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HISTORY

The Case of Becky, a Play was published in Hearst's Magazine in Aug 1912. This was Frank Reicher's first film as a director, according to a news item. Realart Pictures produced another film based on the play, which was released by Paramount Pictures in Oct 1921. It was directed by Chester M. Franklin and starred Constance Binney. (See AFI Catalog of Feature Films, 1921-30; F2.0792.) ...

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The Case of Becky, a Play was published in Hearst's Magazine in Aug 1912. This was Frank Reicher's first film as a director, according to a news item. Realart Pictures produced another film based on the play, which was released by Paramount Pictures in Oct 1921. It was directed by Chester M. Franklin and starred Constance Binney. (See AFI Catalog of Feature Films, 1921-30; F2.0792.)

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motog
7 Aug 1915
p. 240
Motog
2 Oct 1915
p. 713
MPN
17 Jul 1915
p. 97
MPN
29 May 1915
p. 892
MPN
25 Sep 1915
p. 120
MPW
24 Jul 1915
p. 672
MPW
11 Sep 1915
p. 1849
MPW
25 Sep 1915
p. 2198, 2252
NYDM
22 Sep 1915
p. 30
Paramount Progress
9 Sep 1915
p. 7
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
In association with
WRITER
Margaret Turnbull
Scen
PHOTOGRAPHY
SOURCES
LITERARY
Based on the play The Case of Becky by Edward J. Locke (New York, 1 Oct 1912).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
13 September 1915
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Jesse L. Lasky Feature Play Co., Inc.
27 August 1915
LU6211
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

Dorothy, a victim of pre-natal influences who is reared by the hypnotist Balzamo to appear in public and continually display his powers, develops a second personality called "Becky," who hates the sweet Dorothy and does mischievous deeds in her name. When Balzamo tries to win her affection, Becky runs away. Meanwhile, Dr. Emerson, a specialist in nervous disorders, encourages Dr. John Arnold to use his hypnotic powers for good, relating that after a hypnotist induced his wife to leave him and take their child, his wife died deserted, and the child was never found. Although Dorothy acquires jobs, she loses them when the malicious Becky emerges. When Dorothy becomes a companion to Emerson's sister, Becky appears, and Emerson diagnoses the disorder as a case of dual personality. After Arnold, who loves Dorothy, is able to kill Becky, Balzamo arrives and attempts to revive his hold on Dorothy. Arnold wins the ensuing battle of wills and forces a confession from Balzamo that Dorothy is Dr. Emerson's daughter. His powers gone, Balzamo leaves, and now Dorothy accepts Arnold's ...

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Dorothy, a victim of pre-natal influences who is reared by the hypnotist Balzamo to appear in public and continually display his powers, develops a second personality called "Becky," who hates the sweet Dorothy and does mischievous deeds in her name. When Balzamo tries to win her affection, Becky runs away. Meanwhile, Dr. Emerson, a specialist in nervous disorders, encourages Dr. John Arnold to use his hypnotic powers for good, relating that after a hypnotist induced his wife to leave him and take their child, his wife died deserted, and the child was never found. Although Dorothy acquires jobs, she loses them when the malicious Becky emerges. When Dorothy becomes a companion to Emerson's sister, Becky appears, and Emerson diagnoses the disorder as a case of dual personality. After Arnold, who loves Dorothy, is able to kill Becky, Balzamo arrives and attempts to revive his hold on Dorothy. Arnold wins the ensuing battle of wills and forces a confession from Balzamo that Dorothy is Dr. Emerson's daughter. His powers gone, Balzamo leaves, and now Dorothy accepts Arnold's love.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.