Frisco Sally Levy (1927)

Romantic comedy | 2 April 1927

Director:

William Beaudine

Cinematographer:

Max Fabian

Editor:

Blanche Sewell

Production Designers:

Cedric Gibbons, David Townsend

Production Company:

Metro-Goldwyn-Mayer Corp.
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HISTORY

       According to the 2 Jan 1927 FD, Rex Neal was signed to write "gags" for Frisco Sally Levy, but he was not listed in credits.
       Copyright records list the film as 8 ... More Less

       According to the 2 Jan 1927 FD, Rex Neal was signed to write "gags" for Frisco Sally Levy, but he was not listed in credits.
       Copyright records list the film as 8 reels. More Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
2 Jan 1927
p. 6.
Film Daily
17 Apr 1927.
---
MPW
23 Apr 1927.
---
New York Times
13 Apr 27
p. 29.
Variety
13 Apr 27
p. 18.
DETAILS
Release Date:
2 April 1927
Copyright Claimant:
Metro-Goldwyn-Mayer Distributing Corp.
Copyright Date:
2 May 1927
Copyright Number:
LP23919
Physical Properties:
Silent
Black and White
Length(in feet):
6,900
Length(in reels):
7
Country:
United States
Language:
English
Passed by NBR:
No
SYNOPSIS

Sally Colleen Lapidowitz, the daughter of an orthodox Jewish father and an intensely Irish mother, is the steady girl of Patrick Sweeney, a motorcycle cop. Sally becomes infatuated with Stuart Gold, a Jewish dandy, who, though he is approved by her father, soon proves himself to be a worthless cad. Patrick rescues her from the dandy, and all ends happily in the Hebrew-Irish ... +


Sally Colleen Lapidowitz, the daughter of an orthodox Jewish father and an intensely Irish mother, is the steady girl of Patrick Sweeney, a motorcycle cop. Sally becomes infatuated with Stuart Gold, a Jewish dandy, who, though he is approved by her father, soon proves himself to be a worthless cad. Patrick rescues her from the dandy, and all ends happily in the Hebrew-Irish family. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.