The Garden of Allah (1916)

Drama | 25 December 1916

Director:

Colin Campbell

Writer:

Gilson Willets

Production Designer:

Gabriel Pollock

Production Company:

Selig Polyscope Co.
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HISTORY

An item, dated 23 September in the 7 October 1916 Motion Picture News, reported that 400 extras of all races crowded the thirty-nine-acre Selig Zoo studios on Mission Road in Los Angeles to play soldiers, natives and tourists in mob scenes. "Almost every evening, artificial-light scenes...were filmed." The exterior scenes were shot in the gardens of the Santa Barbara Mission and in California's Mojave Desert. Filming took nearly four months. A month earlier, the 26 August 1916 Motion Picture News had noted that "an army of carpenters and masons" was busy building the "gigantic settings" at the studio, and that towers were being built "of such construction that they may be taken to the desert in sections." The 2 September 1916 Motion Picture News added that a cast and crew of 250 people went to Oxnard, CA, the previous week to film in the desert.
       The 16 December 1916 Moving Picture World listed the film's most sensational scenes as "the sand storm, the battle of the desert nomads, scenes in the garden of Allah and on the Sahara Desert, and the streets and bazaars of the Oriental city of Beni-Mora." Elsewhere in the same issue, it was reported that director Colin Campbell invented his own machine to create the realistic sand storm, which blew down tents and palm trees, and sent debris flying through the air. For one scene, "a company of French zouaves in natty uniforms, which fit the men perfectly," had been "tailor-made, by order, for the occasion." Helen Ware's costumes were similarly specially made. Professional Arab dancing women were hired. The 23 June 1917 Moving Picture World, ...

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An item, dated 23 September in the 7 October 1916 Motion Picture News, reported that 400 extras of all races crowded the thirty-nine-acre Selig Zoo studios on Mission Road in Los Angeles to play soldiers, natives and tourists in mob scenes. "Almost every evening, artificial-light scenes...were filmed." The exterior scenes were shot in the gardens of the Santa Barbara Mission and in California's Mojave Desert. Filming took nearly four months. A month earlier, the 26 August 1916 Motion Picture News had noted that "an army of carpenters and masons" was busy building the "gigantic settings" at the studio, and that towers were being built "of such construction that they may be taken to the desert in sections." The 2 September 1916 Motion Picture News added that a cast and crew of 250 people went to Oxnard, CA, the previous week to film in the desert.
       The 16 December 1916 Moving Picture World listed the film's most sensational scenes as "the sand storm, the battle of the desert nomads, scenes in the garden of Allah and on the Sahara Desert, and the streets and bazaars of the Oriental city of Beni-Mora." Elsewhere in the same issue, it was reported that director Colin Campbell invented his own machine to create the realistic sand storm, which blew down tents and palm trees, and sent debris flying through the air. For one scene, "a company of French zouaves in natty uniforms, which fit the men perfectly," had been "tailor-made, by order, for the occasion." Helen Ware's costumes were similarly specially made. Professional Arab dancing women were hired. The 23 June 1917 Moving Picture World, citing a nine-reel release, stated, "Not a scene is introduced that is not to be found in Robert Hichens' famous book. Not a word will be found in sub-titles that cannot be found in the beautiful text of the story." Title card art was by Van Nise.
       The picture was copyrighted as being twelve reels in length, but some reviews, particularly the later ones, cited nine reels, suggesting that the subsequent release in 1917 had been trimmed.
       Mary Anderson and Robert Hichens adapted Hichens' novel into a successful stage play that opened in New York 21 Oct 1911. The film had its world premiere in Indianapolis on Christmas Day, 1916. Hichens' novel was filmed again in 1927 by M-G-M, with Alice Terry starring and Rex Ingram directing; and in 1936 by Selznick International, with Marlene Dietrich and Charles Boyer starring and Richard Boleslawski directing (see entries).

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
4 Aug 1917
p. 23
Exhibitors Trade Review
4 Aug 1917
p. 715
Motion Picture News
17 Apr 1915
p. 61
Motion Picture News
6 May 1916
p. 982
Motion Picture News
26 Aug 1916
p. 1230
Motion Picture News
2 Sep 1916
p. 1374
Motion Picture News
7 Oct 1916
p. 2197
Motion Picture News
4 Aug 1917
p. 827
Motion Picture News
18 Aug 1917
p. 1150
Motography
11 Aug 1917
p. 320
Moving Picture World
16 Dec 1916
p. 1628, 1661
Moving Picture World
23 Jun 1917
p. 1957
NYDM
13 Jan 1917
p. 28
NYDM
20 Jan 1917
p. 22
NYDM
11 Aug 1917
p. 12
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
ART DIRECTOR
Art dir
PRODUCTION MISC
Prod mgr
SOURCES
LITERARY
Based on the novel The Garden of Allah by Robert Smythe Hichens (London, 1904).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
25 December 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Selig Polyscope Co.
29 November 1916
LP9668
Physical Properties:
Silent
Black and White
Length(in reels):
10
Country:
United States
Language:
English
SYNOPSIS

When her mother elopes with a lover and her father dies cursing the name of God, Domini Enfilden attempts to forget her pain in Beni Mora, an oasis in the Sahara. At the desert hotel, she meets and falls in love with Boris Androvsky, a tormented man of mystery. Abruptly announcing his departure one day, Boris bids farewell to Domini in the Garden of Allah, but passion overwhelms them, and after making love, they are married by Father Roubier. The two are happy until Capt. De Trevignac, a dinner guest, recognizes Boris as the former Father Antoine, a priest whose irrepressible lust forced him to leave the monastery. De Trevignac says nothing, but after his departure, Boris confesses to Domini, who urges him to return to the monastery. The years pass, and Domini rears her son Boris in the Garden of ...

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When her mother elopes with a lover and her father dies cursing the name of God, Domini Enfilden attempts to forget her pain in Beni Mora, an oasis in the Sahara. At the desert hotel, she meets and falls in love with Boris Androvsky, a tormented man of mystery. Abruptly announcing his departure one day, Boris bids farewell to Domini in the Garden of Allah, but passion overwhelms them, and after making love, they are married by Father Roubier. The two are happy until Capt. De Trevignac, a dinner guest, recognizes Boris as the former Father Antoine, a priest whose irrepressible lust forced him to leave the monastery. De Trevignac says nothing, but after his departure, Boris confesses to Domini, who urges him to return to the monastery. The years pass, and Domini rears her son Boris in the Garden of Allah.

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GENRE
Genre:
Sub-genre:
Arabian


Subject

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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