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HISTORY

The 20 November 1915 Motography announced that Frank Keenan, Mary Boland, and director Reginald Barker began a new film that week at Inceville, Thomas Ince's studios in northern Santa Monica, CA. "The script demands the erection of many massive settings, the first of which will be ready, it is expected, in another fortnight. In the meantime the company is enacting exterior scenes." A month later, the 18 December 1915 Moving Picture World noted that Miss Boland had completed her work that week and left for New York City to resume her stage career. The C. Gardiner Sullivan photoplay did not appear to have a permanent title at that point.
       The Stepping Stone was being filmed at a time when Thomas Ince was moving his operation from Inceville to his new studios in Culver City. The 25 March 1916 Billboard reported, "The new Culver City studios were used for the first time about three weeks ago, and today all companies are working there." Production for The Stepping Stone was completed at the end of 1915, according to a 17 February 1916 dateline item in the 4 March 1916 Motion Picture News, which means filming was done at Inceville, but some postproduction may have occurred at the new studio.
       According to the 8 April 1916 Moving Picture World, The Stepping Stone opened at the Knickerbocker Theatre in New York City on 27 March 1916.
       In the 15 April 1916 Motion Picture News, reviewer Oscar Cooper wrote, "The settings are entirely adequate and some unusually fine lighting effects appear. A set of ...

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The 20 November 1915 Motography announced that Frank Keenan, Mary Boland, and director Reginald Barker began a new film that week at Inceville, Thomas Ince's studios in northern Santa Monica, CA. "The script demands the erection of many massive settings, the first of which will be ready, it is expected, in another fortnight. In the meantime the company is enacting exterior scenes." A month later, the 18 December 1915 Moving Picture World noted that Miss Boland had completed her work that week and left for New York City to resume her stage career. The C. Gardiner Sullivan photoplay did not appear to have a permanent title at that point.
       The Stepping Stone was being filmed at a time when Thomas Ince was moving his operation from Inceville to his new studios in Culver City. The 25 March 1916 Billboard reported, "The new Culver City studios were used for the first time about three weeks ago, and today all companies are working there." Production for The Stepping Stone was completed at the end of 1915, according to a 17 February 1916 dateline item in the 4 March 1916 Motion Picture News, which means filming was done at Inceville, but some postproduction may have occurred at the new studio.
       According to the 8 April 1916 Moving Picture World, The Stepping Stone opened at the Knickerbocker Theatre in New York City on 27 March 1916.
       In the 15 April 1916 Motion Picture News, reviewer Oscar Cooper wrote, "The settings are entirely adequate and some unusually fine lighting effects appear. A set of considerable size is used to represent the stock exchange, with its crowd of frenzied brokers. The ornamental Ince subtitles are present as usual and add greatly to the attractiveness of the offering."
       Triangle re-issued The Stepping Stone in 1918.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Billboard
25 Mar 1916
p. 51
Motion Picture News
4 Mar 1916
p. 1311
Motion Picture News
15 Apr 1916
p. 2211
Motion Picture News
22 Apr 1916
p. 2308-2309
Motography
20 Nov 1915
p. 1
Motography
25 Dec 1915
p. 1356
Motography
29 Apr 1916
p. 1009
Moving Picture World
18 Dec 1915
p. 2185
Moving Picture World
1 Apr 1916
p. 110
Moving Picture World
8 Apr 1916
p. 270, 279
Moving Picture World
22 Apr 1916
p. 548-549, 648
Moving Picture World
6 May 1916
p. 989, 1042
NYDM
8 Apr 1916
p. 28
New York Times
27 Mar 1916
p. 9
Variety
31 Mar 1916
p. 28
Variety
27 Sep 1918
p. 45
Wid's
6 Apr 1916
p. 491
DETAILS
Release Date:
27 March 1916
Production Date:
Late November--December 1915
Copyright Info
Claimant
Date
Copyright Number
Triangle Film Corp.
16 April 1916
LP10870
Triangle Film Corp.
18 April 1916
LU8095
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Wall Street magnate Elihu Knowland, "the Lion of Wall Street," takes an interest in Mary Beresford, so he makes her lazy, law clerk husband Al a protege and offers some stock market tips that make him a fortune. Then, realizing that his millions will attract high society women, Al insists on a separation from Mary. Later, hearing that Al's cruelty has driven Mary to suicide, Elihu decides to ruin Al financially. Elihu's plan succeeds too well, because Al commits suicide, and then, several years later, Elihu unexpectedly meets Mary, who did not take her own life, but rather had left town to make her own mark on the world. Soon after their reunion, Elihu proposes to Mary, and she eagerly ...

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Wall Street magnate Elihu Knowland, "the Lion of Wall Street," takes an interest in Mary Beresford, so he makes her lazy, law clerk husband Al a protege and offers some stock market tips that make him a fortune. Then, realizing that his millions will attract high society women, Al insists on a separation from Mary. Later, hearing that Al's cruelty has driven Mary to suicide, Elihu decides to ruin Al financially. Elihu's plan succeeds too well, because Al commits suicide, and then, several years later, Elihu unexpectedly meets Mary, who did not take her own life, but rather had left town to make her own mark on the world. Soon after their reunion, Elihu proposes to Mary, and she eagerly accepts.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.