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HISTORY

The film's working title was A Knight of the Garter.
       Famous stage star De Wolf Hopper made his second film appearance, and it was his only film with his infant son, William De Hopper, Jr., who was making his debut in Sunshine Dad. Hopper, Jr. (1915--1970), whose mother was the well-known actress and gossip columnist Hedda Hopper, would himself appear in numerous films and television programs as an adult, variously as DeWolf or De Wolfe Hopper, and later as William Hopper, best known for his recurring role as private detective "Paul Drake in the popular television series Perry Mason (1957-1966).
       Contemporary sources differ from existing prints of the film in calling Hopper Sr.'s character Alonso Evergreen, Withey's character Count Ketchkoff, and Carmen's character Minerva. Several contemporary sources credit Browning and Withey with both the film's scenario and story, but the copyright holdings credit Withey and Pierson with the scenario and list them as the film's authors.
       A pre-production news item places Julia Faye and Bobbie Fuehrer in the cast, but it is not clear whether they appeared in the film.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. ...

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The film's working title was A Knight of the Garter.
       Famous stage star De Wolf Hopper made his second film appearance, and it was his only film with his infant son, William De Hopper, Jr., who was making his debut in Sunshine Dad. Hopper, Jr. (1915--1970), whose mother was the well-known actress and gossip columnist Hedda Hopper, would himself appear in numerous films and television programs as an adult, variously as DeWolf or De Wolfe Hopper, and later as William Hopper, best known for his recurring role as private detective "Paul Drake in the popular television series Perry Mason (1957-1966).
       Contemporary sources differ from existing prints of the film in calling Hopper Sr.'s character Alonso Evergreen, Withey's character Count Ketchkoff, and Carmen's character Minerva. Several contemporary sources credit Browning and Withey with both the film's scenario and story, but the copyright holdings credit Withey and Pierson with the scenario and list them as the film's authors.
       A pre-production news item places Julia Faye and Bobbie Fuehrer in the cast, but it is not clear whether they appeared in the film.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
1915
p. x
Motion Picture News
18 Dec 1915
p. 73
Motion Picture News
8 Apr 1916
p. 2064
Motography
8 Apr 1916
p. 828
Moving Picture World
1 Apr 1916
p. 110
Moving Picture World
29 Apr 1916
pp. 858-59
Moving Picture World
13 May 1916
p. 1226
Moving Picture World
12 Mar 1917
p. 984
Variety
21 Apr 1916
p. 31
Wid's
30 Mar 1916
pp. 470-71
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Edward Dillon
Dir
WRITERS
Chester Withey
Scen
Story
Chester Withey
Story
PHOTOGRAPHY
A. G. Gosden
Cam
DETAILS
Alternate Title:
A Knight of the Garter
Release Date:
23 April 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Triangle Film Corp.
17 April 1916
LP8603
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

An international crook, masquerading as Count Kottschkoiff, steals sacred jewels from a Hindu shrine and is hunted by mystics who investigate theft. Kottschkoiff gives the jewels to the widow Marrimore, whom he has been courting. While she attends a dance at which she is wearing the jewels as a garter, they fall off and are recovered by Alfred Evergreen, a down-and-out actor who is also courting the widow. Alfred reads Mrs. Marrimore's reward advertisement and decides to return the jewels. Wrapping the jewels in an affectionate note for Mrs. Marrimore, Alfred leaves them on his desk. Charlotte, the fiancée of Alfred's son Fred, drops her shopping parcels on the desk and then later retrieves all the bundles, including the jewels. Alfred discovers his loss, realizes the mistake and pursues Charlotte. Hastily reading the note, she thinks that Fred was unfaithful and mails the jewels to the return address just before Alfred finds her. By this time the priests have traced Mrs. Marrimore to her apartment. Not finding the jewels, the mystics take Mrs. Marrimore to the shrine and tie her to a stake near a lion's cage. They raise the cage gate slowly and the lion approaches, but Alfred rescues Mrs. Marrimore. Just in time, the jewels are returned, and the count is ...

More Less

An international crook, masquerading as Count Kottschkoiff, steals sacred jewels from a Hindu shrine and is hunted by mystics who investigate theft. Kottschkoiff gives the jewels to the widow Marrimore, whom he has been courting. While she attends a dance at which she is wearing the jewels as a garter, they fall off and are recovered by Alfred Evergreen, a down-and-out actor who is also courting the widow. Alfred reads Mrs. Marrimore's reward advertisement and decides to return the jewels. Wrapping the jewels in an affectionate note for Mrs. Marrimore, Alfred leaves them on his desk. Charlotte, the fiancée of Alfred's son Fred, drops her shopping parcels on the desk and then later retrieves all the bundles, including the jewels. Alfred discovers his loss, realizes the mistake and pursues Charlotte. Hastily reading the note, she thinks that Fred was unfaithful and mails the jewels to the return address just before Alfred finds her. By this time the priests have traced Mrs. Marrimore to her apartment. Not finding the jewels, the mystics take Mrs. Marrimore to the shrine and tie her to a stake near a lion's cage. They raise the cage gate slowly and the lion approaches, but Alfred rescues Mrs. Marrimore. Just in time, the jewels are returned, and the count is captured.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.