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HISTORY

The recent completion of principal photography was reported in the 3 Mar 1917 Motion Picture News. The film was referred to as The Ashes of Hatred, which may have been a working title. Production took place at Jesse L. Lasky Feature Play Co. studios in Hollywood, CA, according to the 7 Apr 1917 Moving Picture World. The 21 Apr 1917 issue noted that location scenes were shot in “old Mexico” and in unidentified parts of California.
       The Cost of Hatred was released on 9 Apr 1917, with openings that same week at the Strand Theatre in New York City and the Alhambra Theatre in El Paso, TX. ...

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The recent completion of principal photography was reported in the 3 Mar 1917 Motion Picture News. The film was referred to as The Ashes of Hatred, which may have been a working title. Production took place at Jesse L. Lasky Feature Play Co. studios in Hollywood, CA, according to the 7 Apr 1917 Moving Picture World. The 21 Apr 1917 issue noted that location scenes were shot in “old Mexico” and in unidentified parts of California.
       The Cost of Hatred was released on 9 Apr 1917, with openings that same week at the Strand Theatre in New York City and the Alhambra Theatre in El Paso, TX.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
El Paso Times [El Paso, TX]
8 Apr 1917
p. 14
Exhibitors Trade Review
14 Apr 1917
p. 1322
Motion Picture News
10 Feb 1917
p. 892
Motion Picture News
3 Mar 1917
p. 1382
Motion Picture News
21 Apr 1917
p. 2518
Motography
14 Apr 1917
p. 800
Motography
21 Apr 1917
p. 848
Moving Picture World
7 Apr 1917
p. 121
Moving Picture World
21 Apr 1917
p. 436
NYDM
14 Apr 1917
p. 27
Variety
13 Apr 1917
p. 25
Wid's Daily
19 Apr 1917
p. 253
DETAILS
Alternate Title:
Ashes of Hatred
Release Date:
9 April 1917
Premiere Information:
New York opening: week of 8 Apr 1917; El Paso, TX, opening: 9 Apr 1917
Production Date:
ended late Feb 1917
Copyright Info
Claimant
Date
Copyright Number
Jesse L. Lasky Feature Play Co.
2 April 1917
LP10490
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Elsie Graves, the young wife of the cruel and abusive Justus Graves, falls in love with Robert Amory, the gentle widower who lives next door with his son, Ned. Justus discovers his wife in Robert's arms and shoots his rival, then flees to Mexico with his young daughter, Sarita. Years later, Ned Amory, who has grown into a fine young man, accepts a diplomatic position in Mexico City. He is robbed along the way and jailed in a small Mexican settlement. Justus learns of Ned’s situation and convinces a local official to place the young man in his custody. Consumed by his grudge against Robert, Justus treats Ned as a slave, which first arouses Sarita's pity and then her love. She helps Ned escape and together they flee to the U.S. Justus follows, only to find the couple married and safe across the Rio Grande. He begs Sarita to return, but she refuses, leaving the old man to realize the terrible cost of his ...

More Less

Elsie Graves, the young wife of the cruel and abusive Justus Graves, falls in love with Robert Amory, the gentle widower who lives next door with his son, Ned. Justus discovers his wife in Robert's arms and shoots his rival, then flees to Mexico with his young daughter, Sarita. Years later, Ned Amory, who has grown into a fine young man, accepts a diplomatic position in Mexico City. He is robbed along the way and jailed in a small Mexican settlement. Justus learns of Ned’s situation and convinces a local official to place the young man in his custody. Consumed by his grudge against Robert, Justus treats Ned as a slave, which first arouses Sarita's pity and then her love. She helps Ned escape and together they flee to the U.S. Justus follows, only to find the couple married and safe across the Rio Grande. He begs Sarita to return, but she refuses, leaving the old man to realize the terrible cost of his hatred.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.