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HISTORY

The 18 Jul 1914 Moving Picture World reported that Henrietta Grosman was among many prominent Broadway stars making motion pictures at Famous Players Film Co.'s studio on West Twenty-sixth Street in New York City. The Unwelcome Mrs. Hatch was her first film, and Famous Players touted the event by commissioning a full-page advertisement on the cover of the 12 Sep 1914 Moving Picture World, placing the name of the "distinguished dramatic artiste" in large print above the title of "the famous emotional drama." The film was Famous Players' second release distributed by Paramount Pictures.
       A viewer commented in the 16 Jan 1915 Moving Picture World that The Unwelcome Mrs. Hatch and a Lasky film, What's His Name, contained an "innovation" that was "worthy of adoption with all multiple reel films. Preceding each reel, excepting, of course, the first, is a short synopsis of the story so far as it has been exhibited. Thus a patron entering a theatre can pick up the thread of a drama immediately without the necessity of sitting out an incoherent subject."
       The Dec 1914 Picture Stories Magazine ran a photo-illustrated short-story adaptation of the film's scenario. ...

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The 18 Jul 1914 Moving Picture World reported that Henrietta Grosman was among many prominent Broadway stars making motion pictures at Famous Players Film Co.'s studio on West Twenty-sixth Street in New York City. The Unwelcome Mrs. Hatch was her first film, and Famous Players touted the event by commissioning a full-page advertisement on the cover of the 12 Sep 1914 Moving Picture World, placing the name of the "distinguished dramatic artiste" in large print above the title of "the famous emotional drama." The film was Famous Players' second release distributed by Paramount Pictures.
       A viewer commented in the 16 Jan 1915 Moving Picture World that The Unwelcome Mrs. Hatch and a Lasky film, What's His Name, contained an "innovation" that was "worthy of adoption with all multiple reel films. Preceding each reel, excepting, of course, the first, is a short synopsis of the story so far as it has been exhibited. Thus a patron entering a theatre can pick up the thread of a drama immediately without the necessity of sitting out an incoherent subject."
       The Dec 1914 Picture Stories Magazine ran a photo-illustrated short-story adaptation of the film's scenario.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
12 Sep 1914
Cover, p. 18
Motion Picture News
19 Sep 1914
p. 48
Motography
7 Nov 1914
p. 33
Moving Picture World
18 Jul 1914
p. 448
Moving Picture World
12 Sep 1914
p. 1460
Moving Picture World
26 Sep 1914
p. 1752, 1830
Moving Picture World
16 Jan 1915
p. 354
New York Clipper
12 Sep 1914
p. 23
New York Clipper
19 Sep 1914
p. 12
NYDM
16 Sep 1914
p. 28
Picture Stories Magazine
Dec 1914
p. 240-245
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
PRODUCER
Prod
Presents
SOURCES
LITERARY
Based on the play The Unwelcome Mrs. Hatch by Mrs. Burton Harrison (New York, 25 Nov 1901).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
10 September 1914
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
4,000
Length(in reels):
4
Country:
United States
Language:
English
SYNOPSIS

Marian Lorimer is a young woman, as well as a recent mother, whose husband Richard does not appreciate her. When his philandering with another woman, Madge Creighton, causes Marian to fall in love with someone else, she leaves a note telling him that she is eloping. However, at the last moment, thinking of her young daughter Gladys, Marian changes her mind and sends her lover on his way, but Richard refuses to take her back. He divorces Marian, marries Madge, and, on the strength of her damning handwritten note, gains custody of their child. Marian moves west to San Francisco and changes her name to Mrs. Hatch, but eighteen years later she sees her daughter's picture in a newspaper's marriage announcement. She travels back east to her home town with a wedding gift, but her husband refuses to let her see Gladys even from a distance. On the day of Gladys's marriage to Jack Adrian, Marian appeals to Agnes, the old family nurse, to smuggle her into the house as a seamstress who brings the wedding gown. In a brief moment, without revealing her identity, she manages to touch her daughter. Seeing a framed photograph of Gladys, she hides it in her dress, but when it accidentally falls to the floor, a detective notices and brings Richard Lorimer, Madge, and Jack onto the scene. Marian is exposed and, to avoid a charge of theft, is forced to leave, but she departs knowing that at least her daughter is aware of her. Witnessing this altercation is Harry Brown, who dislikes Richard and secretly loves Marian. To avenge her, he makes love to Madge Lorimer, lures her away from Richard, then ...

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Marian Lorimer is a young woman, as well as a recent mother, whose husband Richard does not appreciate her. When his philandering with another woman, Madge Creighton, causes Marian to fall in love with someone else, she leaves a note telling him that she is eloping. However, at the last moment, thinking of her young daughter Gladys, Marian changes her mind and sends her lover on his way, but Richard refuses to take her back. He divorces Marian, marries Madge, and, on the strength of her damning handwritten note, gains custody of their child. Marian moves west to San Francisco and changes her name to Mrs. Hatch, but eighteen years later she sees her daughter's picture in a newspaper's marriage announcement. She travels back east to her home town with a wedding gift, but her husband refuses to let her see Gladys even from a distance. On the day of Gladys's marriage to Jack Adrian, Marian appeals to Agnes, the old family nurse, to smuggle her into the house as a seamstress who brings the wedding gown. In a brief moment, without revealing her identity, she manages to touch her daughter. Seeing a framed photograph of Gladys, she hides it in her dress, but when it accidentally falls to the floor, a detective notices and brings Richard Lorimer, Madge, and Jack onto the scene. Marian is exposed and, to avoid a charge of theft, is forced to leave, but she departs knowing that at least her daughter is aware of her. Witnessing this altercation is Harry Brown, who dislikes Richard and secretly loves Marian. To avenge her, he makes love to Madge Lorimer, lures her away from Richard, then spurns her. Richard now turns against Madge, as he once did with Marian. When Gladys returns with Jack from their honeymoon, she goes to her mother.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.