Mister Antonio
(1929)
73 mins | Comedy-drama | 1 October 1929
Directors:
James Flood, Frank ReicherCinematographer:
Ernest MillerEditor:
Arthur RobertsProduction Designer:
Hervey LibbertProduction Company:
Tiffany-Stahl Productions, Inc.Articles in the 8 Jun 1929 and 6 Jul 1929 Hollywood Filmograph announced the upcoming production as actor Leo Carrillo’s first starring role for Tiffany-Stahl Productions, Inc. Based on the 1916 play, Mister Antonio by Booth Tarkington, the project was chosen especially for Carrillo, who was expert in Spanish and Italian accents.
As noted in the 3 Aug 1929 Motion Picture News, John M. Stahl, head of the company’s Hollywood, CA, studio, postponed production for several weeks while he recovered from an illness. The 10 Aug 1929 issue included Viola Louie among the cast. A news item in the 6 Oct 1929 Film Daily credited Frank Riecher with directing only the picture’s dialogue sequences. Production had apparently been completed sometime earlier.
According to the 21 Sep 1929 Motion Picture News, the film “premiered” early that month at a theater owners’ convention in Butte, MT. Conflicting release dates were published in the 15 Feb 1930 Harrison’s Reports (1 Oct 1929), and the 1930 Film Daily Year Book (15 Oct 1929).
Mister Antonio made its West Coast debut at the Oriental Theatre in Portland, OR, in Oct 1929. A New York City opening followed on 6 Dec 1929 at Loew’s New York Theatre. Although the picture garnered a positive review in the 8 Dec 1929 Film Daily, the May 1930 Educational Screen asserted that Carrillo’s performance was “its only merit.”
The 25 Oct 1929 Film Daily reported that the negative for the silent version was destroyed ...
Articles in the 8 Jun 1929 and 6 Jul 1929 Hollywood Filmograph announced the upcoming production as actor Leo Carrillo’s first starring role for Tiffany-Stahl Productions, Inc. Based on the 1916 play, Mister Antonio by Booth Tarkington, the project was chosen especially for Carrillo, who was expert in Spanish and Italian accents.
As noted in the 3 Aug 1929 Motion Picture News, John M. Stahl, head of the company’s Hollywood, CA, studio, postponed production for several weeks while he recovered from an illness. The 10 Aug 1929 issue included Viola Louie among the cast. A news item in the 6 Oct 1929 Film Daily credited Frank Riecher with directing only the picture’s dialogue sequences. Production had apparently been completed sometime earlier.
According to the 21 Sep 1929 Motion Picture News, the film “premiered” early that month at a theater owners’ convention in Butte, MT. Conflicting release dates were published in the 15 Feb 1930 Harrison’s Reports (1 Oct 1929), and the 1930 Film Daily Year Book (15 Oct 1929).
Mister Antonio made its West Coast debut at the Oriental Theatre in Portland, OR, in Oct 1929. A New York City opening followed on 6 Dec 1929 at Loew’s New York Theatre. Although the picture garnered a positive review in the 8 Dec 1929 Film Daily, the May 1930 Educational Screen asserted that Carrillo’s performance was “its only merit.”
The 25 Oct 1929 Film Daily reported that the negative for the silent version was destroyed in a fire the previous night at the Consolidated Film Industries laboratory in Los Angeles, CA.
In New York City, florist and street musician Antonio Camaradonio befriends a man robbed of his overcoat and money in a disreputable bar. Tony recognizes the man as Milton Jorny, mayor of Avalonia, a very conservative town where Tony was once arrested for playing his hurdy-gurdy. Over time, Tony's travels take him once again to Avalonia. On the outskirts of town, he meets June Ramsey, a cousin of the Milton's wife, who was banished because the mayor feared that her penchant for gaiety would jeopardize his re-election. Initially refusing to allow June’s return, Milton relents when Tony reminds him of his recent misadventure. Milton asks June's forgiveness and invites her back to Avalonia. She accepts the apology, but she has fallen in love with Tony, and follows him to New York ...
In New York City, florist and street musician Antonio Camaradonio befriends a man robbed of his overcoat and money in a disreputable bar. Tony recognizes the man as Milton Jorny, mayor of Avalonia, a very conservative town where Tony was once arrested for playing his hurdy-gurdy. Over time, Tony's travels take him once again to Avalonia. On the outskirts of town, he meets June Ramsey, a cousin of the Milton's wife, who was banished because the mayor feared that her penchant for gaiety would jeopardize his re-election. Initially refusing to allow June’s return, Milton relents when Tony reminds him of his recent misadventure. Milton asks June's forgiveness and invites her back to Avalonia. She accepts the apology, but she has fallen in love with Tony, and follows him to New York City.
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