Hay Foot, Straw Foot (1919)

Comedy | 22 June 1919

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HISTORY

The copyright records for this film list the title as Hayfoot, Strawfoot.
       Principal photography took place on a recently constructed stage at Thomas H. Ince Studios in Culver City, CA, as noted in the 15 Feb 1919 Moving Picture World. A March-April 1919 press book, published by distributor Paramount Pictures Corp., announced the close of production. Lead actress Doris Lee later became known as Doris May.
       Hay Foot, Straw Foot was released on 22 June 1919, preceded by an 18 June 1919 opening at the Princess Theatre in Denver, CO, and followed by openings on 22 June 1919 at the Rialto Theatre in New York City, and on 28 July 1919 at Grauman’s Million Dollar Theatre in Los Angeles, CA.
       An article in the Apr 1957 American Heritage, explained the source of the film’s title as a Civil War era military marching drill, in which a strand of hay was tied to a new recruit’s left foot and a strand of straw to his right foot. The drill sergeant then chanted “hay foot, straw foot” to make the squad marched in unison.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2020. ...

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The copyright records for this film list the title as Hayfoot, Strawfoot.
       Principal photography took place on a recently constructed stage at Thomas H. Ince Studios in Culver City, CA, as noted in the 15 Feb 1919 Moving Picture World. A March-April 1919 press book, published by distributor Paramount Pictures Corp., announced the close of production. Lead actress Doris Lee later became known as Doris May.
       Hay Foot, Straw Foot was released on 22 June 1919, preceded by an 18 June 1919 opening at the Princess Theatre in Denver, CO, and followed by openings on 22 June 1919 at the Rialto Theatre in New York City, and on 28 July 1919 at Grauman’s Million Dollar Theatre in Los Angeles, CA.
       An article in the Apr 1957 American Heritage, explained the source of the film’s title as a Civil War era military marching drill, in which a strand of hay was tied to a new recruit’s left foot and a strand of straw to his right foot. The drill sergeant then chanted “hay foot, straw foot” to make the squad marched in unison.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2020.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
American Heritage
Apr 1957
---
Camera
27 Jul 1919
p. 10
Denver Jewish News [Denver, CO]
18 Jun 1919
---
Evening World [New York, NY]
21 Jun 1919
p. 4
Exhibitors Herald and Motography
21 Jun 1919
p. 62
Exhibitors Trade Review
5 Jul 1919
p. 391
Film Fun
Sep 1919
p. 15
Los Angeles Evening Post-Record [Los Angeles, CA]
26 Jul 1919
p. 9
Motion Picture News
28 Jun 1919
p. 184
Motion Picture News
5 Jul 1919
p. 389
Moving Picture World
15 Feb 1919
pp. 877-898
Moving Picture World
8 Jun 1919
---
New York Clipper
19 Feb 1919
p. 33
New York Morning Telegraph
28 Jun 1919
---
New York Times
23 Jun 1919
p. 10
Paramount Press Book Collection
Mar-Apr 1919
p. 7
Variety
20 Jun 1919
p. 51
Variety
27 Jun 1919
p. 45
Wid's Daily
27 Jun 1919
p. 9
Wid's Daily
29 Jun 1919
p. 22
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Jerome Storm
Dir
PRODUCER
WRITER
PHOTOGRAPHY
ART DIRECTORS
Art dir
Art titles
FILM EDITOR
Film ed
DETAILS
Alternate Title:
Hayfoot, Strawfoot
Release Date:
22 June 1919
Premiere Information:
Denver, CA, opening: 18 Jun 1919; New York opening: 22 Jun 1919; Los Angeles opening: 28 Jun 1919
Production Date:
Feb--Mar 1919
Copyright Info
Claimant
Date
Copyright Number
Thomas H. Ince
4 June 1919
LP13809
Physical Properties:
Silent
Black and White
Length(in feet):
5,097
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Ulysses S. Grant Briggs is raised by his grandfather Thaddeus, a Civil War veteran who served under General Grant. Their neighbor, former Confederate soldier Jeff Hanan, argues that General Robert E. Lee was the better man. However, when war is declared, Thaddeus and Jeff forget their differences and train Ulysses for military service. During an amateur show at the camp, Ulysses falls in love with dancer Betty Martin, but he remembers Thaddeus's admonition to "watch out for play actresses," and avoids her. When dissolute Harry Weller lures Betty to a notorious roadhouse, Ulysses follows, knowing he is at risk for a court martial. He comes to Betty’s rescue and prevents the military police from entering until she can escape through a window. Ulysses is arrested, but Thaddeus and Jeff cannot convince him to speak in his own defense. After Betty reveals the truth, the commanding officer, Thaddeus, and Jeff all agree that Ulysses behaved honorably, just as Generals Grant and Lee would have ...

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Ulysses S. Grant Briggs is raised by his grandfather Thaddeus, a Civil War veteran who served under General Grant. Their neighbor, former Confederate soldier Jeff Hanan, argues that General Robert E. Lee was the better man. However, when war is declared, Thaddeus and Jeff forget their differences and train Ulysses for military service. During an amateur show at the camp, Ulysses falls in love with dancer Betty Martin, but he remembers Thaddeus's admonition to "watch out for play actresses," and avoids her. When dissolute Harry Weller lures Betty to a notorious roadhouse, Ulysses follows, knowing he is at risk for a court martial. He comes to Betty’s rescue and prevents the military police from entering until she can escape through a window. Ulysses is arrested, but Thaddeus and Jeff cannot convince him to speak in his own defense. After Betty reveals the truth, the commanding officer, Thaddeus, and Jeff all agree that Ulysses behaved honorably, just as Generals Grant and Lee would have done.

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GENRE
Genre:
Sub-genre:
Rural


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.