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HISTORY

This film was based on the 1871 novel La clique dorée (a.k.a. The Clique of Gold) by Emile Gaboriau. Preparations for filming were underway in early July 1916, as noted in the 8 July 1916 Motion Picture News, which referred to the picture as The Clique of Gold. On 12 August 1916, Motion Picture News reported that director Rupert Julian had gone to San Francisco, CA, to shoot on location, with actors Hobart Henley, Douglas Gerrard, and Alfred Allen.
       A title change to The Evil Women Do was announced in the 2 September 1916 Moving Picture World. Theatrical release was set to take place later that month, on 25 September 1916. In Washington, D.C., the picture opened on 28 September 1916, according to that day’s Washington Post.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019. ...

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This film was based on the 1871 novel La clique dorée (a.k.a. The Clique of Gold) by Emile Gaboriau. Preparations for filming were underway in early July 1916, as noted in the 8 July 1916 Motion Picture News, which referred to the picture as The Clique of Gold. On 12 August 1916, Motion Picture News reported that director Rupert Julian had gone to San Francisco, CA, to shoot on location, with actors Hobart Henley, Douglas Gerrard, and Alfred Allen.
       A title change to The Evil Women Do was announced in the 2 September 1916 Moving Picture World. Theatrical release was set to take place later that month, on 25 September 1916. In Washington, D.C., the picture opened on 28 September 1916, according to that day’s Washington Post.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of October 2019.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Chicago Defender
14 Oct 1916
p. 4
Motion Picture News
8 July 1916
p. 86
Motion Picture News
29 Jul 1916
p. 607
Motion Picture News
5 Aug 1916
p. 776
Motion Picture News
12 Aug 1916
p. 920
Motion Picture News
2 Sep 1916
p. 1367
Motion Picture News
23 Sep 1916
p. 1891
Moving Picture World
1 Apr 1916
p. 100
Moving Picture World
2 Sep 1916
p. 1556
Moving Picture World
9 Sep 1916
p. 1718
Moving Picture World
23 Sep 1916
p. 1960
Moving Picture World
30 Sep 1916
p. 2170
Variety
22 Sep 1916
p. 40
Washington Post
28 Sep 1916
p. 4
Wid's
14 Sep 1916
p. 915
DETAILS
Alternate Title:
The Clique of Gold
Release Date:
25 September 1916
Premiere Information:
Washington, D.C., opening: 28 Sep 1916
Production Date:
ca. Jul--Aug 1916
Copyright Info
Claimant
Date
Copyright Number
Bluebird Photoplays, Inc
2 September 1916
LP9042
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Paris vamp Ernestine Bergot, posing as wealthy Englishwoman Sarah Brandon, goes to work on aging Count Ville Handry after first warming up on Malgat, a banker whom she ruined. Ernestine convinces the count to marry her despite his daughter's strenuous objections and then gains complete control of his fortune. Her steady milking of his funds makes the count decide to kill himself, but just as he is about to do it, Malgat, who has managed to catch up with Ernestine, exposes her to the authorities. Then, instead of the count, it is Ernestine who commits suicide rather than submit to ...

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Paris vamp Ernestine Bergot, posing as wealthy Englishwoman Sarah Brandon, goes to work on aging Count Ville Handry after first warming up on Malgat, a banker whom she ruined. Ernestine convinces the count to marry her despite his daughter's strenuous objections and then gains complete control of his fortune. Her steady milking of his funds makes the count decide to kill himself, but just as he is about to do it, Malgat, who has managed to catch up with Ernestine, exposes her to the authorities. Then, instead of the count, it is Ernestine who commits suicide rather than submit to arrest.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.