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HISTORY

As the 4 November 1916 Motion Picture News explained, A Stranger from Somewhere "advance[d] a novelty in photoplay construction" by starting off "as a drama, and when everything is ready for serious business the complications run into comedy, finishing with a surprise." Reviewer Peter Milne, in the 18 November 1916 Motion Picture News, noted that despite lead actor Franklyn Farnum's double roles, no double exposures were used, "which is a good thing." The 11 November 1916 Moving Picture Weekly added that Farnum appeared in 340 of the 350 scenes in the "farce melodrama." Wid's added, "Mr. Farnum had a very difficult task in making two distinctive characterizations register when wearing exactly the same clothing. It can be truthfully said that he carried this so well that there was little doubt at any time as to which part he was playing."
       Franklyn Farnum was the younger brother of leading men Dustin and William Farnum. This was his second feature film, following Bluebird's Love Never Dies. Agnes Vernon was also called Brownie Vernon, because of her distinctively brown eyes.
       F. McGrew Willis and Walter Woods, calling themselves "Willis Woods," wrote the scenario. The working title of the film was In Love. At the same time, they wrote The Devil's Bondswoman (see entry) for the same studio.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. ...

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As the 4 November 1916 Motion Picture News explained, A Stranger from Somewhere "advance[d] a novelty in photoplay construction" by starting off "as a drama, and when everything is ready for serious business the complications run into comedy, finishing with a surprise." Reviewer Peter Milne, in the 18 November 1916 Motion Picture News, noted that despite lead actor Franklyn Farnum's double roles, no double exposures were used, "which is a good thing." The 11 November 1916 Moving Picture Weekly added that Farnum appeared in 340 of the 350 scenes in the "farce melodrama." Wid's added, "Mr. Farnum had a very difficult task in making two distinctive characterizations register when wearing exactly the same clothing. It can be truthfully said that he carried this so well that there was little doubt at any time as to which part he was playing."
       Franklyn Farnum was the younger brother of leading men Dustin and William Farnum. This was his second feature film, following Bluebird's Love Never Dies. Agnes Vernon was also called Brownie Vernon, because of her distinctively brown eyes.
       F. McGrew Willis and Walter Woods, calling themselves "Willis Woods," wrote the scenario. The working title of the film was In Love. At the same time, they wrote The Devil's Bondswoman (see entry) for the same studio.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
30 Sep 1916
p. 2029
Motion Picture News
4 Nov 1916
p. 2855
Motion Picture News
18 Nov 1916
p. 3172
Motography
25 Nov 1916
p. 1206
Moving Picture Weekly
11 Nov 1916
p. 16-17, 21, 50
Moving Picture World
29 Jul 1916
p. 843
Moving Picture World
11 Nov 1916
p. 880
Moving Picture World
18 Nov 1916
p. 999, 1033
Moving Picture World
25 Nov 1916
p. 1226
Variety
17 Nov 1916
p. 26
Wid's
16 Nov 1916
p. 1106
DETAILS
Alternate Title:
In Love
Release Date:
13 November 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Bluebird Photoplays, Inc.
30 October 1916
LP9430
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Westerner Sam Brockton sells his ranch and moves to the city, but can find nothing comparable to the frontier until he meets heiress Agnes Darling. Their romance falters, however, when con man and pickpocket "Dippy" Lewis decides to take advantage of his uncanny resemblance to Sam and, dressed like the ex-rancher, calls on Agnes, who has arranged an afternoon of horseback riding. When "Dippy" can barely mount up, Agnes begins to wonder about his background as a cowboy, and then, later, she questions the purifying effects of growing up on the range when she overhears the real Sam talking to a couple of crooks who, mistaking him for "Dippy," tell the bewildered cowboy about splitting stolen goods among them. Finally, all of the incidents of mistaken identity are straightened out when the cowboy and the con man meet for a fight, and the winner, Sam, later explains everything to ...

More Less

Westerner Sam Brockton sells his ranch and moves to the city, but can find nothing comparable to the frontier until he meets heiress Agnes Darling. Their romance falters, however, when con man and pickpocket "Dippy" Lewis decides to take advantage of his uncanny resemblance to Sam and, dressed like the ex-rancher, calls on Agnes, who has arranged an afternoon of horseback riding. When "Dippy" can barely mount up, Agnes begins to wonder about his background as a cowboy, and then, later, she questions the purifying effects of growing up on the range when she overhears the real Sam talking to a couple of crooks who, mistaking him for "Dippy," tell the bewildered cowboy about splitting stolen goods among them. Finally, all of the incidents of mistaken identity are straightened out when the cowboy and the con man meet for a fight, and the winner, Sam, later explains everything to Agnes.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.