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HISTORY

Two items in the 6 March 1920 Moving Picture World announced that Olive Thomas' next Selznick picture would be The Flapper, with Alan Crosland directing. The story was an original comedy, written and adapted by Francis Marion, which had prompted Selznick Pictures Corporation head Myron Selznick to postpone a previously planned Thomas project calledJenny. The original title of The Flapper was The Dangerous Paradise, according to the 13 March 1920 Moving Picture World, but the studio decided on the change because The Flapper "permits more exploitation and is more attractive."
       The term "flapper" had been around for years to describe frivolous, generally well-off young women who challenged conventional dress and behavior. A British studio had made a film called The Flapper and the Curate as early as 1916, but "the flapper" didn't become an American phenomenon until the end of World War I, and this film was the first American feature to use "flapper" in the title. Selznick soon recycled Francis Marion's original title, The Dangerous Paradise, for another production, starring Louise Huff (1920, see entry), who, incidentally, had earlier, in 1918, played a character called "The Flapper" in His Majesty, Bunker Bean (see entry).
       Another 13 March 1920 item noted that production on The Flapper had already begun at the Selznick Eastern studios in the Bronx, NY, and among the actors in the early scenes were Dorothy Kent, Theodore Westman, Jr., J. Warren Cook, Charles Craig, Allen Bergman, Katherine Johnston, Marcia Harris, the Shearer Twins (Norma and Athole), Russell Hewitt, Maury Stewart, Jr., William ...

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Two items in the 6 March 1920 Moving Picture World announced that Olive Thomas' next Selznick picture would be The Flapper, with Alan Crosland directing. The story was an original comedy, written and adapted by Francis Marion, which had prompted Selznick Pictures Corporation head Myron Selznick to postpone a previously planned Thomas project calledJenny. The original title of The Flapper was The Dangerous Paradise, according to the 13 March 1920 Moving Picture World, but the studio decided on the change because The Flapper "permits more exploitation and is more attractive."
       The term "flapper" had been around for years to describe frivolous, generally well-off young women who challenged conventional dress and behavior. A British studio had made a film called The Flapper and the Curate as early as 1916, but "the flapper" didn't become an American phenomenon until the end of World War I, and this film was the first American feature to use "flapper" in the title. Selznick soon recycled Francis Marion's original title, The Dangerous Paradise, for another production, starring Louise Huff (1920, see entry), who, incidentally, had earlier, in 1918, played a character called "The Flapper" in His Majesty, Bunker Bean (see entry).
       Another 13 March 1920 item noted that production on The Flapper had already begun at the Selznick Eastern studios in the Bronx, NY, and among the actors in the early scenes were Dorothy Kent, Theodore Westman, Jr., J. Warren Cook, Charles Craig, Allen Bergman, Katherine Johnston, Marcia Harris, the Shearer Twins (Norma and Athole), Russell Hewitt, Maury Stewart, Jr., William P. Carlton, and Arthur Houseman. Yet another item in the same issue of Moving Picture World mentioned that "Olive Thomas and thirty members of her company have completed exteriors at Sleepy Hollow, Tarrytown, N.Y.
       The 27 March 1920 Motion Picture News reported that several exteriors were being filmed at Lake Placid, NY, and that Mildred Cheshire had been hired to play one of Thomas' character's schoolmates. Three weeks later, the 17 April 1920 Moving Picture World noted that the company had left for Florida "to imbue the production with realistic scenes." Most likely, Florida provided the semi-tropical locations for "Orange Springs."
       A minute-and-a half segment was filmed atop an open-air double-decker bus driving along West Forty-second Street in Manhattan. It passes the familiar New York City Library, with its distinctive 1911 marble lions in front, at the corner of Fifth Avenue.
       The Flapper, followed by Darling Mine (see entry), were Olive Thomas' last films released within her lifetime. The twenty-five-year-old actress, Hollywood's first major casualty, died of supposedly accidental poisoning in France on 10 September 1920. Her final film, Everybody's Sweetheart (see entry), was released four weeks after her death.
       Onscreen credits of the print viewed mistakenly listed Arthur Houseman as Arthur Johnston.
       According to the 23 May 1920 Wid's Daily, "Here is a delightful and real little light comedy idea that is handicapped at the end by a lot of superfluous footage....[T]here is too much detail employed in straightening out the tangle at the end and the action becomes wearisome. Some careful cutting would result in a mighty fine picture, especially if the editor removed some of the scenes in which the director has taken the story entirely too seriously."
       The Flapper is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
6 Mar 1920
p. 56
Exhibitors Herald
3 Apr 1920
p. 82
Exhibitors Herald
5 Jun 1920
p. 67
Exhibitors Trade Review
29 May 1920
p. 2965
Motion Picture News
27 Mar 1920
p. 2918, 2956
Motion Picture News
29 May 1920
p. 4541
Moving Picture World
6 Mar 1920
p. 1660
Moving Picture World
13 Mar 1920
p. 1780, 1782, 1829
Moving Picture World
20 Mar 1920
p. 1990, 2008
Moving Picture World
27 Mar 1920
p. 2106
Moving Picture World
3 Apr 1920
p. 56
Moving Picture World
17 Apr 1920
p. 450
Moving Picture World
8 May 1920
p. 842
Moving Picture World
22 May 1920
p. 1103
Moving Picture World
29 May 1920
p. 1239, 1240
New York Morning Telegraph
11 Apr 1920
---
Variety
21 May 1920
p. 34
Wid's
23 May 1920
p. 17
DETAILS
Alternate Title:
Dangerous Paradise
Release Date:
10 May 1920
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Selznick Pictures Corp.
14 May 1920
LP15118
Physical Properties:
Silent
Black and White
Duration(in mins):
85
Length(in feet):
5,630
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Genevieve "Ginger" King, the carefree and rebellious sixteen-year-old daughter of Senator King in the small town of Orange Springs, is sent to Hillcrest School, a boarding academy for girls, in snowy Dobbs Ferry, New York. Dreaming of a more glamorous life and dissatisfied with her military school boyfriend, Bill Forbes, Ginger meets the older, intriguing Richard Channing and accompanies him to the country club dance. Growing bolder after that adventure, Ginger, while on her way home for a holiday, meets two crooks who entrust some stolen jewels to her for safekeeping. Ginger then puts the jewels on and appears in her home town dressed as a vamp. Once the crooks reappear, however, she realizes the seriousness of the situation and gives up her pretensions to return to ...

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Genevieve "Ginger" King, the carefree and rebellious sixteen-year-old daughter of Senator King in the small town of Orange Springs, is sent to Hillcrest School, a boarding academy for girls, in snowy Dobbs Ferry, New York. Dreaming of a more glamorous life and dissatisfied with her military school boyfriend, Bill Forbes, Ginger meets the older, intriguing Richard Channing and accompanies him to the country club dance. Growing bolder after that adventure, Ginger, while on her way home for a holiday, meets two crooks who entrust some stolen jewels to her for safekeeping. Ginger then puts the jewels on and appears in her home town dressed as a vamp. Once the crooks reappear, however, she realizes the seriousness of the situation and gives up her pretensions to return to Bill.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.