The Soul of Buddha (1918)
Drama | 21 April 1918
An advertising guide notes that the story was "founded on the case of Mata Hari, the Parisian dancer who was exectued as a German spy." Reviewers give Theda Bara's character various names.
According the Theda Bara's unfinished and unpublished ghost-written autobiography, Bara wrote the screen story for The Soul of Buddha on a train trip frpm Los Angeles to New York as a form of repayment to William Fox. She had taken some of the costumes she had worn in her role as Cleopatra because she could not bear the prospect of seeing them re-purposd in other films, and felt guilty for having done so. When she handed the story to William Fox at his office in New York and explained what she had done, Fox told her the gesture wasn't necessary, but he accepted the story anyway. ...
An advertising guide notes that the story was "founded on the case of Mata Hari, the Parisian dancer who was exectued as a German spy." Reviewers give Theda Bara's character various names.
According the Theda Bara's unfinished and unpublished ghost-written autobiography, Bara wrote the screen story for The Soul of Buddha on a train trip frpm Los Angeles to New York as a form of repayment to William Fox. She had taken some of the costumes she had worn in her role as Cleopatra because she could not bear the prospect of seeing them re-purposd in other films, and felt guilty for having done so. When she handed the story to William Fox at his office in New York and explained what she had done, Fox told her the gesture wasn't necessary, but he accepted the story anyway.
To save her flirtatious daughter Bava from probable ruin, a Javanese mother dedicates the girl as a sacred dancer in the service of Buddha. Bava's eye continues to rove, however, and when she finally runs away with Sir John Dare, a British officer stationed in Java, Ysora, the high priest, vows to avenge her insult to the god. The fog of her husband's native Scotland so depresses Bava that they soon return to Java, where their baby is born. After the high priest kills the child, the couple flees to Paris, and while Sir John is visiting Scotland, his restless wife visits an Apache cabaret. Seeing the dancers whirl on the stage, Bava is seized with the desire to perform a Javanese dance, which so impresses a theatrical agent that he immediately offers her a contract. News of Bava's budding affair with Count Romaine reaches Sir John, who returns to Paris and kills himself in her dressing room. Bava hides his body and nonchalantly receives visitors, after which she mounts the stage for her dance. Suddenly one of the Buddha figures seated near the rear of the stage, actually Ysora, comes to life, and Bava dies under his ...
To save her flirtatious daughter Bava from probable ruin, a Javanese mother dedicates the girl as a sacred dancer in the service of Buddha. Bava's eye continues to rove, however, and when she finally runs away with Sir John Dare, a British officer stationed in Java, Ysora, the high priest, vows to avenge her insult to the god. The fog of her husband's native Scotland so depresses Bava that they soon return to Java, where their baby is born. After the high priest kills the child, the couple flees to Paris, and while Sir John is visiting Scotland, his restless wife visits an Apache cabaret. Seeing the dancers whirl on the stage, Bava is seized with the desire to perform a Javanese dance, which so impresses a theatrical agent that he immediately offers her a contract. News of Bava's budding affair with Count Romaine reaches Sir John, who returns to Paris and kills himself in her dressing room. Bava hides his body and nonchalantly receives visitors, after which she mounts the stage for her dance. Suddenly one of the Buddha figures seated near the rear of the stage, actually Ysora, comes to life, and Bava dies under his knife.
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