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HISTORY

The upcoming production was announced in the 30 December 1916 Motography as a World Film Corp. release for the following year. General manager William A. Brady had recently declared that the company was focusing its efforts on “the exploitation of women stars.” Additional cast members included John Hines (27 January 1917 Motion Picture News) and Beth Tenney (12 April 1917 Motion Picture News Studio Directory).
       Articles in the 3 January 1917 New York Clipper and the 13 January 1917 Motography revealed that child actress Madge Evans had received a wardrobe trunk after winning in a popularity contest conducted by an unidentified Midwest newspaper. She reportedly hoped to use it while on location for The Web of Desire, but filming took place only at Peerless Studios in Fort Lee, NJ. However, the 3 February 1917 Motion Picture News noted that the production had been completed, and she would soon be traveling to Florida for a featured role in Motherhood (1917, see entry).
       The Web of Desire opened on 16 February 1917 at the Aladdin Theatre in Springfield, MO, and on 1 March 1917 at Loew’s DeKalb Theatre in Brooklyn, NY. A review in the 3 March 1917 Motography claimed that the release date was 5 February 1917, but it was listed as 5 March 1917 in the 7 April 1917 issue.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
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The upcoming production was announced in the 30 December 1916 Motography as a World Film Corp. release for the following year. General manager William A. Brady had recently declared that the company was focusing its efforts on “the exploitation of women stars.” Additional cast members included John Hines (27 January 1917 Motion Picture News) and Beth Tenney (12 April 1917 Motion Picture News Studio Directory).
       Articles in the 3 January 1917 New York Clipper and the 13 January 1917 Motography revealed that child actress Madge Evans had received a wardrobe trunk after winning in a popularity contest conducted by an unidentified Midwest newspaper. She reportedly hoped to use it while on location for The Web of Desire, but filming took place only at Peerless Studios in Fort Lee, NJ. However, the 3 February 1917 Motion Picture News noted that the production had been completed, and she would soon be traveling to Florida for a featured role in Motherhood (1917, see entry).
       The Web of Desire opened on 16 February 1917 at the Aladdin Theatre in Springfield, MO, and on 1 March 1917 at Loew’s DeKalb Theatre in Brooklyn, NY. A review in the 3 March 1917 Motography claimed that the release date was 5 February 1917, but it was listed as 5 March 1917 in the 7 April 1917 issue.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
The Chat [Brooklyn, NY]
24 Feb 1917
p. 41
Exhibitors Trade Review
3 Mar 1917
p. 906
Motion Picture News
27 Jan 1917
p. 557
Motion Picture News
3 Feb 1917
p. 753
Motion Picture News
10 Mar 1917
p. 1571
Motion Picture News Studio Directory
12 Apr 1917
p. 117
Motography
30 Dec 1916
p. 1426
Motography
13 Jan 1917
p. 103
Motography
3 Mar 1917
pp. 483-484
Motography
7 Apr 1917
p. 749
Moving Picture World
10 Mar 1917
p. 1585
Moving Picture World
7 Apr 1917
p. 123, 128
New York Clipper
3 Jan 1917
p. 32
NYDM
3 Mar 1917
p. 26
Springfield Leader and Press [Springfield, MO]
11 Feb 1917
p. 2
Variety
23 Feb 1917
p. 23
Wid's Daily
1 Mar 1917
pp. 140-141
DETAILS
Release Date:
5 March 1917
Premiere Information:
Springfield, MO, opening: 16 Feb 1917; Brooklyn, NY, opening: 1 Mar 1917
Production Date:
Jan 1917
Copyright Info
Claimant
Date
Copyright Number
World Film Corp.
15 February 1917
LU10207
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

John Miller, president of the Western Power and Development Company, becomes a millionaire after his wife, Grace, inherits her father's stock. They move to New York City, where John is beset by business problems. He pays little attention to Grace, who responds to his neglect by becoming involved with a group of bohemians. Among her new acquaintances is Stuart Mordant, attorney for Thomas Hurd, one of John's business rivals. Stuart exploits Grace’s loneliness while making a deal with Thomas to gain control of her husband's company for $500,000. The attorney succeeds in compromising Grace, after which John insists upon a divorce. Grace transfers her stock to Stuart, and at the stockholders' meeting, Thomas demands John's resignation. He is about to comply when Grace enters, exposes Stuart, and stops the transfer. John offers Stuart a pistol, suggesting that suicide is his only honorable alternative. Stuart takes the gun and leaves the room, but escapes to Europe, leaving behind a note that exonerates Grace. She and John then decide to solve their problems ...

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John Miller, president of the Western Power and Development Company, becomes a millionaire after his wife, Grace, inherits her father's stock. They move to New York City, where John is beset by business problems. He pays little attention to Grace, who responds to his neglect by becoming involved with a group of bohemians. Among her new acquaintances is Stuart Mordant, attorney for Thomas Hurd, one of John's business rivals. Stuart exploits Grace’s loneliness while making a deal with Thomas to gain control of her husband's company for $500,000. The attorney succeeds in compromising Grace, after which John insists upon a divorce. Grace transfers her stock to Stuart, and at the stockholders' meeting, Thomas demands John's resignation. He is about to comply when Grace enters, exposes Stuart, and stops the transfer. John offers Stuart a pistol, suggesting that suicide is his only honorable alternative. Stuart takes the gun and leaves the room, but escapes to Europe, leaving behind a note that exonerates Grace. She and John then decide to solve their problems together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.