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SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
27 Jul 1918
p. 669
ETR
3 Aug 1918
p. 752
MPN
3 Aug 1918
p. 719
MPN
18 May 1918
p. 1042
MPW
3 Aug 1918
p. 695
MPW
10 Aug 1918
p. 881
NYDM
17 Aug 1918
p. 239
Variety
9 Aug 1918
p. 33
Wid's
28 Jul 1918
p. 6
DETAILS
Release Date:
28 July 1918
Production Date:

Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

After the Du Bois family moves to the Canadian Northwest, young Horace Du Bois falls in with Black Fagan, the crooked manager of the Athabasca Fur Co. His brother Jean, meanwhile, settles in nearby Pine Prairie as a free trader in defiance of the Athabasca company, which controls the town. When Jean's friend Semcoe Charlie kills Fagan, Santel, Fagan's assistant, asks Horace to take charge of Pine Prairie, so Horace and his wife Eleanor move there under assumed identities. Santel is killed when Jean leads a successful attack against the company, and Horace is filled with remorse. Although Eleanor has fallen in love with Jean, she decides to remain with her husband, who needs her ...

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After the Du Bois family moves to the Canadian Northwest, young Horace Du Bois falls in with Black Fagan, the crooked manager of the Athabasca Fur Co. His brother Jean, meanwhile, settles in nearby Pine Prairie as a free trader in defiance of the Athabasca company, which controls the town. When Jean's friend Semcoe Charlie kills Fagan, Santel, Fagan's assistant, asks Horace to take charge of Pine Prairie, so Horace and his wife Eleanor move there under assumed identities. Santel is killed when Jean leads a successful attack against the company, and Horace is filled with remorse. Although Eleanor has fallen in love with Jean, she decides to remain with her husband, who needs her more.

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GENRE
Genre:
Sub-genre:
Northwest


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.