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HISTORY

On 6 September 1919, Motion Picture News announced that actress Mollie King’s next production, Women Men Forget, was scheduled to begin filming the following week at American Cinema Corp.’s studio in the Glendale neighborhood of Long Island, NY. The 15 November 1919 issue noted that principal photography had recently ended, and cutting and assembling were underway. Gretchen Hartman was named as a supporting cast member in the former item.
       The film was in six reels when United Picture Theatres of America, Inc., bought it from the American Cinema Corp., but it was released in five reels on 21 March 1920. A review in the 27 April 1920 Los Angeles Times praised John M. Stahl’s direction but described the story as “rather ordinary and sometimes arbitrary.”
       The National Film Preservation Board (NFPB) included this picture on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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On 6 September 1919, Motion Picture News announced that actress Mollie King’s next production, Women Men Forget, was scheduled to begin filming the following week at American Cinema Corp.’s studio in the Glendale neighborhood of Long Island, NY. The 15 November 1919 issue noted that principal photography had recently ended, and cutting and assembling were underway. Gretchen Hartman was named as a supporting cast member in the former item.
       The film was in six reels when United Picture Theatres of America, Inc., bought it from the American Cinema Corp., but it was released in five reels on 21 March 1920. A review in the 27 April 1920 Los Angeles Times praised John M. Stahl’s direction but described the story as “rather ordinary and sometimes arbitrary.”
       The National Film Preservation Board (NFPB) included this picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Boston Globe [Boston, MA]
16 Mar 1920
p. 4
Exhibitors Herald
13 Sep 1919
p. 78
Exhibitors Herald
13 Dec 1919
p. 56
Exhibitors Trade Review
20 Mar 1920
p. 1660
Los Angeles Times
27 Apr 1920
Section III, p. 4
Motion Picture News
6 Sep 1919
p. 1973
Motion Picture News
15 Nov 1919
---
Motion Picture News
6 Dec 1919
p. 4125
Motion Picture News
20 Dec 1919
p. 4435
Motion Picture News
24 Jan 1920
p. 1068
Motion Picture News
20 Mar 1920
p. 2789
Motion Picture News
14 Feb 1920
p. 1686
Motion Picture News
8 May 1920
p. 3997
Moving Picture World
20 Mar 1920
p. 2009
New York Morning Telegraph
30 May 1920
---
Wid's Daily
7 Dec 1919
---
Wid's Daily
14 Mar 1920
p. 30
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Scen
PHOTOGRAPHY
DETAILS
Release Date:
21 March 1920
Premiere Information:
Los Angeles opening: week of 27 Apr 1920
Production Date:
began mid Sep 1919
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

When Mary Graham is visited by her old school chum Helen, Mary's husband becomes infatuated with his wife's guest and soon openly avows his love for her. Mary is powerless to stop the affair and confides to an old friend, James Livingston, the expected arrival of their child. Concealing her pregnancy from her husband, Mary goes to the country where her son is born. Meanwhile, Livingston, learning that Robert is intent upon filing for divorce, demands that the unfaithful husband repay some notes which Livingston holds. Robert is unable to pay, and Helen threatens to leave him. In contrast, Mary offers to sell her jewels to help her husband, forcing Robert to realize her true worth. He begs his wife's forgiveness, and they are joyfully united as Mary proudly introduces her husband to his ...

More Less

When Mary Graham is visited by her old school chum Helen, Mary's husband becomes infatuated with his wife's guest and soon openly avows his love for her. Mary is powerless to stop the affair and confides to an old friend, James Livingston, the expected arrival of their child. Concealing her pregnancy from her husband, Mary goes to the country where her son is born. Meanwhile, Livingston, learning that Robert is intent upon filing for divorce, demands that the unfaithful husband repay some notes which Livingston holds. Robert is unable to pay, and Helen threatens to leave him. In contrast, Mary offers to sell her jewels to help her husband, forcing Robert to realize her true worth. He begs his wife's forgiveness, and they are joyfully united as Mary proudly introduces her husband to his son.

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GENRE
Genre:


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.