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HISTORY

The completion of principal photography was announced in the 9 Jun 1917 Motion Picture News. According to the article, the film, with its focus on women’s suffrage, was “heralded as the greatest tribute of the motion picture age to the power of woman.” Various modern sources have revealed that production took place in Santa Cruz, CA, where director Willis Robards had recently opened a studio. Approximately 500 Santa Cruz residents were employed as background actors, and locations throughout the city were used in exterior scenes. The original story and scenario were written by playwright Hal Reid, father-in-law of lead actress Dorothy Davenport. The 30 Jun 1917 Motography estimated the final cut to be 7,000 feet in length.
       Articles in the 29 Sep 1917 Moving Picture World and the 6 Oct 1917 Motion Picture News reported that Robards had recently visited New York City, where he held several private screenings of the film, including one at Loew’s New York Roof for members of the National Woman’s Party and the Woman Suffrage Party. The 20 Oct 1917 Motion Picture News noted that the film was well-received at the latter screening, although the audience recommended several revisions, primarily to the subtitles. Robards explained that his advisors on the project had been suffragists from the Western states, who held somewhat different views on the issue from those of their Eastern counterparts.
       That same issue announced that H. J. Shepard of distributors Shepard and Van Loan, Inc., commissioned a song, also titled “Mothers of Men,” reportedly composed by Gus Edwards with lyrics by ...

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The completion of principal photography was announced in the 9 Jun 1917 Motion Picture News. According to the article, the film, with its focus on women’s suffrage, was “heralded as the greatest tribute of the motion picture age to the power of woman.” Various modern sources have revealed that production took place in Santa Cruz, CA, where director Willis Robards had recently opened a studio. Approximately 500 Santa Cruz residents were employed as background actors, and locations throughout the city were used in exterior scenes. The original story and scenario were written by playwright Hal Reid, father-in-law of lead actress Dorothy Davenport. The 30 Jun 1917 Motography estimated the final cut to be 7,000 feet in length.
       Articles in the 29 Sep 1917 Moving Picture World and the 6 Oct 1917 Motion Picture News reported that Robards had recently visited New York City, where he held several private screenings of the film, including one at Loew’s New York Roof for members of the National Woman’s Party and the Woman Suffrage Party. The 20 Oct 1917 Motion Picture News noted that the film was well-received at the latter screening, although the audience recommended several revisions, primarily to the subtitles. Robards explained that his advisors on the project had been suffragists from the Western states, who held somewhat different views on the issue from those of their Eastern counterparts.
       That same issue announced that H. J. Shepard of distributors Shepard and Van Loan, Inc., commissioned a song, also titled “Mothers of Men,” reportedly composed by Gus Edwards with lyrics by Will D. Cobb. However, U.S. copyright records credit the lyrics to Robards. Sheet music for the song was to be made available in most retail outlets at the time of the picture’s release. Its cover design was also to be used for theatrical posters. Although no mention was made of a record release, the article noted that cabaret and vaudeville artists were expected to perform the song on stages throughout the country. A novelization of the scenario was also planned.
       The 27 Oct 1917 Motion Picture News reported a recent screening held by Robards for buyers in the states’ rights market. While a favorable notice appeared in the 10 Nov 1917 edition, a review in the 27 Oct 1917 Moving Picture World described several aspects of the plot as implausible.
       As stated in the 27 Jul 1918 Motion Picture News, Robards re-edited the film and arranged another states’ rights release with producer Ernest Shipman. The 13 Jul 1918 issue identified California Motion Picture Enterprises as one of the distributors.
       The 19th Amendment to the U.S. Constitution, which guaranteed women the right to vote, was ratified in 1920.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
9 Jun 1917
p. 3577
Motion Picture News
6 Oct 1917
p. 2373
Motion Picture News
20 Oct 1917
p. 2752, 2754
Motion Picture News
27 Oct 1917
p. 3905
Motion Picture News
10 Nov 1917
p. 3310
Motion Picture News
13 Jul 1918
p. 247
Motion Picture News
27 Jul 1918
p. 614
Motography
30 Jun 1917
p. 1403
Moving Picture World
24 Feb 1917
p. 1196
Moving Picture World
29 Sep 1917
p. 2012
Moving Picture World
27 Oct 1917
p. 523
DETAILS
Release Date:
November 1917
Production Date:
completed in late spring 1917
Physical Properties:
Silent
Black and White
Length(in feet):
7,000
Length(in reels):
7 , 8
Country:
United States
Language:
English
SYNOPSIS

Attorney Clara Madison, a leader of the women’s suffrage movement, is elected as judge of a district court. Shortly after the election, she meets and marries Worthington Williams, a lawyer for the liquor interests. Worthington’s political enemies attempt to discredit his cause by framing the attorney, believing that Clara will intercede on his behalf. Although he is innocent, Worthington is convicted of bombing an opposition newspaper, which resulted in the death of its editor. Meanwhile, Clara is elected governor and has the power of pardoning her husband at the risk of discrediting the suffrage cause. Torn between love and duty, Clara decides not to intervene. Her anguish is ended when the real murderer confesses to the ...

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Attorney Clara Madison, a leader of the women’s suffrage movement, is elected as judge of a district court. Shortly after the election, she meets and marries Worthington Williams, a lawyer for the liquor interests. Worthington’s political enemies attempt to discredit his cause by framing the attorney, believing that Clara will intercede on his behalf. Although he is innocent, Worthington is convicted of bombing an opposition newspaper, which resulted in the death of its editor. Meanwhile, Clara is elected governor and has the power of pardoning her husband at the risk of discrediting the suffrage cause. Torn between love and duty, Clara decides not to intervene. Her anguish is ended when the real murderer confesses to the killing.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.