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HISTORY

The scenario was based on the first play ever written by twenty-three-year-old University of Pennsylvania graduate James W. Adams, according to the 17 November 1916 Variety. The plot synopsis included with the film’s copyright description was titled “Quicksands,” although this was not mentioned as a working title in available sources.
       As stated in the 10 March 1917 Motion Picture News, a valuable set of antique bedroom furniture was loaned to the production by William Bradly Studios of New York City. The set was constructed from “circassian walnut, inlaid with pearl and ivory,” and was said to have once belonged to a prominent local millionaire. The 22 February 1917 Wid’s credited Alfred DeGaetano with editing the picture.
       The film was released on 19 February 1917, and opened that same week at Miller’s Theatre in Los Angeles, CA. A review in the 1 March 1917 Wid’s lamented that the picture was hard to take seriously, as evidenced by the title character’s death scene, in which she awkwardly fell to the floor and held her beloved pearl necklace above her face as if she were about to eat it.
       Shortly after the release, the 28 February 1917 New York Clipper reported that the film had been banned in the state of Maryland. Two months later, the 28 April 1917 Motion Picture News stated that Major M. L. C. Funkhouser, of the Chicago, IL, board of censors, had issued a “pink permit” for the production, restricting it to adult audiences. The classification was lifted following a petition by J. E. O’Toole of the ...

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The scenario was based on the first play ever written by twenty-three-year-old University of Pennsylvania graduate James W. Adams, according to the 17 November 1916 Variety. The plot synopsis included with the film’s copyright description was titled “Quicksands,” although this was not mentioned as a working title in available sources.
       As stated in the 10 March 1917 Motion Picture News, a valuable set of antique bedroom furniture was loaned to the production by William Bradly Studios of New York City. The set was constructed from “circassian walnut, inlaid with pearl and ivory,” and was said to have once belonged to a prominent local millionaire. The 22 February 1917 Wid’s credited Alfred DeGaetano with editing the picture.
       The film was released on 19 February 1917, and opened that same week at Miller’s Theatre in Los Angeles, CA. A review in the 1 March 1917 Wid’s lamented that the picture was hard to take seriously, as evidenced by the title character’s death scene, in which she awkwardly fell to the floor and held her beloved pearl necklace above her face as if she were about to eat it.
       Shortly after the release, the 28 February 1917 New York Clipper reported that the film had been banned in the state of Maryland. Two months later, the 28 April 1917 Motion Picture News stated that Major M. L. C. Funkhouser, of the Chicago, IL, board of censors, had issued a “pink permit” for the production, restricting it to adult audiences. The classification was lifted following a petition by J. E. O’Toole of the Fox Film Corporation’s regional office. A related article in the 5 May 1917 issue stated that Fox’s victory left Funkhouser “muttering of conspiracy.”
       An unrelated serial of the same name was released in 1944, followed by an unrelated feature in 1945 (see entry).
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
10 Mar 1917
p. 975
Motion Picture News
3 Feb 1917
p. 765
Motion Picture News
17 Feb 1917
p. 1057
Motion Picture News
10 Mar 1917
p. 1586
Motion Picture News
28 Apr 1917
p. 2633
Motion Picture News
5 May 1917
p. 2844
Motography
3 Mar 1917
p. 484
Moving Picture World
10 Mar 1917
pp. 1585-1586, 1672
New York Clipper
28 Feb 1917
p. 34
NYDM
10 Mar 1917
p. 26
Screamer
17 Feb 1917
p. 6
Variety
17 Nov 1916
p. 21
Variety
23 Feb 1917
p. 22
Wid's
22 Feb 1917
p. 122
Wid's
1 Mar 1917
p. 136
DETAILS
Release Date:
19 February 1917
Premiere Information:
Los Angeles opening: week of 18 Feb 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
William Fox
18 February 1917
LP10214
Physical Properties:
Silent
Black and White
Length(in reels):
5-6
Country:
United States
Language:
English
SYNOPSIS

In Russia, Princess Petrovitch accepts a bribe to betray her husband to his political enemies, who send him to certain death in Siberia. She then elopes to Monte Carlo with her lover, but when he loses all his money playing roulette, she poisons him and sails for the U.S. While en route, the princess arouses the interest of young Edwin Harris, a rich man's son. After they land in New York City, the princess demands money and jewels from Edwin, driving him to commit a robbery, which results in the death of his father. The princess then turns her attention to Edwin's older brother, Mark, but her plans are foiled when one of her victims exacts his own justice by stabbing her with a ...

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In Russia, Princess Petrovitch accepts a bribe to betray her husband to his political enemies, who send him to certain death in Siberia. She then elopes to Monte Carlo with her lover, but when he loses all his money playing roulette, she poisons him and sails for the U.S. While en route, the princess arouses the interest of young Edwin Harris, a rich man's son. After they land in New York City, the princess demands money and jewels from Edwin, driving him to commit a robbery, which results in the death of his father. The princess then turns her attention to Edwin's older brother, Mark, but her plans are foiled when one of her victims exacts his own justice by stabbing her with a dagger.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.