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HISTORY

This film opened on 12 September 1917 at the Park Theater in New York for a ten-day run. Because of the huge crowds at the premiere, it was necessary to call out police reserves. Many of the character names in this film are not historically accurate.
       For information concerning other films about Rasputin, see the notes to The Fall of the Romanoffs.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
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This film opened on 12 September 1917 at the Park Theater in New York for a ten-day run. Because of the huge crowds at the premiere, it was necessary to call out police reserves. Many of the character names in this film are not historically accurate.
       For information concerning other films about Rasputin, see the notes to The Fall of the Romanoffs.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motog
6 Oct 1917
p. 736
Motion Picture News
29 Sep 1917
p. 2161
Moving Picture World
29 Sep 1917
p. 2008
Moving Picture World
17 Feb 1917
p. 1089
Moving Picture World
20 Oct 1917
p. 441, 444
NYDM
22 Sep 1917
p. 18
New York Times
13 Sep 1917
p. 11
Variety
14 Sep 1917
p. 35
Wid's
11 Oct 1917
p. 650
DETAILS
Release Date:
8 October 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
World Film Corp.
5 October 1917
LU11502
Physical Properties:
Silent
Black and White
Length(in reels):
7-8
Country:
United States
SYNOPSIS

Gregory Novik, an ambitious Russian peasant who is hated by his fellow villagers, enjoys his hypnotic power over women, including Inez, the wife of revolutionary leader Raff. Gregory leaves disguised as a monk, and while drinking with a secret service agent, betrays Raff, who is captured. The agent persuades Gregory to go to St. Petersburg, where Gregory becomes known as Rasputin and converts a following of prominent people to his teachings that the inhibition of physical cravings is evil. When the young Czarevitch develops an illness that doctors diagnose as incurable, Rasputin saves him, but warns that he must always stay near him. Sixteen years later, during World War I, Rasputin, who flaunts his immense power, conspires with the Germans to cripple the Russian army. After Princess Sonia repulses Rasputin's advances, he lures Raff's daughter Ilda to his room and is embracing her when a message comes from Sonia. As he searches for Sonia, Rasputin is killed by Raff and his body is dumped into the river. The Czar attempts to dissolve the Duma, but Kerensky's eloquence encourages the members to remain, and the Czar is ...

More Less

Gregory Novik, an ambitious Russian peasant who is hated by his fellow villagers, enjoys his hypnotic power over women, including Inez, the wife of revolutionary leader Raff. Gregory leaves disguised as a monk, and while drinking with a secret service agent, betrays Raff, who is captured. The agent persuades Gregory to go to St. Petersburg, where Gregory becomes known as Rasputin and converts a following of prominent people to his teachings that the inhibition of physical cravings is evil. When the young Czarevitch develops an illness that doctors diagnose as incurable, Rasputin saves him, but warns that he must always stay near him. Sixteen years later, during World War I, Rasputin, who flaunts his immense power, conspires with the Germans to cripple the Russian army. After Princess Sonia repulses Rasputin's advances, he lures Raff's daughter Ilda to his room and is embracing her when a message comes from Sonia. As he searches for Sonia, Rasputin is killed by Raff and his body is dumped into the river. The Czar attempts to dissolve the Duma, but Kerensky's eloquence encourages the members to remain, and the Czar is exiled.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.