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HISTORY

Principal photography was underway by 19 July 1919, as indicated by that day’s issue of Motion Picture News, which reported that the company had transported a herd of camels and their keepers from Bridgeport, CT, to the Long Island, NY, community of Roslyn. Also appearing in the scene were numerous background actors costumed as Arabs. The film was referred to by its working title, Duty and the Woman, Olive Thomas’s third starring vehicle for Selznick Pictures Corp. Eight weeks later, the 6 September 1919 Exhibitors Herald and Motography announced the official title as The Glorious Lady. The 1920 and 1921 editions of Motion Picture News Studio Directory listed Louis J. O’Connor and Lorraine Harding as additional cast members.
       The Glorious Lady was released in October 1919, followed by a 3 November 1919 opening at Loew’s New York Theatre in New York City. On 6 December 1919, Exhibitors Herald stated that an “Olive Thomas beauty contest” was held in Baltimore, MD, sponsored by Selznick Pictures, columnist Norman Clark of the Baltimore News, and Bernard Depkin, Jr., manager of the Parkway Theatre. The winner, Victoria R. Groom, reportedly bore a striking resemblance to Olive Thomas and would likely be offered a “trial role” in an upcoming Selznick production in Fort Lee, NJ.
       Items in the 15 December 1919 Motion Picture Times and the 2 January 1920 Variety stated that a song named after the film and dedicated to Olive Thomas was to be published by Irving Berlin, Inc. The composers were not identified. ...

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Principal photography was underway by 19 July 1919, as indicated by that day’s issue of Motion Picture News, which reported that the company had transported a herd of camels and their keepers from Bridgeport, CT, to the Long Island, NY, community of Roslyn. Also appearing in the scene were numerous background actors costumed as Arabs. The film was referred to by its working title, Duty and the Woman, Olive Thomas’s third starring vehicle for Selznick Pictures Corp. Eight weeks later, the 6 September 1919 Exhibitors Herald and Motography announced the official title as The Glorious Lady. The 1920 and 1921 editions of Motion Picture News Studio Directory listed Louis J. O’Connor and Lorraine Harding as additional cast members.
       The Glorious Lady was released in October 1919, followed by a 3 November 1919 opening at Loew’s New York Theatre in New York City. On 6 December 1919, Exhibitors Herald stated that an “Olive Thomas beauty contest” was held in Baltimore, MD, sponsored by Selznick Pictures, columnist Norman Clark of the Baltimore News, and Bernard Depkin, Jr., manager of the Parkway Theatre. The winner, Victoria R. Groom, reportedly bore a striking resemblance to Olive Thomas and would likely be offered a “trial role” in an upcoming Selznick production in Fort Lee, NJ.
       Items in the 15 December 1919 Motion Picture Times and the 2 January 1920 Variety stated that a song named after the film and dedicated to Olive Thomas was to be published by Irving Berlin, Inc. The composers were not identified.
       A short-story adaptation of the scenario appeared in the November 1919 Motion Picture.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
6 Dec 1919
p. 59
Exhibitors Herald and Motography
6 Sep 1919
p. 63
Exhibitors Trade Review
8 Nov 1919
p. 1983
Motion Picture
Nov 1919
p. 62
Motion Picture News
19 Jul 1919
p. 755
Motion Picture News
15 Nov 1919
p. 3641
Motion Picture News Studio Directory
1920
p. 244
Motion Picture News Studio Directory
1921
p. 223
Motion Picture Times
15 Dec 1919
p. 14
Moving Picture World
8 Nov 1919
p. 246
Variety
7 Nov 1919
p. 97
Variety
2 Jan 1920
p. 28
Wid's Daily
9 Nov 1919
p. 11
Wid's Daily
14 Dec 1919
---
DETAILS
Alternate Title:
Duty and the Woman
Release Date:
October 1919
Premiere Information:
New York opening: 3 Nov 1919
Production Date:
Jul 1919
Copyright Info
Claimant
Date
Copyright Number
Selznick Pictures Corp.
7 October 1919
LP14275
Physical Properties:
Silent
Black and White
Length(in feet):
4,539
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In England, during a "point-to-point" horse race between commoners and aristocrats, the Duke of Loame is thrown from his horse and saved by Ivis Benson, a tenant farmer's daughter who was in the lead. The duke visits Ivis while she recovers from her injuries and they soon fall in love, much to the dismay of his mother and the bride she chose for him, Lady Eileen. After the duke and Ivis marry, the Dowager Duchess instructs Lady Eileen's brother, Dr. Neuman, to inform the duke that Ivis's injuries prevent her from bearing him an heir. Ivis overhears, and for the duke’s sake, attempts to alienate his affections. She feigns drunkenness in public to disgrace him, and when this fails, she simply leaves. However, a maid tells the duke of the scheme, and after he and Ivis are reunited, she gives birth to a ...

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In England, during a "point-to-point" horse race between commoners and aristocrats, the Duke of Loame is thrown from his horse and saved by Ivis Benson, a tenant farmer's daughter who was in the lead. The duke visits Ivis while she recovers from her injuries and they soon fall in love, much to the dismay of his mother and the bride she chose for him, Lady Eileen. After the duke and Ivis marry, the Dowager Duchess instructs Lady Eileen's brother, Dr. Neuman, to inform the duke that Ivis's injuries prevent her from bearing him an heir. Ivis overhears, and for the duke’s sake, attempts to alienate his affections. She feigns drunkenness in public to disgrace him, and when this fails, she simply leaves. However, a maid tells the duke of the scheme, and after he and Ivis are reunited, she gives birth to a son.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.