Sweet Kitty Bellairs (1916)

Romantic comedy | 21 May 1916

Director:

James Young

Writer:

James Young

Production Designer:

Wilfred Buckland
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HISTORY

Sweet Kitty Bellairs was the result of a 1914 pact between Broadway stage producer David Belasco and the Jesse L. Lasky Feature Play Co. to bring Belasco's successful plays to the pantomime screen, the 8 June 1914 Motion Picture News noted.
       The 9 January 1915 Moving Picture World announced that plans "are now well under way for making" Sweet Kitty Bellairs, but filming didn't begin until the following year. The Belasco play was considerably rewritten to conform to the silent film format.
       The 11 March 1916 Moving Picture World reported that Sweet Kitty Bellairs would be the first production on the "new three hundred foot stage" at Lasky's Hollywood studios at the corner of Vine Street and Selma Avenue. Art director Wilfred Buckland built "a replica of the ballroom at the casino at Bath, the famous English watering place...in the latter part of the eighteenth century," according to the 8 April 1916 Motion Picture News. "More than two hundred people were used in the ballroom scenes, and the costumes for this were made especially for the Lasky company by Alfreda Hoffman, until recently connected with one of the most celebrated New York costumers."
       According to Wid's, "Some of the exterior locations were particularly well chosen, and separate mention should be made of the fact that in the last reel we have such a conventional happening as the marching of troops along a roadway, made into a truly artist effect, the grouping of the troops on the roadway against a background of clouds making these scenes decidedly distinctive and remarkably artistic."
       Sweet Kitty ...

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Sweet Kitty Bellairs was the result of a 1914 pact between Broadway stage producer David Belasco and the Jesse L. Lasky Feature Play Co. to bring Belasco's successful plays to the pantomime screen, the 8 June 1914 Motion Picture News noted.
       The 9 January 1915 Moving Picture World announced that plans "are now well under way for making" Sweet Kitty Bellairs, but filming didn't begin until the following year. The Belasco play was considerably rewritten to conform to the silent film format.
       The 11 March 1916 Moving Picture World reported that Sweet Kitty Bellairs would be the first production on the "new three hundred foot stage" at Lasky's Hollywood studios at the corner of Vine Street and Selma Avenue. Art director Wilfred Buckland built "a replica of the ballroom at the casino at Bath, the famous English watering place...in the latter part of the eighteenth century," according to the 8 April 1916 Motion Picture News. "More than two hundred people were used in the ballroom scenes, and the costumes for this were made especially for the Lasky company by Alfreda Hoffman, until recently connected with one of the most celebrated New York costumers."
       According to Wid's, "Some of the exterior locations were particularly well chosen, and separate mention should be made of the fact that in the last reel we have such a conventional happening as the marching of troops along a roadway, made into a truly artist effect, the grouping of the troops on the roadway against a background of clouds making these scenes decidedly distinctive and remarkably artistic."
       Sweet Kitty Bellairs was the first film directed by James Young for the Jesse L. Lasky Feature Play Co. It was the second film for former Ziegfeld Follies headliner Mae Murray, following To Have and to Hold (1916, see entry). She became known as "The Girl with the Bee-Stung Lips."
       The film opened 21 May 1916 at the Strand Theater on Broadway in New York City, according to the 3 June 1916 Moving Picture World.
       New York Clipper incorrectly credited Cecil B. De Mille as the director.
       Sweet Kitty Bellairs was remade by Warner Bros. in 1930, with Alfred E. Green directing and Claudia Dell starring (see entry).
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
6 Jun 1914
p. 30
Motion Picture News
4 Mar 1916
p. 1289
Motion Picture News
25 Mar 1916
p. 1730, 1746
Motion Picture News
8 Apr 1916
p. 2042
Motion Picture News
20 May 1916
p. 3046
Motion Picture News
3 Jun 1916
p. 3425
Motography
25 Mar 1916
p. 727
Motography
6 May 1916
p. 1063
Motography
3 Jun 1916
p. 1280
Moving Picture World
9 Jan 1915
p. 204
Moving Picture World
11 Mar 1916
p. 1675
Moving Picture World
3 Jun 1916
p. 1690, 1705
Moving Picture World
23 Dec 1916
p. 1759
New York Clipper
3 Jun 1916
p. 37
NYDM
27 May 1916
p. 34
New York Times
22 May 1916
p. 20
Paramount Magazine
Holiday 1916 (No. 1, Vol. 1)
p. 3
Variety
19 May 1916
p. 20
Wid's
25 May 1916
p. 599
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
WRITER
PHOTOGRAPHY
ART DIRECTOR
COSTUMES
SOURCES
LITERARY
Based on the play Sweet Kitty Bellairs by David Belasco (New York, 9 Dec 1903), which was based on the novel The Bath Comedy by Agnes and Egerton Castle (London, 1900).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
21 May 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Jesse L. Lasky Feature Play Co.
6 May 1916
LP8240
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Kitty Bellairs, a mischievous and flirtatious Irish beauty in eighteenth-century England, is the toast of the 51st Regiment in Bath, and when the Innskilling Regiment from Dublin arrives, its lieutenant, Lord Verney, falls in love with her as well. Meanwhile, Lady Julia, Kitty's friend, is heartbroken over her husband Sir Jasper's affair with Lady Barbara Flyte, so Kitty advises Julia to rekindle his interest, and stir his jealousy, by flirting with the young officers. The ruse works too well, and when Jasper believes that Verney is trifling with his wife, he challenges the lieutenant to a duel. Both Kitty and Julia hurry to Verney's apartment to prevent a confrontation, but when Jasper suddenly shows up, Kitty helps Julia escape and takes the blame for being in Verney's room. This compromising and scandalous situation, whipped into a social frenzy by Lady Barbara, results in Kitty being snubbed at a ball given by Bath society. However, Lady Julia eventually straightens everything out, and Lt. Verney goes off to war, knowing that Kitty truly loves ...

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Kitty Bellairs, a mischievous and flirtatious Irish beauty in eighteenth-century England, is the toast of the 51st Regiment in Bath, and when the Innskilling Regiment from Dublin arrives, its lieutenant, Lord Verney, falls in love with her as well. Meanwhile, Lady Julia, Kitty's friend, is heartbroken over her husband Sir Jasper's affair with Lady Barbara Flyte, so Kitty advises Julia to rekindle his interest, and stir his jealousy, by flirting with the young officers. The ruse works too well, and when Jasper believes that Verney is trifling with his wife, he challenges the lieutenant to a duel. Both Kitty and Julia hurry to Verney's apartment to prevent a confrontation, but when Jasper suddenly shows up, Kitty helps Julia escape and takes the blame for being in Verney's room. This compromising and scandalous situation, whipped into a social frenzy by Lady Barbara, results in Kitty being snubbed at a ball given by Bath society. However, Lady Julia eventually straightens everything out, and Lt. Verney goes off to war, knowing that Kitty truly loves him.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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