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HISTORY

Henry B. Walthall was initially attached to star in The Scoffer, as announced in a 29 November 1919 Motion Picture News brief. By the time filming began in January 1920, he had been replaced by James Kirkwood. In addition to shooting at Brunton Studios in Hollywood, CA, location filming was done in Santa Cruz, CA, according to items in the 16 January 1920 Los Angeles Times and 25 January 1920 [Fresno, CA] Fresno Morning Republican. Exteriors in Santa Cruz were filmed in a redwood forest, where Allan Dwan directed a scene in which an actual redwood tree was set to be struck by artificial lightning, rigged by the film crew via a system of electrical wires connected to a power line. Los Angeles Times listed members of the film company who traveled to Santa Cruz, including James P. Hogan , whose role was not specified but who may have served as assistant director; cameraman Glenn McWilliams; and Jean Smith, whose role was not specified. An image in the 17 July 1920 issue of Picture Show depicted Dwan hand-etching electric currents onto film frames for The Scoffer, suggesting that the artificial lightning experiment may not have worked or needed to be enhanced. In an interview with Dwan in the 1997 Peter Bogdanovich book Who the Devil Made It, Dwan remembered: "I took a sharp pushpin and, starting backward from the explosion, I scratched the emulsion a little bit on one frame--maybe an eighth of an inch in the dark sky above the tree. And I went on ...

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Henry B. Walthall was initially attached to star in The Scoffer, as announced in a 29 November 1919 Motion Picture News brief. By the time filming began in January 1920, he had been replaced by James Kirkwood. In addition to shooting at Brunton Studios in Hollywood, CA, location filming was done in Santa Cruz, CA, according to items in the 16 January 1920 Los Angeles Times and 25 January 1920 [Fresno, CA] Fresno Morning Republican. Exteriors in Santa Cruz were filmed in a redwood forest, where Allan Dwan directed a scene in which an actual redwood tree was set to be struck by artificial lightning, rigged by the film crew via a system of electrical wires connected to a power line. Los Angeles Times listed members of the film company who traveled to Santa Cruz, including James P. Hogan , whose role was not specified but who may have served as assistant director; cameraman Glenn McWilliams; and Jean Smith, whose role was not specified. An image in the 17 July 1920 issue of Picture Show depicted Dwan hand-etching electric currents onto film frames for The Scoffer, suggesting that the artificial lightning experiment may not have worked or needed to be enhanced. In an interview with Dwan in the 1997 Peter Bogdanovich book Who the Devil Made It, Dwan remembered: "I took a sharp pushpin and, starting backward from the explosion, I scratched the emulsion a little bit on one frame--maybe an eighth of an inch in the dark sky above the tree. And I went on scratching through a series of frames simulating the lightning that way through the dark sky. We made a dupe negative from the print I'd used, and from that we were able to make our prints."
A news brief in the 13 May 1920 New York Daily News indicated that location shooting also took place in the Los Angeles, CA, courtroom where a criminal referred to as the “American Bluebeard” had been tried. Principal photography was completed by early February 1920, as noted in the 6 February 1920 Los Angeles Times.
The 22 May 1920 Motion Picture News announced that Mayflower Photoplay Corp. officials had just seen a pre-release viewing of the film, which was initially scheduled for release on 6 September 1920. The opening was delayed until 15 November 1920, according to the 10 July 1920 Moving Picture World. An advertisement for the Chicago, IL, opening during the week of 22 November 1920 ran in that day’s Chicago Tribune.
According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Tribune
22 Nov 1920
p. 20
Exhibitors Herald
11 Dec 1920
---
Fresno Morning Republican [Fresno, CA]
25 Jan 1920
p. 20
Los Angeles Times
16 Jan 1920
p. 28
Los Angeles Times
28 Jan 1920
p. 27
Los Angeles Times
6 Feb 1920
p. 23
Motion Picture Magazine
1 Nov 1920
p. 108
Motion Picture News
29 Nov 1919
p. 3959
Motion Picture News
22 May 1920
p. 4316
Motion Picture News
19 Jun 1920
p. 4969
Motion Picture News
13 Nov 1920
p. 3777
Motion Picture News
18 Dec 1920
p. 4562
Moving Picture World
13 Dec 1919
p. 822
Moving Picture World
10 Jul 1920
p. 229
Moving Picture World
14 Aug 1920
p. 936
Moving Picture World
19 Mar 1921
p. 312
New York Daily News
13 May 1920
p. 12
Photoplay
1 Sep 1920
pp. 49-53, 118-19
Picture Show
17 Jun 1920
p. 4
San Francisco Chronicle
21 Jan 1920
p. 6
Variety
9 Jan 1920
p. 55
Variety
25 Mar 1921
p. 43
DETAILS
Release Date:
15 November 1920
Premiere Information:
Chicago opening: week of 22 Nov 1920
Production Date:
Jan--early Feb 1920
Copyright Info
Claimant
Date
Copyright Number
Mayflower Photoplay Corp.
15 February 1921
LP16141
Physical Properties:
Silent
Black and White
Length(in feet):
6,518
Length(in reels):
7
Country:
United States
Language:
English
SYNOPSIS

After restoring her to health, God-fearing Dr. Stannard Wayne marries Alice Porn, the former mistress of his friend, the unscrupulous Dr. Arthur Richards. Richards performs an illegal abortion, making it seem that Wayne is guilty, and the latter is sent to prison for five years. Wayne emerges a changed man, a scoffer. By coincidence, he retreats to a village in the Northwest where Richards has gone with Alice. A kindly woman of the town, Margaret Haddon, urges Wayne to help a boy crippled by a beating given to him by his father, but Wayne refuses. Influenced by Margaret, Wayne at last performs the operation, but during the surgery an angry mob led by Richards descends upon the house. Wayne calls upon heaven for help and, by a miracle, the boy's life is saved and Wayne's faith is ...

More Less

After restoring her to health, God-fearing Dr. Stannard Wayne marries Alice Porn, the former mistress of his friend, the unscrupulous Dr. Arthur Richards. Richards performs an illegal abortion, making it seem that Wayne is guilty, and the latter is sent to prison for five years. Wayne emerges a changed man, a scoffer. By coincidence, he retreats to a village in the Northwest where Richards has gone with Alice. A kindly woman of the town, Margaret Haddon, urges Wayne to help a boy crippled by a beating given to him by his father, but Wayne refuses. Influenced by Margaret, Wayne at last performs the operation, but during the surgery an angry mob led by Richards descends upon the house. Wayne calls upon heaven for help and, by a miracle, the boy's life is saved and Wayne's faith is restored.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.