The Moth and the Flame (1915)

Melodrama | 13 May 1915

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HISTORY

The 9 April 1915 Variety announced that veteran Sidney Olcott was on the West Coast, directing a feature film adapted from the popular play The Moth and the Flame. It was his first of many projects for Famous Players.
       The Moth and the Flame opened at the Broadway in New York, according to the 21 May 1915 Variety. An accompanying orchestra offered a distinct musical motif for each of the primary characters. Variety praised director Olcott's "effective use of mirrors in several scenes."
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January 2021. ...

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The 9 April 1915 Variety announced that veteran Sidney Olcott was on the West Coast, directing a feature film adapted from the popular play The Moth and the Flame. It was his first of many projects for Famous Players.
       The Moth and the Flame opened at the Broadway in New York, according to the 21 May 1915 Variety. An accompanying orchestra offered a distinct musical motif for each of the primary characters. Variety praised director Olcott's "effective use of mirrors in several scenes."
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of January 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
29 May 1915
p. 66
Motography
22 May 1915
pp. 856-57
Moving Picture World
24 Jul 1915
p. 666
NYDM
19 May 1915
p. 28
Variety
9 Apr 1915
p. 19
Variety
21 May 1915
p. 18
Variety
4 Sep 1915
p. 65
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
Prod
Presents
SOURCES
LITERARY
Based on the play The Moth and the Flame by Clyde Fitch (New York, 11 Apr 1898).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
13 May 1915
Production Date:

Physical Properties:
Silent
Black and White
Length(in feet):
4,000
Length(in reels):
4
Country:
United States
Language:
English
SYNOPSIS

In England, Jeanette Graham pleads unsuccessfully to keep her lover, Edward Fletcher, from leaving her and their little boy. When she learns that Fletcher has gone to America, she collapses, but then recovers and gets work to support herself and her child. In New York, Fletcher falls in with a crowd that includes Marion Walton, a student just finishing her studies at Yale. Marion accepts Fletcher's attentions and does not believe the accusations of her former suitor, Douglas Rhodes, a college student who has learned about Fletcher's past. When they decide to marry, Fletcher helps Marion's father with a loan. In London, Jeanette reads about the upcoming marriage and travels to America. Arriving at the wedding, she responds when the minister asks if there is anyone present who objects to the union, by presenting her son. Brokenhearted, Marion returns her wedding gifts, and later weds Douglas, who pays back the money her father owes to Fletcher, who reconciles with Jeanette and his ...

More Less

In England, Jeanette Graham pleads unsuccessfully to keep her lover, Edward Fletcher, from leaving her and their little boy. When she learns that Fletcher has gone to America, she collapses, but then recovers and gets work to support herself and her child. In New York, Fletcher falls in with a crowd that includes Marion Walton, a student just finishing her studies at Yale. Marion accepts Fletcher's attentions and does not believe the accusations of her former suitor, Douglas Rhodes, a college student who has learned about Fletcher's past. When they decide to marry, Fletcher helps Marion's father with a loan. In London, Jeanette reads about the upcoming marriage and travels to America. Arriving at the wedding, she responds when the minister asks if there is anyone present who objects to the union, by presenting her son. Brokenhearted, Marion returns her wedding gifts, and later weds Douglas, who pays back the money her father owes to Fletcher, who reconciles with Jeanette and his son.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.