The 13 April 1918 Motion Picture News announced that Frank Keenan's company was "at work on a situation comedy titled More Trouble....This picture will be finished within the next few days." A months later, the 18 May 1918 Exhibitors Herald reported that Keenan was completing More Trouble. Filming was done at the Paralta studio located at the Robert Brunton Studios, 5341 Melrose Avenue, in Hollywood, CA. The 8 June 1918 Moving Picture World gave this description of the story: "More Trouble is something entirely new, not only for Frank Keenan, but for the screen—a comedy-drama, almost a farce-comedy, in which there is not a single comedy character, in which every person is properly serious and in which the events that throw them together, following in rapid succession, create one laughable situation after another."
       The Exhibitors Herald and Motography noted that the Chicago Board of Censors asked for only one cut: "Reel 5, three scenes of attack on policeman."
       Film Fun ran a page of five photographs from the picture.
       More Trouble was pre-released at the Rivoli Theatre, 1620 Broadway, in New York City during the week of 26 May 1918, despite its regular release date being over a month away, the 8 June 1918 Moving Picture World reported. The film returned to the Rivoli for its regular opening on 14 July 1918. Reviews were uniformly glowing, and sales were brisk. According to Motography, "This ought to make any audience happy, because the plot is rather original and Keenan is even better as a comedian than as a tragedian, and his troubles come thick and fast....[T]he beautiful settings make the fun all the more hilarious."
       Besides supplying scripts to film companies, Ouida Bergere worked as a casting director, actors agent, and publicist, according to a profile in the 4 May 1918 Moving Picture World. At the time of this picture, she was planning to open a Los Angeles office in addition to her New York office.
       Wid's listed the scenarist as Jack Cunningham. The MPSD credited Jules Furthman as the scenarist, as does at least one modern source. Most reviews, however, credited Ouida Bergère. Various release dates were listed in reviews.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.