscrupulous son Harry, who willingly pays to raise her standard of living as his mistress. After a year she breaks up with Harry, who has become a morphine addict, to marry his kindly brother Walter, and so continues to use Burke family funds to aid Burke employees. Walter truly loves Rethna, but when he finds out that she married him only for his money, he leaves her. Then, while she is at the factory pleading with Henry for better conditions, a fire breaks out. Walter rescues Rethna from the flames, and during her convalescence she discovers that she really loves him. She and Walter reconcile, and then, as a result of the fire, Henry decides to spare no expense in improving factory ...

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Rethna, a natural fighter raised in poverty, works hard to organize her fellow factory employees against the oppressive and miserly owner, Henry Burke. Then, realizing that she needs money to fight Burke, she begins an affair with his unscrupulous son Harry, who willingly pays to raise her standard of living as his mistress. After a year she breaks up with Harry, who has become a morphine addict, to marry his kindly brother Walter, and so continues to use Burke family funds to aid Burke employees. Walter truly loves Rethna, but when he finds out that she married him only for his money, he leaves her. Then, while she is at the factory pleading with Henry for better conditions, a fire breaks out. Walter rescues Rethna from the flames, and during her convalescence she discovers that she really loves him. She and Walter reconcile, and then, as a result of the fire, Henry decides to spare no expense in improving factory conditions.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.