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HISTORY

The 9 Dec 1916 Motion Picture News reported that the eight-reel feature was to be filmed at the Selig Zoo in the Lincoln Heights district of Los Angeles, CA. According to the 6 Jan 1917 Motography, William Farnum was initially cast as the leading man; he was later replaced by Thomas Santschi. Also appearing in the picture were Clarissa Selwynne, as noted in the 12 Apr 1917 Motion Picture Studio Directory.
       The completion of principal photography was announced in the 13 Jan 1917 Motion Picture News. The 27 Jan 1917 issue credited Walter C. Howey, former city editor of the Chicago Tribune, with conceiving “the basic idea” for the film and collaborating with Gilson Willets on the scenario. Howey was said to have based the story on several blackmailing cases he encountered during his career in journalism. An article in the 17 Feb 1917 Motography claimed that Selig produced the film for the express purpose of educating the public on various methods used by swindlers. The scenario was reportedly inspired by true incidents, with the addition of a fictional romance “to build the individual incidents into connected narrative.” Will Machin was listed in the Motography item as a cast member.
       Beware of Strangers was released on a states’ rights basis, and made its Chicago, IL, debut on 10 Feb 1917 at the La Salle Theatre. News items in the 2 Mar 1917 Var and 10 Mar 1917 Moving Picture World revealed that, although admission was restricted to adult patrons, ...

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The 9 Dec 1916 Motion Picture News reported that the eight-reel feature was to be filmed at the Selig Zoo in the Lincoln Heights district of Los Angeles, CA. According to the 6 Jan 1917 Motography, William Farnum was initially cast as the leading man; he was later replaced by Thomas Santschi. Also appearing in the picture were Clarissa Selwynne, as noted in the 12 Apr 1917 Motion Picture Studio Directory.
       The completion of principal photography was announced in the 13 Jan 1917 Motion Picture News. The 27 Jan 1917 issue credited Walter C. Howey, former city editor of the Chicago Tribune, with conceiving “the basic idea” for the film and collaborating with Gilson Willets on the scenario. Howey was said to have based the story on several blackmailing cases he encountered during his career in journalism. An article in the 17 Feb 1917 Motography claimed that Selig produced the film for the express purpose of educating the public on various methods used by swindlers. The scenario was reportedly inspired by true incidents, with the addition of a fictional romance “to build the individual incidents into connected narrative.” Will Machin was listed in the Motography item as a cast member.
       Beware of Strangers was released on a states’ rights basis, and made its Chicago, IL, debut on 10 Feb 1917 at the La Salle Theatre. News items in the 2 Mar 1917 Var and 10 Mar 1917 Moving Picture World revealed that, although admission was restricted to adult patrons, the film played to standing-room-only crowds. Critical notices were equally enthusiastic. The 24 Feb 1917 Motography noted that a private screening was attended by Illinois State’s Attorney Maclay Hoyne, District Attorney Charles F. Clyne, and William A. Pinkerton of the Pinkerton Detective Agency. The 31 Mar 1917 Moving Picture World later reported that Hoyne officially endorsed the film.
       Exchanges handling the release included Jones, Linick & Schaefer, serving Illinois and Indiana (24 Feb 1917 Moving Picture World); Nat Magner of San Francisco, CA (10 Mar 1917 Var); the Hatch Film Co. of Newark, NJ (24 Mar 1917 Moving Picture World); James Barton of California, New York Metro Film Service, Metro Film Exchange of Boston, MA, and Joseph F. Lee of New York City (31 Mar 1917 Moving Picture World); Frank G. Hall of Newark, NJ (14 Apr 1917 Motion Picture News); Masterpiece Film Attractions (14 Apr 1917 Motography); and Kansas City Feature Film Co. (2 Jun 1917 Motion Picture News.)
       The 16 Jun 1917 Motography listed the running length at 7,000 feet, indicating that approximately one reel had been cut from the initial release print.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
9 Dec 1916
p. 3648
Motion Picture News
13 Jan 1917
p. 240
Motion Picture News
27 Jan 1917
p. 575
Motion Picture News
24 Feb 1917
p. 1215, 1246
Motion Picture News
3 Mar 1917
p. 1407, 1425
Motion Picture News
14 Apr 1917
p. 2352
Motion Picture News
2 Jun 1917
p. 3419
Motion Picture Studio Directory
12 Apr 1917
p. 123
Motography
6 Jan 1917
p. 44
Motography
20 Jan 1917
p. 140
Motography
17 Feb 1917
p. 369
Motography
24 Feb 1917
p. 425, 435
Motography
14 Apr 1917
p. 784
Motography
16 Jun 1917
p. 1292
Moving Picture World
10 Feb 1917
p. 876
Moving Picture World
24 Feb 1917
p. 1192
Moving Picture World
10 Mar 1917
p. 1556, 1591
Moving Picture World
24 Mar 1917
p. 1963
Moving Picture World
31 Mar 1917
p. 2127
Moving Picture World
24 Nov 1917
p. 1187
NYDM
27 Jan 1917
p. 61
Variety
2 Mar 1917
p. 38
Variety
10 Mar 1917
p. 28
DETAILS
Release Date:
February 1917
Premiere Information:
Chicago opening: 10 Feb 1917
Production Date:
ended early Jan 1917
Physical Properties:
Silent
Black and White
Length(in reels):
7-8
Country:
United States
Language:
English
SYNOPSIS

John Mentor poses as a prominent businessman while secretly heading a crime syndicate. Upon learning the truth about John, his daughter, Madeleine, severs all ties with him. The syndicate robs small-town banker Harry Lyttle by exploiting his credulity and greed with the help of a clairvoyant. Harry's losses lead to the bank's failure, incurring the hatred of his sweetheart, who joins the syndicate and uses him as a stooge. Their next victim is a millionaire, framed for transporting a young girl across state lines for immoral purposes. However, the organization ultimately sabotages itself by inadvertently robbing Madeleine, who then assists government officials in bringing indictments against her father and his ...

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John Mentor poses as a prominent businessman while secretly heading a crime syndicate. Upon learning the truth about John, his daughter, Madeleine, severs all ties with him. The syndicate robs small-town banker Harry Lyttle by exploiting his credulity and greed with the help of a clairvoyant. Harry's losses lead to the bank's failure, incurring the hatred of his sweetheart, who joins the syndicate and uses him as a stooge. Their next victim is a millionaire, framed for transporting a young girl across state lines for immoral purposes. However, the organization ultimately sabotages itself by inadvertently robbing Madeleine, who then assists government officials in bringing indictments against her father and his gang.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.