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HISTORY

The start of principal photography under the working title, The Great Green Eye, was reported in the 13 January 1917 Motion Picture News. Weeks later, the 17 February 1917 Motion Picture listed the official title as His Father’s Son, with a tentative release date of 16 April 1917.
       The film was released on 19 March 1917, followed by openings during the week of 25 March 1917 at the Park Theatre in Boston, MA; on 30 March 1917 at Moore’s Strand Theatre in Washington, DC; and on 5 April 1917 at the Palace Theatre in Des Moines, IA.
       That same year, Paramount Pictures Corp. released The Son of His Father (see entry), referred to by the November 1917 Picture-Play and the 17 November 1917 Motion Picture News as His Father’s Son. An unrelated short subject with the same title was released by Universal Film Mfg. Co. in 1912.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.
...

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The start of principal photography under the working title, The Great Green Eye, was reported in the 13 January 1917 Motion Picture News. Weeks later, the 17 February 1917 Motion Picture listed the official title as His Father’s Son, with a tentative release date of 16 April 1917.
       The film was released on 19 March 1917, followed by openings during the week of 25 March 1917 at the Park Theatre in Boston, MA; on 30 March 1917 at Moore’s Strand Theatre in Washington, DC; and on 5 April 1917 at the Palace Theatre in Des Moines, IA.
       That same year, Paramount Pictures Corp. released The Son of His Father (see entry), referred to by the November 1917 Picture-Play and the 17 November 1917 Motion Picture News as His Father’s Son. An unrelated short subject with the same title was released by Universal Film Mfg. Co. in 1912.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Boston Post [Boston, MA]
30 Mar 1917
p. 17
Des Moines News [Des Moines, IA]
5 Apr 1917
p. 5
Exhibitors Trade Review
31 Mar 1917
p. 1180
Motion Picture News
13 Jan 1917
p. 226
Motion Picture News
17 Feb 1917
p. 1095
Motion Picture News
31 Mar 1917
p. 2032
Motion Picture News
17 Nov 1917
p. 3448
Motography
31 Mar 1917
p. 697
Moving Picture World
13 Jan 1917
p. 222
Moving Picture World
10 Feb 1917
p. 632
Moving Picture World
24 Feb 1917
p. 1216
Moving Picture World
10 Mar 1917
p. 1594
Moving Picture World
24 Mar 1917
p. 1987
Moving Picture World
31 Mar 1917
p. 2121, 2174
NYDM
30 Dec 1916
p. 28
NYDM
31 Mar 1917
p. 26
Photoplay
Jan 1918
pp. 67-68
Picture-Play
Nov 1917
p. 140
Variety
23 Mar 1917
p. 20
Washington Herald [Washington, DC]
25 Mar 1917
p. 3
Wid's Daily
22 Mar 1917
p. 185
DETAILS
Alternate Title:
The Great Green Eye
Release Date:
19 March 1917
Premiere Information:
Boston, MA, opening: week of 25 Mar 1917; Washington, DC, opening: 30 Mar 1917; Des Moines, IA, opening: 5 Apr 1917
Production Date:
began late Dec 1916or early Jan 1917
Copyright Info
Claimant
Date
Copyright Number
Rolfe Photoplays, Inc.
17 March 1917
LP10401
Physical Properties:
Silent
Black and White
Duration(in mins):
64
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

When J. Dabney Barron flunks out of college, his father, wealthy gem connoisseur Adam Barron, cancels the youth’s allowance and wagers that he will be unable to hold a modest job for one month. Dabney finds employment at a detective agency, where he is assigned to protect a valuable emerald in the home of John Arden. Posing as the Arden’s butler, Dabney successfully guards the gem for thirty days. Dabney proclaims his love for John's daughter, Betty, but he is fired when her father discovers them in an embrace. As he prepares to leave, Dabney comes upon Lord Lawrence, a house guest, breaking into John’s safe. Dabney overpowers the thief, wins the bet as well as Betty's love, and proves himself to be his father's ...

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When J. Dabney Barron flunks out of college, his father, wealthy gem connoisseur Adam Barron, cancels the youth’s allowance and wagers that he will be unable to hold a modest job for one month. Dabney finds employment at a detective agency, where he is assigned to protect a valuable emerald in the home of John Arden. Posing as the Arden’s butler, Dabney successfully guards the gem for thirty days. Dabney proclaims his love for John's daughter, Betty, but he is fired when her father discovers them in an embrace. As he prepares to leave, Dabney comes upon Lord Lawrence, a house guest, breaking into John’s safe. Dabney overpowers the thief, wins the bet as well as Betty's love, and proves himself to be his father's son.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.