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HISTORY

An item in the 7 Jun 1924 Exhibitors Trade Review announced that author Harold Bell Wright was at Principal Pictures Corporation’s studio in Hollywood, CA, where he was “brushing up the script” for the film adaptation of his 1923 novel, The Mine with the Iron Door. Later that month, the 25 Jun 1924 Var reported that filming was set to begin the following week. Principal photography commenced on location near Tucson, AZ, where Wright’s novel was set. The 26 Jul 1924 and 9 Aug 1924 issues of Exhibitors Herald identified the Cañada del Oro (a.k.a. Canyon of Gold) as a filming locale, and noted that cast and crew were staying at a ranch nearby; some shooting also took place on Mount Lemmon, according to a 6 Aug 1924 LAT brief. Director Sam Wood was later quoted in the 2 Nov 1924 LAT, stating that while on location, they reported to set at 7 a.m. every morning for six weeks, regardless of weather. However, shooting was sometimes impossible and often morning scenes did not match those taken later in the day due to fog. Wood recounted an exhausting experience for cast and crew, as they sometimes hiked long distances between filming sites, and frequently encountered desert wildlife, including snakes and gila monsters, on set and at the ranch where they stayed. On 13 Aug 1924, LAT announced that location filming had ended, and the company had moved to Principal’s Hollywood studio for the remainder of the shoot. Principal’s Sol Lesser and John Jasper supervised the production. Cameras from the Mitchell Camera Company were used by ...

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An item in the 7 Jun 1924 Exhibitors Trade Review announced that author Harold Bell Wright was at Principal Pictures Corporation’s studio in Hollywood, CA, where he was “brushing up the script” for the film adaptation of his 1923 novel, The Mine with the Iron Door. Later that month, the 25 Jun 1924 Var reported that filming was set to begin the following week. Principal photography commenced on location near Tucson, AZ, where Wright’s novel was set. The 26 Jul 1924 and 9 Aug 1924 issues of Exhibitors Herald identified the Cañada del Oro (a.k.a. Canyon of Gold) as a filming locale, and noted that cast and crew were staying at a ranch nearby; some shooting also took place on Mount Lemmon, according to a 6 Aug 1924 LAT brief. Director Sam Wood was later quoted in the 2 Nov 1924 LAT, stating that while on location, they reported to set at 7 a.m. every morning for six weeks, regardless of weather. However, shooting was sometimes impossible and often morning scenes did not match those taken later in the day due to fog. Wood recounted an exhausting experience for cast and crew, as they sometimes hiked long distances between filming sites, and frequently encountered desert wildlife, including snakes and gila monsters, on set and at the ranch where they stayed. On 13 Aug 1924, LAT announced that location filming had ended, and the company had moved to Principal’s Hollywood studio for the remainder of the shoot. Principal’s Sol Lesser and John Jasper supervised the production. Cameras from the Mitchell Camera Company were used by director of photography Glenn MacWilliams, as noted in a letter from Principal to Mitchell, advertised in the Nov 1924 issue of AmCin.
       The completion of principal photography took place late Aug or early Sep 1924, as indicated by a 6 Sep 1924 Exhibitors Herald news item. Theatrical release occurred the following month. The 29 Oct 1924 Var review cited a world premiere at San Francisco, CA’s Loew’s Warfield Theatre the week of 15 Oct 1924. The 5 Jul 1924 Exhibitors Herald noted that distribution in New York and Northern New Jersey would be handled by Dependable Exchange, Inc.
       Fred Huntley and Laura Winston were named as recent additions to the cast in a 20 Aug 1924 Var brief.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
American Cinematographer
Nov 1924
p. 28
Exhibitors Herald
5 Jul 1924
p. 28
Exhibitors Herald
5 Jul 1924
p. 32
Exhibitors Herald
5 Jul 1924
p. 150
Exhibitors Herald
26 Jul 1924
p. 37
Exhibitors Herald
26 Jul 1924
p. 51
Exhibitors Herald
9 Aug 1924
p. 57
Exhibitors Herald
6 Sep 1924
p. 44
Exhibitors Herald
27 Sep 1924
p. 39
Exhibitors Herald
1 Nov 1924
p. 61
Exhibitors Trade Review
7 Jun 1924
p. 28
Exhibitors Trade Review
26 Jul 1924
p. 14
Exhibitors Trade Review
20 Sep 1924
p. 34
Film Daily
23 May 1924
p. 1
Film Daily
21 Dec 1924
---
Los Angeles Times
12 Jun 1924
Section A, p. 9
Los Angeles Times
6 Aug 1924
Section A, p. 9
Los Angeles Times
13 Aug 1924
Section A, p. 9
Los Angeles Times
27 Aug 1924
Section A, p. 9
Los Angeles Times
2 Nov 1924
Section C, pp. 21-22
Los Angeles Times
9 Nov 1924
Section C, p. 34
Los Angeles Times
10 Nov 1924
p. 8
Motion Picture Magazine
Sep 1924
p. 78
Motion Picture Magazine
Nov 1924
p. 74
Motion Picture Magazine
Dec 1924
p. 60
Moving Picture World
27 Dec 1924
p. 829
Variety
25 Jun 1924
p. 23
Variety
20 Aug 1924
p. 22
Variety
29 Oct 1924
p. 30
Wid's Weekly
6 Dec 1924
p. 18
DETAILS
Release Date:
2 October 1924
Premiere Information:
San Francisco premiere: week of 15 Oct 1924 at Loew's Warfield Theatre; Los Angeles opening: 8 Nov 1924 at the Criterion
Production Date:
Jul--late Aug or early Sep 1924
Physical Properties:
Silent
Black and White
Length(in feet):
6,280
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

Bob Hill and Thad Grove, two prospectors, find a small child in the desert cabin of bandit Sonora Jack. The little girl, Marta, who has been kidnapped by Jack, is taken by the men, who vainly attempt to find her parents. Marta grows to womanhood and falls in love with Hugh Edwards, a young fugitive from justice. Edwards saves Natachee, an educated Indian, from the depredations of a bandit gang, and in return the grateful Indian shows Edwards the location of the "mine with the iron door," a hidden and extremely rich gold mine. Sonora Jack returns and kidnaps Marta, offering to exchange her for knowledge of the location of the "mine with the iron door." Edwards and Natachee go after the bandit and kill him while saving Marta. Edwards is proved to be innocent of the charge of embezzlement placed against him, and he and Marta are ...

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Bob Hill and Thad Grove, two prospectors, find a small child in the desert cabin of bandit Sonora Jack. The little girl, Marta, who has been kidnapped by Jack, is taken by the men, who vainly attempt to find her parents. Marta grows to womanhood and falls in love with Hugh Edwards, a young fugitive from justice. Edwards saves Natachee, an educated Indian, from the depredations of a bandit gang, and in return the grateful Indian shows Edwards the location of the "mine with the iron door," a hidden and extremely rich gold mine. Sonora Jack returns and kidnaps Marta, offering to exchange her for knowledge of the location of the "mine with the iron door." Edwards and Natachee go after the bandit and kill him while saving Marta. Edwards is proved to be innocent of the charge of embezzlement placed against him, and he and Marta are married.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.