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HISTORY

According to the 12 February 1916 Moving Picture World, actress Marguerite Leslie, director Harry Handworth, writer Roy L. McCardell, and Equitable business manager William Stoermer journeyed to Saranac Lake in upstate New York "and mapped out the precise spots they deemed best for the producing of McCardell's story." A month later, a company of thirty was filming there, the 4 March 1916 Moving Picture World reported. Interiors were done at Equitable's Flushing, NY, studios, according to an item in the 22 January 1916 Motography. At the time, the film was being advertised under the title The Pain Flower.
       The 5 February 1916 Motography noted that McCardell wrote the first four-fifths of the scenario for The Pain Flower in four weeks, "then required two months to complete the final reel. During that time he changed the denouement eight times, and rewrote the story seven times." The title change came about during this rewriting phase because the story had become "sufficiently virile" to need a more "formidable title." A Variety reviewer, puzzled by the final film, questioned whether McCardell, primarily known for writing comedies, had originally intended The Question as such, but the director "didn't see it that way" and turned it "into a serious drama."
       Marguerite Leslie was a popular Swedish-born stage actress who made very few pictures. Although Equitable promoted The Question as her first film, it was actually her second, following Jim the Penman (1915, see entry).
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January ...

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According to the 12 February 1916 Moving Picture World, actress Marguerite Leslie, director Harry Handworth, writer Roy L. McCardell, and Equitable business manager William Stoermer journeyed to Saranac Lake in upstate New York "and mapped out the precise spots they deemed best for the producing of McCardell's story." A month later, a company of thirty was filming there, the 4 March 1916 Moving Picture World reported. Interiors were done at Equitable's Flushing, NY, studios, according to an item in the 22 January 1916 Motography. At the time, the film was being advertised under the title The Pain Flower.
       The 5 February 1916 Motography noted that McCardell wrote the first four-fifths of the scenario for The Pain Flower in four weeks, "then required two months to complete the final reel. During that time he changed the denouement eight times, and rewrote the story seven times." The title change came about during this rewriting phase because the story had become "sufficiently virile" to need a more "formidable title." A Variety reviewer, puzzled by the final film, questioned whether McCardell, primarily known for writing comedies, had originally intended The Question as such, but the director "didn't see it that way" and turned it "into a serious drama."
       Marguerite Leslie was a popular Swedish-born stage actress who made very few pictures. Although Equitable promoted The Question as her first film, it was actually her second, following Jim the Penman (1915, see entry).
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
5 Feb 1916
p. 687
Motion Picture News
11 Mar 1916
p. 1468
Motography
22 January 1916
p. 205
Motography
5 Feb 1916
p. 309
Moving Picture World
12 Feb 1916
p. 964
Moving Picture World
4 Mar 1916
p. 1489, 1502, 1554
New York Clipper
26 Feb 1916
p. 37
NYDM
26 Feb 1916
p. 33
Variety
20 May 1916
p. 3093
DETAILS
Alternate Title:
The Pain Flower
Release Date:
21 February 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Equitable Motion Pictures Corp.
24 February 1916
LU7695
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Spoiled society lady and recent bride Grace Tudor ignores the pleas of her stockbroker husband, Ralph, that it is time to begin a family. Like many of her friends, she lavishes all her maternal attention on her poodle, even to the point of having a dog party to which they all bring their pets. Then, when Grace accidentally become pregnant, she has an abortion, and when Ralph discovers a $500 doctor's receipt for professional serves, he despondently begins an affair with his secretary, Anna Lee. A few weeks later, Ralph leaves for Brazil on business, and soon thereafter Anna learns that she is pregnant, and then dies in labor. Having changed her mind about becoming a parent, a repentant Grace decides to adopt, and so answers the "mother wanted" advertisement placed in the newspaper by the woman taking care of Anna's baby boy. Ralph then returns to the United States, and adding to his pleasure at having a child is his and Grace's discovery that he really is the father. Ralph and Grace then reconcile, and Grace raises the child as if she were herself the natural mother. ...

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Spoiled society lady and recent bride Grace Tudor ignores the pleas of her stockbroker husband, Ralph, that it is time to begin a family. Like many of her friends, she lavishes all her maternal attention on her poodle, even to the point of having a dog party to which they all bring their pets. Then, when Grace accidentally become pregnant, she has an abortion, and when Ralph discovers a $500 doctor's receipt for professional serves, he despondently begins an affair with his secretary, Anna Lee. A few weeks later, Ralph leaves for Brazil on business, and soon thereafter Anna learns that she is pregnant, and then dies in labor. Having changed her mind about becoming a parent, a repentant Grace decides to adopt, and so answers the "mother wanted" advertisement placed in the newspaper by the woman taking care of Anna's baby boy. Ralph then returns to the United States, and adding to his pleasure at having a child is his and Grace's discovery that he really is the father. Ralph and Grace then reconcile, and Grace raises the child as if she were herself the natural mother.

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GENRE
Genre:
Sub-genre:
Society


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.