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HISTORY

The 9 September 1916 Motion Picture News announced that June Caprice was at work at Fox's Eastern studios (in Fort Lee, NJ) on a film about "a girl's life in an orphanage." At one point the working title was Alicia of the Orphanage.
       Irene Lee, head of Fox's costume department and mother of child actresses Jane and Katherine Lee, made her film debut in The Ragged Princess as the orphanage matron, according to the 7 October 1916 Motography.
       The Ragged Princess was the third of four films that director John G. Adolfi made with 21-year-old actress June Caprice during the last half of 1916. Caprice generally played much younger characters, and studio press release items gave her age as seventeen. A full-page advertisement for The Ragged Princess in the 21 October 1916 Motion Picture News billed her as "dainty."
       The film's most sensational scene, mentioned in several reviews, was June Caprice's nude swim. According to the 20 October 1916 Variety, "This is a series of of scenes in which the heroine, after her escape from the orphanage, comes upon an inviting woodland lake, and stripping off her clothes in the deep thickets, plunges into the water....The scenes are managed with the utmost discretion and cannot give offense to anyone."
       Motography listed the release date as 9 October 1916. Several reviews, including ones in Variety and Wid's, declared that four-year-old Jane Lee stole the picture from June Caprice.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films ...

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The 9 September 1916 Motion Picture News announced that June Caprice was at work at Fox's Eastern studios (in Fort Lee, NJ) on a film about "a girl's life in an orphanage." At one point the working title was Alicia of the Orphanage.
       Irene Lee, head of Fox's costume department and mother of child actresses Jane and Katherine Lee, made her film debut in The Ragged Princess as the orphanage matron, according to the 7 October 1916 Motography.
       The Ragged Princess was the third of four films that director John G. Adolfi made with 21-year-old actress June Caprice during the last half of 1916. Caprice generally played much younger characters, and studio press release items gave her age as seventeen. A full-page advertisement for The Ragged Princess in the 21 October 1916 Motion Picture News billed her as "dainty."
       The film's most sensational scene, mentioned in several reviews, was June Caprice's nude swim. According to the 20 October 1916 Variety, "This is a series of of scenes in which the heroine, after her escape from the orphanage, comes upon an inviting woodland lake, and stripping off her clothes in the deep thickets, plunges into the water....The scenes are managed with the utmost discretion and cannot give offense to anyone."
       Motography listed the release date as 9 October 1916. Several reviews, including ones in Variety and Wid's, declared that four-year-old Jane Lee stole the picture from June Caprice.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
9 Sep 1916
p. 1535
Motion Picture News
21 Oct 1916
p. 2485
Motion Picture News
28 Oct 1916
p. 2669
Motography
12 Aug 1916
p. 381
Motography
7 Oct 1916
p. 824
Motography
28 Oct 1916
p. 993, 994, 1000.
Moving Picture World
4 Nov 1916
p. 688
New York Clipper
7 Oct 1916
p. 46
NYDM
21 Oct 1916
p. 27
Variety
20 Oct 1916
p. 25
Wid's
19 Oct 1916
p. 1045
DETAILS
Alternate Title:
Alicia of the Orphanage
Release Date:
16 October 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
William Fox
15 October 1916
LP9326
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Alicia Jones runs away from a brutally run orphanage and dresses in boys' clothes in order to get work on a farm. She falls in love with hired hand Harry Deigan, who knows her secret, but when the farm owner learns that Alicia is a woman, he fires her. Alicia goes back to the city, where wealthy mine owner Thomas Deigan adopts her. Meanwhile, Harry discovers that Thomas is his half brother, and decides to investigate his rich relative. He learns that Thomas took the mine illegally from the rightful owner, who, as a young girl, was placed in an orphanage after her mother's death. When further investigation reveals that Alicia is the owner, Harry decides to confront his half brother with the truth just as Thomas is trying to seduce his new adopted daughter. Harry fights off Thomas, and after seeing that the mine is restored to its real owner, he begins once again the romance that was interrupted when Alicia left the ...

More Less

Alicia Jones runs away from a brutally run orphanage and dresses in boys' clothes in order to get work on a farm. She falls in love with hired hand Harry Deigan, who knows her secret, but when the farm owner learns that Alicia is a woman, he fires her. Alicia goes back to the city, where wealthy mine owner Thomas Deigan adopts her. Meanwhile, Harry discovers that Thomas is his half brother, and decides to investigate his rich relative. He learns that Thomas took the mine illegally from the rightful owner, who, as a young girl, was placed in an orphanage after her mother's death. When further investigation reveals that Alicia is the owner, Harry decides to confront his half brother with the truth just as Thomas is trying to seduce his new adopted daughter. Harry fights off Thomas, and after seeing that the mine is restored to its real owner, he begins once again the romance that was interrupted when Alicia left the farm.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.