Every Mother's Son (1918)

Drama | 1 December 1918

Full page view
HISTORY

This film was originally entitled Eighteen to Forty-Five. MPN credits Anthony Paul Kelly with the scenario for Eighteen to Forty-Five.
       According to a news item, William Fox originally intended to show the film as a special road attraction, but the influenza epidemic interfered with his plan.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021. ...

More Less

This film was originally entitled Eighteen to Forty-Five. MPN credits Anthony Paul Kelly with the scenario for Eighteen to Forty-Five.
       According to a news item, William Fox originally intended to show the film as a special road attraction, but the influenza epidemic interfered with his plan.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

Less

SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
30 Nov 1918
p. 2025
Exhibitors Trade Review
7 Dec 1918
p. 52
Exhibitors Trade Review
28 Dec 1918
p. 343
MPN
6 Jul 1918
p. 113
MPW
4 Jan 1919
p. 114, 117
Wid's
5 Jan 1919
pp. 21-22
DETAILS
Alternate Title:
Eighteen to Forty-Five
Release Date:
1 December 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
William Fox
15 December 1918
LP13200
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

When the United States enters World War I, a mother sends her two eldest sons off to the battlefields with a smile, although her heart is breaking. She soon learns that the eldest is missing and the second son is wounded, however, and resolves to keep her youngest at home. The boy, due to the influence of pacifist literature, willingly accompanies his mother on a secret journey to their seaside home, but the father, ashamed that his son is a "slacker," discovers their whereabouts. The three are in the midst of a heated argument when the pitiful survivors of a ship destroyed offshore by a German U-boat come to the house seeking refuge. The mother and son realize the importance of the cause and the son enlists. At Christmas, all three sons come home, the eldest accompanied by his new French ...

More Less

When the United States enters World War I, a mother sends her two eldest sons off to the battlefields with a smile, although her heart is breaking. She soon learns that the eldest is missing and the second son is wounded, however, and resolves to keep her youngest at home. The boy, due to the influence of pacifist literature, willingly accompanies his mother on a secret journey to their seaside home, but the father, ashamed that his son is a "slacker," discovers their whereabouts. The three are in the midst of a heated argument when the pitiful survivors of a ship destroyed offshore by a German U-boat come to the house seeking refuge. The mother and son realize the importance of the cause and the son enlists. At Christmas, all three sons come home, the eldest accompanied by his new French bride.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Psycho

Actor Vaughn Taylor's surname is misspelled "Tayler" in the onscreen credits. Several Jun and Jul 1959 HR news items erroneously refer to the film as Psyche. ... >>

Blue Movie

The 25 Jun 1969 Var review noted that Blue Movie was shot in Sep 1968 in New York City. Along with several other contemporary sources, ... >>

Batman Returns

According to a 14 Jun 1992 LAT article, Warner Bros. was very eager for Tim Burton to direct the sequel to his 1989 film Batman ... >>

The Grapes of Wrath

According to materials contained in the Twentieth Century-Fox Records of the Legal Department at the UCLA Theater Arts Library, Fox paid John Steinbeck $70,000 for the rights to his ... >>

2001: A Space Odyssey

Opening credits precede a title card that reads: "The Dawn of Man."
       In an interview in the 16 Jan 1966 NYT, writer-director-producer Stanley Kubrick discussed ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.