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HISTORY

The upcoming production was announced in the 30 October 1920 by its working title, Sorrentina. Rudolph Valentino was initially cast as leading man to star Viola Dana. Albert Kelley and George Probert were credited as co-directors and Dave Howard as assistant director.
       The start of principal photography at Metro Studios in Hollywood, CA, was reported in the 13 November 1920 Camera. The 6 November 1920 issue claimed that Tom Kennedy had joined the cast, although this may have been a reference to comedian Edward Kennedy, who was confirmed as a cast member in the same publication on 27 November 1920. Bayard Veiller was identified as supervisor in the 4 December 1920 Moving Picture World. That same day, Camera reported that Viola Dana and twelve members of the production unit had just returned from a four-day location shoot at the racetracks and gambling casinos of Tijuana, Mexico. The 1 January 1921 Moving Picture World revealed that “special races were scheduled” to coincide with the shoot, with many real-life gamblers appearing as background actors. The original story was said to have been written specifically for Dana by “Donn Byrne,” also known as Brian Oswald Donn-Byrne.
       Items in the 4 December 1920 Motion Picture News and March 1921 Picture-Play noted that Dana gave a convincing portrayal of an Italian peasant girl by darkening her complexion and wearing a “typical” red and yellow dress. She also reportedly learned to operate marionettes for a puppet-show sequence. The official title was announced as Puppets of Fate in the ...

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The upcoming production was announced in the 30 October 1920 by its working title, Sorrentina. Rudolph Valentino was initially cast as leading man to star Viola Dana. Albert Kelley and George Probert were credited as co-directors and Dave Howard as assistant director.
       The start of principal photography at Metro Studios in Hollywood, CA, was reported in the 13 November 1920 Camera. The 6 November 1920 issue claimed that Tom Kennedy had joined the cast, although this may have been a reference to comedian Edward Kennedy, who was confirmed as a cast member in the same publication on 27 November 1920. Bayard Veiller was identified as supervisor in the 4 December 1920 Moving Picture World. That same day, Camera reported that Viola Dana and twelve members of the production unit had just returned from a four-day location shoot at the racetracks and gambling casinos of Tijuana, Mexico. The 1 January 1921 Moving Picture World revealed that “special races were scheduled” to coincide with the shoot, with many real-life gamblers appearing as background actors. The original story was said to have been written specifically for Dana by “Donn Byrne,” also known as Brian Oswald Donn-Byrne.
       Items in the 4 December 1920 Motion Picture News and March 1921 Picture-Play noted that Dana gave a convincing portrayal of an Italian peasant girl by darkening her complexion and wearing a “typical” red and yellow dress. She also reportedly learned to operate marionettes for a puppet-show sequence. The official title was announced as Puppets of Fate in the 5 February 1921 Motion Picture News.
       The film was released on 28 March 1921, followed by openings on 16 April 1921 at Loew’s New York Theatre in New York City, and during the week of 29 May 1921 at Tally’s Theatre in Los Angeles, CA.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
30 Oct 1920
p. 8, 18, 20
Camera
6 Nov 1920
p. 15
Camera
13 Nov 1920
p. 4
Camera
27 Nov 1920
p. 9
Camera
4 Dec 1920
p. 17
Camera
28 May 1921
p. 14
Exhibitors Herald
19 Mar 1921
p. 64
Exhibitors Trade Review
16 Apr 1921
p. 1797
Motion Picture News
4 Dec 1920
p. 4282
Motion Picture News
5 Feb 1921
p. 1176
Motion Picture News
9 Apr 1921
p. 2472
Motion Picture News
30 Apr 1921
p. 2859
Moving Picture World
4 Dec 1920
p. 631
Moving Picture World
1 Jan 1921
p. 78
Moving Picture World
30 Apr 1921
p. 992
Picture-Play
Mar 1921
p. 100
Variety
22 Apr 1921
p. 40
Wid's Daily
11 Apr 1921
p. 3
Wid's Daily
22 May 1921
p. 20
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PHOTOGRAPHY
Dir of photog
ART DIRECTOR
Art dir
DETAILS
Alternate Title:
Sorrentina
Release Date:
28 March 1921
Premiere Information:
New York opening: 16 Apr 1921; Los Angeles opening: week of 29 May 1921
Production Date:
began early Nov 1920
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
29 March 1921
LP16340
Physical Properties:
Silent
Black and White
Length(in reels):
6
Country:
United States
Language:
English
SYNOPSIS

Gabriel Palombra, who operates a marionette street show in Venice, Italy, decides to fulfill his ambition of emigrating to the U.S. He leaves behind his wife, Sorrentina, promising to send for her. Gabriel is soon disillusioned after his arrival in New York City, and he takes a job as porter in a barbershop. When he is rewarded for returning a lost pocketbook, manicurist "Babe" Reynolds persuades him to bet on a winning horse, and he becomes wealthy under her influence. Meanwhile, Sorrentina arrives in city and finds work as a flower girl. Babe marries Gabriel, then brings charges of bigamy against him. However, the judge is aware of her ruse, and after passing sentence on Gabriel, paroles him to Sorrentina for ...

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Gabriel Palombra, who operates a marionette street show in Venice, Italy, decides to fulfill his ambition of emigrating to the U.S. He leaves behind his wife, Sorrentina, promising to send for her. Gabriel is soon disillusioned after his arrival in New York City, and he takes a job as porter in a barbershop. When he is rewarded for returning a lost pocketbook, manicurist "Babe" Reynolds persuades him to bet on a winning horse, and he becomes wealthy under her influence. Meanwhile, Sorrentina arrives in city and finds work as a flower girl. Babe marries Gabriel, then brings charges of bigamy against him. However, the judge is aware of her ruse, and after passing sentence on Gabriel, paroles him to Sorrentina for life.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.