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HISTORY

This film was a sequel to The Texan, also released in 1920. ...

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This film was a sequel to The Texan, also released in 1920.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
19 Feb 1921
p. 1155
MPN
1 Jan 1921
p. 445
MPW
1 Jan 1921
p. 99
Wid's
26 Dec 1920
p. 11
DETAILS
Release Date:
26 December 1920
Production Date:

Copyright Info
Claimant
Date
Copyright Number
William Fox
26 December 1920
LP15997
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

A cowboy from Texas, Tex Benton, is in love with Janet McWhorter, the daughter of a sheep rancher. Mr. McWhorter is willing to let Tex marry Janet if he lives on the ranch and tends sheep, which Tex finds objectionable. After a fight in the town saloon, he rides off, rescuing Alice Endicott from the back of a runaway horse as he is being pursued by the town badman, Jack Purdy. There is a series of complications, including Purdy's kidnapping of Janet and the general belief Tex has kidnapped Alice. Finally, however, in a daring feat, Tex swings from a tree on a mountainside and saves Janet. They soon ...

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A cowboy from Texas, Tex Benton, is in love with Janet McWhorter, the daughter of a sheep rancher. Mr. McWhorter is willing to let Tex marry Janet if he lives on the ranch and tends sheep, which Tex finds objectionable. After a fight in the town saloon, he rides off, rescuing Alice Endicott from the back of a runaway horse as he is being pursued by the town badman, Jack Purdy. There is a series of complications, including Purdy's kidnapping of Janet and the general belief Tex has kidnapped Alice. Finally, however, in a daring feat, Tex swings from a tree on a mountainside and saves Janet. They soon marry.

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GENRE
Genres:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.