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HISTORY

The film was originally part of Universal's prestigious "Bluebird" program, according to the 29 July 1916 Motion Picture News, but was changed to the "Red Feather" program and released as its thirty-fourth production, according to the 23 September 1916 Moving Picture World.
       The 31 August 1916 Wid's found the French Revolution scenes unconvincing. "These scenes were taken at night in a studio exterior, with a mob running wild, waving lighted torches. Unfortunately, the mob did not register as a ferocious one but rather as a lot of extras running in circles." The item spelled cameraman Roy H. Klaffki's last name as "Klasski."
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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The film was originally part of Universal's prestigious "Bluebird" program, according to the 29 July 1916 Motion Picture News, but was changed to the "Red Feather" program and released as its thirty-fourth production, according to the 23 September 1916 Moving Picture World.
       The 31 August 1916 Wid's found the French Revolution scenes unconvincing. "These scenes were taken at night in a studio exterior, with a mob running wild, waving lighted torches. Unfortunately, the mob did not register as a ferocious one but rather as a lot of extras running in circles." The item spelled cameraman Roy H. Klaffki's last name as "Klasski."
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
29 Jul 1916
p. 607
Moving Picture World
9 Sep 1916
p. 1687
Moving Picture World
23 Sep 1916
p. 1976, 2023, 2026
New York Clipper
23 Sep 1916
p. 35
Wid's
31 Aug 1916
p. 819
Wid's
25 Nov 1916
p. 1226
DETAILS
Release Date:
18 September 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Universal Film Mfg. Co., Inc.
26 August 1916
LP9003
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In 1869, during the Ulysses S. Grant administaration, enemies of railroad magnate Richard Strong attempt to ruin him by cornering gold. Richard thwarts them, largely through the help of his secretary, Charles Dalton, and President Grant. However, Charles tries to seduce Elinor, Richard's wife. Although she rebuffs Charles, Richard accuses her of infidelity, so Elinor leaves him and goes to Paris, France. Richard follows her, but, caught in the middle of the 1870 riots, he cannot get near her. Charles, also in Paris, finally, after being mortally wounded, convinces Richard that nothing had come of his interest in Elinor. However, Richard now believes that Elinor no longer loves him. Richard returns to New York City for a last, sad look at the house the couple had shared, but Elinor is also there, and for the same purpose. She tells him that she loves him, and the couple is ...

More Less

In 1869, during the Ulysses S. Grant administaration, enemies of railroad magnate Richard Strong attempt to ruin him by cornering gold. Richard thwarts them, largely through the help of his secretary, Charles Dalton, and President Grant. However, Charles tries to seduce Elinor, Richard's wife. Although she rebuffs Charles, Richard accuses her of infidelity, so Elinor leaves him and goes to Paris, France. Richard follows her, but, caught in the middle of the 1870 riots, he cannot get near her. Charles, also in Paris, finally, after being mortally wounded, convinces Richard that nothing had come of his interest in Elinor. However, Richard now believes that Elinor no longer loves him. Richard returns to New York City for a last, sad look at the house the couple had shared, but Elinor is also there, and for the same purpose. She tells him that she loves him, and the couple is reconciled.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.