Full page view
HISTORY

The 20 May 1927 Motion Picture News announced the provisionally titled Louisiana as the next “special” production by director George Fitzmaurice. The screenplay was based on the play, The Barber of New Orleans by Edward Childs Carpenter, which he adapted from his novel, The Code of Victor Jallot. John McCormick was credited as producer, and the screen adaptation was attributed to Bess Meredyth. She was ultimately replaced by Benjamin Glazer. Principal photography was scheduled to begin in mid-Aug 1927, as stated in the 5 Aug 1927 Motion Picture News. Sixteen days later, the 21 Aug 1927 Film Daily announced that lead actress Billie Dove was traveling from Chicago, IL, to California for the start of production. Principal photography was underway as of 12 Sep 1927, as noted in that day’s Film Daily.
       The 30 Sep 1927 Motion Picture News listed Mary Astor as a cast member, although she is not mentioned in other available sources. Location filming took place at Henneme Beach in Oxnard, CA, according to the 14 Oct 1927 Motion Picture News. Joining the cast were George Bunny, George Stone, and Paul Vincenti. Various sources have also included Richard Cramer, George Kotsonaros, Oliver Eckhardt, and Constantine Romanoff.
       Released as The Love Mart, the film may have premiered simultaneously on 3 Dec 1927 at the Granada Theatre in San Francisco, CA, and at Loew’s State Theatre in Los Angeles, CA; a review in the 7 Dec 1927 Var claimed that the Los Angeles debut ...

More Less

The 20 May 1927 Motion Picture News announced the provisionally titled Louisiana as the next “special” production by director George Fitzmaurice. The screenplay was based on the play, The Barber of New Orleans by Edward Childs Carpenter, which he adapted from his novel, The Code of Victor Jallot. John McCormick was credited as producer, and the screen adaptation was attributed to Bess Meredyth. She was ultimately replaced by Benjamin Glazer. Principal photography was scheduled to begin in mid-Aug 1927, as stated in the 5 Aug 1927 Motion Picture News. Sixteen days later, the 21 Aug 1927 Film Daily announced that lead actress Billie Dove was traveling from Chicago, IL, to California for the start of production. Principal photography was underway as of 12 Sep 1927, as noted in that day’s Film Daily.
       The 30 Sep 1927 Motion Picture News listed Mary Astor as a cast member, although she is not mentioned in other available sources. Location filming took place at Henneme Beach in Oxnard, CA, according to the 14 Oct 1927 Motion Picture News. Joining the cast were George Bunny, George Stone, and Paul Vincenti. Various sources have also included Richard Cramer, George Kotsonaros, Oliver Eckhardt, and Constantine Romanoff.
       Released as The Love Mart, the film may have premiered simultaneously on 3 Dec 1927 at the Granada Theatre in San Francisco, CA, and at Loew’s State Theatre in Los Angeles, CA; a review in the 7 Dec 1927 Var claimed that the Los Angeles debut occurred one day earlier. The picture went into general release on 18 Dec 1927, followed by a New York City opening the next week. Reviews were mixed: While some critics were impressed with both the cast and the screenplay, others complained of the picture’s slow pace. Several commended Billie Dove, who had previously been known more for her beauty than for her acting.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Film Daily
21 Aug 1927
p. 12, 13
Film Daily
12 Sep 1927
p. 6
Film Daily
2 Oct 1927
---
Film Daily
16 Oct 1927
p. 8
Film Daily
27 Dec 1927
p. 2
Film Daily
1 Jan 1928
p. 6
Film Daily
10 Jan 1928
p. 3
Film Spectator
10 Dec 1927
p. 13
Harrison's Reports
25 Feb 1928
p. 33
Hollywood Vagabond
6 Oct 1927
p. 6
Motion Picture News
29 Apr 1927
p. 1381
Motion Picture News
20 May 1927
p. 1949
Motion Picture News
5 Aug 1927
p. 401
Motion Picture News
30 Sep 1927
p. 1016
Motion Picture News
2 Oct 1927
p. 4
Motion Picture News
14 Oct 1927
p. 1182
Motion Picture News
9 Dec 1927
p. 1817
Motion Picture News
25 Feb 1928
p. 664
Moving Picture World
25 Jun 1927
---
New York Times
26 Dec 1927
p. 16
Photoplay
Feb 1928
p. 54
Picture Play
May 1928
p. 116
Variety
7 Dec 1927
p. 37
Variety
28 Dec 1927
p. 18
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Cullen B. Tate
Asst dir
PRODUCER
Richard A. Rowland
Pres
WRITERS
PHOTOGRAPHY
FILM EDITOR
Film ed
COSTUMES
Cost
SOURCES
LITERARY
Based on the novel The Code of Victor Jallot by Edward Childs Carpenter (Philadelphia, 1907).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Louisiana
Release Date:
18 December 1927
Premiere Information:
Los Angeles premiere: 2 or 3 Dec 1927; San Francisco premiere: 3 Dec 1927; New York opening: week of 26 Dec 1927
Production Date:
began early Sep 1927
Copyright Info
Claimant
Date
Copyright Number
First National Pictures, Inc.
12 December 1927
LP24753
Physical Properties:
Silent
Black and White
Length(in feet):
7,388
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

In 1808, illegal slave-running becomes a frequent practice along the Louisiana coast. Victor Jallot, a Creole aristocrat, and his black servant, Poupet, arrive in New Orleans, Louisiana, and join a card game, during which Victor wins the deed to a fencing academy. That night, Victor meets Antoinette Frobelle, the daughter of ship merchant Louis Frobelle, and carries her across a muddy street, angering her companion, Creole dandy Jean Delicado. Victor soon discovers that the "academy" is really an abandoned barbershop, where fencing is also taught. Regardless, Victor and Poupet go into business as a fencing teacher and assistant. Meanwhile, Louis is unable to pay his debts to slave runner Captain Remy. The latter retaliates by claiming that Antoinette is of African descent and places her on the auction block. Victor pawns his jewels to buy Antoinette’s freedom, then confesses his love for her. When a drunken Remy enters the barbershop, Victor threatens to slit his throat with a razor unless he tells the truth about Antoinette. Remy confesses, and is beaten by a group of Creoles for his effrontery. Antoinette embraces Victor, promising to be his slave forever. ...

More Less

In 1808, illegal slave-running becomes a frequent practice along the Louisiana coast. Victor Jallot, a Creole aristocrat, and his black servant, Poupet, arrive in New Orleans, Louisiana, and join a card game, during which Victor wins the deed to a fencing academy. That night, Victor meets Antoinette Frobelle, the daughter of ship merchant Louis Frobelle, and carries her across a muddy street, angering her companion, Creole dandy Jean Delicado. Victor soon discovers that the "academy" is really an abandoned barbershop, where fencing is also taught. Regardless, Victor and Poupet go into business as a fencing teacher and assistant. Meanwhile, Louis is unable to pay his debts to slave runner Captain Remy. The latter retaliates by claiming that Antoinette is of African descent and places her on the auction block. Victor pawns his jewels to buy Antoinette’s freedom, then confesses his love for her. When a drunken Remy enters the barbershop, Victor threatens to slit his throat with a razor unless he tells the truth about Antoinette. Remy confesses, and is beaten by a group of Creoles for his effrontery. Antoinette embraces Victor, promising to be his slave forever.

Less

GENRE
Genre:
Sub-genre:
Historical


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

The Terminator

A full-page advertisement in the 24 Feb 1984 DV announced the recent start of principal photography, referring to the film by its working title, Terminator. ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.