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HISTORY

The scenario was based on the 1916 short story, "He That is Without Sin" by May Edginton, which first appeared in the March and April issues of Live Stories magazine.
       Principal photography began in December 1918 at Fox Studios in Fort Lee, NJ, under the official title, The Love Auction, as stated in the 27 December 1918 Wid’s Daily. The 18 January 1919 Motion Picture News indicated that the film had initially been named after Edginton’s original story. Although reviews in the 9 February 1919 Wid’s Daily, the 15 February 1919 Billboard, and the 22 February 1919 Motion Picture News attributed the scenario to Raymond L. Schrock, his name was crossed out in U.S. copyright records, which credited Julia Burnham and Edmund Lawrence.
       The Love Auction was released on 9 February 1919, and opened that same day at the Sun Theatre in Omaha, NE. The Billboard review, a portion of which was titled “The Woman’s Point of View,” condemned the weakness of the female protagonist, played by Virginia Pearson, noting that she did not “represent women as a class.”
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
...

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The scenario was based on the 1916 short story, "He That is Without Sin" by May Edginton, which first appeared in the March and April issues of Live Stories magazine.
       Principal photography began in December 1918 at Fox Studios in Fort Lee, NJ, under the official title, The Love Auction, as stated in the 27 December 1918 Wid’s Daily. The 18 January 1919 Motion Picture News indicated that the film had initially been named after Edginton’s original story. Although reviews in the 9 February 1919 Wid’s Daily, the 15 February 1919 Billboard, and the 22 February 1919 Motion Picture News attributed the scenario to Raymond L. Schrock, his name was crossed out in U.S. copyright records, which credited Julia Burnham and Edmund Lawrence.
       The Love Auction was released on 9 February 1919, and opened that same day at the Sun Theatre in Omaha, NE. The Billboard review, a portion of which was titled “The Woman’s Point of View,” condemned the weakness of the female protagonist, played by Virginia Pearson, noting that she did not “represent women as a class.”
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Billboard
15 Feb 1919
p. 63, 65
Exhibitors Trade Review
22 Feb 1919
p. 929
Motion Picture News
18 Jan 1919
p. 396
Motion Picture News
22 Feb 1919
p. 1222
Motion Picture News
1 Mar 1919
p. 1398
Moving Picture World
22 Feb 1919
p. 1108
New York Morning Telegraph
20 Jun 1919
p. 50
Omaha Daily Bee [Omaha, NE]
2 Feb 1919
p. 7B
Variety
28 Feb 1919
p. 56
Wid's Daily
27 Dec 1918
---
Wid's Daily
9 Feb 1919
p. 3
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Al Leach
Cam
SOURCES
LITERARY
Based on the short story, "He That Is Without Sin" by May Edginton ( Live Stories, Mar--Apr 1916).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
He That is Without Sin
Release Date:
9 February 1919
Premiere Information:
Omaha, NE, opening: 9 Feb 1919
Production Date:
began Dec 1918
Copyright Info
Claimant
Date
Copyright Number
William Fox
9 February 1919
LP13383
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In New York City, Lea Montrose marries wealthy Dorian Vanderveer, rather than Jack Harley, the man she truly loves. After a happy honeymoon, Dorian returns home one night in a state of inebriation, and Lea soon makes the awful discovery that her husband’s habitual drunkenness is hereditary. Although Dorian promises to reform, his many failures cause Lea to lose hope. She joins a spiritualist cult led by Dr. Studholm Charters, but only finds solace when Jack returns to the city after becoming a successful engineer. The birth of Lea's child prompts Dorian to seriously attempt a cure. Dr. Charters realizes that Jack is the father and demands that Lea sleep with him in exchange for his silence. Dorian ultimately learns the truth, and after a drinking binge, he kills the doctor. He then forgives Lea and commits suicide, freeing her to marry ...

More Less

In New York City, Lea Montrose marries wealthy Dorian Vanderveer, rather than Jack Harley, the man she truly loves. After a happy honeymoon, Dorian returns home one night in a state of inebriation, and Lea soon makes the awful discovery that her husband’s habitual drunkenness is hereditary. Although Dorian promises to reform, his many failures cause Lea to lose hope. She joins a spiritualist cult led by Dr. Studholm Charters, but only finds solace when Jack returns to the city after becoming a successful engineer. The birth of Lea's child prompts Dorian to seriously attempt a cure. Dr. Charters realizes that Jack is the father and demands that Lea sleep with him in exchange for his silence. Dorian ultimately learns the truth, and after a drinking binge, he kills the doctor. He then forgives Lea and commits suicide, freeing her to marry Jack.

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GENRE
Genre:
Sub-genre:
Social, Society


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.