Wagon Tracks (1919)

Western | 20 July 1919

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HISTORY

The film begins with the following subtitle: "This is a story of the Santa Fe trail, where marched the pioneers, building a new Empire in the sand-rimmed wilderness."
       Several pre-release trade articles state that William S. Hart and Lambert Hillyer co-directed the film. The film credits Thomas A. Brierley with the film's art direction and Irwin J. Martin with its art titles.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. A restored copy was premiered at "Silents Under the Stars" at William S. Hart Park in Santa Clarita, CA, on 29 July 2017, exactly 98 years to the day after the original release. ...

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The film begins with the following subtitle: "This is a story of the Santa Fe trail, where marched the pioneers, building a new Empire in the sand-rimmed wilderness."
       Several pre-release trade articles state that William S. Hart and Lambert Hillyer co-directed the film. The film credits Thomas A. Brierley with the film's art direction and Irwin J. Martin with its art titles.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant. A restored copy was premiered at "Silents Under the Stars" at William S. Hart Park in Santa Clarita, CA, on 29 July 2017, exactly 98 years to the day after the original release.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
23 Aug 1919
p. 989
Motion Picture News
23 Aug 1919
p. 1685
Moving Picture World
26 Jul 1919
pp. 448-49
Moving Picture World
29 Feb 1920
p. 19
New York Times
11 Aug 1919
p. 9
Variety
15 Aug 1919
p. 71
Wid's
17 Aug 1919
p. 23
DETAILS
Release Date:
20 July 1919
Production Date:

Copyright Info
Claimant
Date
Copyright Number
William S. Hart Productions, Inc.
21 July 1919
LP13977
Physical Properties:
Silent
Black and White
Length(in feet):
5,158
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Desert guide Buckskin Hamilton learns that his brother Billy has been killed, supposedly by Jane Washburn in self-defense. As he leads a long wagon train, Buckskin suspects that Jane's gambling brother Donald, and his confederate, Guy Merton, are responsible. When the entire train is put on short allowance in the desert, Buckskin shows tenderness for the helpless, and wins the admiration of Jane, who confesses that Billy did not annoy her. Buckskin forces Donald and Merton to walk in the desert until heat and thirst cause the crazed men to believe that Donald killed Billy. When an Indian is killed by an emigrant, the band of Indians demand a life for a life, and Buckskin selects Donald. Donald tries to escape and is killed by the Indians. The wagon train reaches its destination. Jane, who has grown to love Buckskin, tries to stop him from continuing the trail, but he carries out his duty, telling her that he may return ...

More Less

Desert guide Buckskin Hamilton learns that his brother Billy has been killed, supposedly by Jane Washburn in self-defense. As he leads a long wagon train, Buckskin suspects that Jane's gambling brother Donald, and his confederate, Guy Merton, are responsible. When the entire train is put on short allowance in the desert, Buckskin shows tenderness for the helpless, and wins the admiration of Jane, who confesses that Billy did not annoy her. Buckskin forces Donald and Merton to walk in the desert until heat and thirst cause the crazed men to believe that Donald killed Billy. When an Indian is killed by an emigrant, the band of Indians demand a life for a life, and Buckskin selects Donald. Donald tries to escape and is killed by the Indians. The wagon train reaches its destination. Jane, who has grown to love Buckskin, tries to stop him from continuing the trail, but he carries out his duty, telling her that he may return someday.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.