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HISTORY

The start of principal photography at the Triangle Film Corp. Studios in Culver City, CA, was announced in the 13 October 1917 Motography. The picture was referred to by its working title, External Circumstances. At the time of the article, Triangle was investing approximately $500,000 in expanding its facility to twenty-six acres. One week later, the close of production was reported in the 20 October 1917 Motion Picture News. The film had since been retitled Easy Money. Soon after, the 26 October 1917 Variety stated that Mildred Considine, who wrote the original story for the picture, had left Triangle to become the continuity editor for the Norma Talmadge Film Corp.
       The film was released on 30 December 1917 as Framing Framers. At least one source has included A Made-to-Order Derelict as a working title, although this cannot be verified from available publications. Other sources have credited Henri D’Elba as director, but the majority appear to have credited Ferris Hartman.
       The 19 January 1918 Exhibitors Herald listed the following edits to the picture, as determined by the Chicago, IL, Board of Censors: In Reel 4, scenes of men being beaten, gagged, choked, and forced into automobiles; in Reel 5, someone being choked during a fight inside a house.
       A chart in the 2 March 1918 Motion Picture News indicated that the picture was doing average business across the U.S.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
...

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The start of principal photography at the Triangle Film Corp. Studios in Culver City, CA, was announced in the 13 October 1917 Motography. The picture was referred to by its working title, External Circumstances. At the time of the article, Triangle was investing approximately $500,000 in expanding its facility to twenty-six acres. One week later, the close of production was reported in the 20 October 1917 Motion Picture News. The film had since been retitled Easy Money. Soon after, the 26 October 1917 Variety stated that Mildred Considine, who wrote the original story for the picture, had left Triangle to become the continuity editor for the Norma Talmadge Film Corp.
       The film was released on 30 December 1917 as Framing Framers. At least one source has included A Made-to-Order Derelict as a working title, although this cannot be verified from available publications. Other sources have credited Henri D’Elba as director, but the majority appear to have credited Ferris Hartman.
       The 19 January 1918 Exhibitors Herald listed the following edits to the picture, as determined by the Chicago, IL, Board of Censors: In Reel 4, scenes of men being beaten, gagged, choked, and forced into automobiles; in Reel 5, someone being choked during a fight inside a house.
       A chart in the 2 March 1918 Motion Picture News indicated that the picture was doing average business across the U.S.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
5 Jan 1918
pp. 33-34
Exhibitors Herald
19 Jan 1918
p. 31
Exhibitors Trade Review
5 Jan 1918
p. 451
Motion Picture News
20 Oct 1917
p. 2730
Motion Picture News
24 Nov 1917
p. 3672
Motion Picture News
12 Jan 1918
p. 292
Motion Picture News
2 Mar 1918
p. 1269
Motography
13 Oct 1917
p. 759, 784
Motography
19 Jan 1918
p. 138
Moving Picture World
12 Jan 1918
p. 276
Moving Picture World
2 Feb 1918
p. 730
NYDM
29 Sep 1917
p. 2004
Variety
26 Oct 1917
p. 26
Variety
4 Jan 1918
p. 43
Wid's
3 Jan 1918
pp. 850-851
Wid's Year Book
1918
p. 165
DETAILS
Alternate Titles:
A Made-to-Order Derelict
Easy Money
External Circumstances
Release Date:
30 December 1917
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
4,065
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Gordon Travis, a young and ambitious reporter on Sylvester Brandon's newspaper, becomes involved in the political rivalry between two candidates for mayor when he covers the aborted wedding of Ruth Westfall, the daughter of candidate Harrison Westfall. Because Gordon uncovers potentially damaging information about Harrison, the politician sends two thugs to beat him senseless. Sylvester, Harrison’s rival, comes upon the dazed and dishevelled reporter, mistaking him for a derelict. The candidate contends that any tramp, when properly attired, can win acceptance into society, even to the point of marrying an aristocrat. Gordon goes along with the scheme, enabling him to court and win Ruth, which Sylvester hopes will spell political ruin for his opponent. After compelling the two corrupt politicians to abandon their mayoral bids, Gordon decides to seek the office himself, winning the election and a ...

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Gordon Travis, a young and ambitious reporter on Sylvester Brandon's newspaper, becomes involved in the political rivalry between two candidates for mayor when he covers the aborted wedding of Ruth Westfall, the daughter of candidate Harrison Westfall. Because Gordon uncovers potentially damaging information about Harrison, the politician sends two thugs to beat him senseless. Sylvester, Harrison’s rival, comes upon the dazed and dishevelled reporter, mistaking him for a derelict. The candidate contends that any tramp, when properly attired, can win acceptance into society, even to the point of marrying an aristocrat. Gordon goes along with the scheme, enabling him to court and win Ruth, which Sylvester hopes will spell political ruin for his opponent. After compelling the two corrupt politicians to abandon their mayoral bids, Gordon decides to seek the office himself, winning the election and a wife.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.