Full page view
HISTORY

The Woman's Law was the debut production of the Arrow Film Corp., according to the 18 March 1916 Motion Picture News. It was based on the best-selling novel The Woman's Law, which had been published originally as a serial in American Magazine, from November 1913 to April 1914. Writer Maravene Thompson said she based the story on the quotation of a New York judge: "Except for finger prints, I can find in New York the living double of any man in the world."
       The Arrow studios were in Yonkers, NY, according to the 22 April 1916 Motography.
       In his 8 April 1916 Motion Picture News review, Peter Milne mentioned the use of a "real view of the East River" in New York City, and praised the only "double-exposure scene in which Mr. McRae appears twice" as "excellently handled and timed down to the last instant."
       According to the 12 February 1916 Motion Picture News, Florence Reed objected to an advertisement in the magazine's Studio Directory issue that stated she and Duncan McRae "were featured" together in The Woman's Law. A correction was made to read that "Miss Reed alone is starred" in the film.
       The Arrow Film Corp. re-released this film in November 1918 to the state rights market.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.
...

More Less

The Woman's Law was the debut production of the Arrow Film Corp., according to the 18 March 1916 Motion Picture News. It was based on the best-selling novel The Woman's Law, which had been published originally as a serial in American Magazine, from November 1913 to April 1914. Writer Maravene Thompson said she based the story on the quotation of a New York judge: "Except for finger prints, I can find in New York the living double of any man in the world."
       The Arrow studios were in Yonkers, NY, according to the 22 April 1916 Motography.
       In his 8 April 1916 Motion Picture News review, Peter Milne mentioned the use of a "real view of the East River" in New York City, and praised the only "double-exposure scene in which Mr. McRae appears twice" as "excellently handled and timed down to the last instant."
       According to the 12 February 1916 Motion Picture News, Florence Reed objected to an advertisement in the magazine's Studio Directory issue that stated she and Duncan McRae "were featured" together in The Woman's Law. A correction was made to read that "Miss Reed alone is starred" in the film.
       The Arrow Film Corp. re-released this film in November 1918 to the state rights market.
       The National Film Preservation Board (NFPB) included this film on its list of Lost U.S. Silent Feature Films as of February 2021.

Less

GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Motion Picture News
12 Feb 1916
p. 866
Motion Picture News
18 Mar 1916
p. 1580
Motion Picture News
8 Apr 1916
p. 2065
Motography
18 Mar 1916
p. 636
Motography
1 Apr 1916
p. 767, 778
Motography
22 Apr 1916
p. 930
Moving Picture World
18 Mar 1916
p. 1832
Moving Picture World
1 Apr 1916
p. 151
Moving Picture World
8 Apr 1916
p. 276
Moving Picture World
21 Aug 1915
pp. 10-11
Moving Picture World
16 Nov 1918
pp. 761-62
New York Clipper
8 Apr 1916
p. 38
NYDM
8 Apr 1916
p. 30
Variety
7 Apr 1916
p. 24
Wid's
30 Mar 1916
p. 471
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
Gold Rooster Plays
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
Lawrence B. McGill
Dir
PRODUCER
WRITERS
Harvey F. Thew
Scen
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel The Woman's Law by Maravene Thompson (New York, 1914).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
20 March 1916
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Pathe Exchange
30 March 1916
LU7955
Physical Properties:
Silent
Black and White
Length(in feet):
5,000
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

After dissolute millionaire George Orcutt stabs his friend, artist Lucas Emmet, to death during a quarrel over Emmet's girlfriend, he confesses his crime to his wife Gail. She is not so much concerned for his well-being, but rather that of their son, Vance, who would be socially ruined if his father were a murderer. By coincidence, on her way to consult with her friend, District Attorney John Kent, she sees a man who remarkably resembles her husband sitting on a park bench, and upon approaching him, she realizes that he is a dazed amnesiac. Recalling a dinner conversation in which Kent argued that everyone has a double, she lets her husband escape for their son's sake, and replaces him with the man without a memory. The imposter is declared insane and sent to a sanitarium. He regains his sanity but not his memory, and upon his release, he returns to live with Gail as her husband. Reporter Frank Fisher sees Orcutt in a saloon, and investigates. When Orcutt becomes jealous of the imposter, he breaks into his home and demands money from Gail. The butler, thinking that Orcutt is a thief, shoots and kills him. Seeing that the imposter, whose name is really Keith Edgerton, now remembers that he went into shock upon learning that his parents died, and that he and Gail are in love, reporter Fisher and D.A. John Kent agree to keep the matter ...

More Less

After dissolute millionaire George Orcutt stabs his friend, artist Lucas Emmet, to death during a quarrel over Emmet's girlfriend, he confesses his crime to his wife Gail. She is not so much concerned for his well-being, but rather that of their son, Vance, who would be socially ruined if his father were a murderer. By coincidence, on her way to consult with her friend, District Attorney John Kent, she sees a man who remarkably resembles her husband sitting on a park bench, and upon approaching him, she realizes that he is a dazed amnesiac. Recalling a dinner conversation in which Kent argued that everyone has a double, she lets her husband escape for their son's sake, and replaces him with the man without a memory. The imposter is declared insane and sent to a sanitarium. He regains his sanity but not his memory, and upon his release, he returns to live with Gail as her husband. Reporter Frank Fisher sees Orcutt in a saloon, and investigates. When Orcutt becomes jealous of the imposter, he breaks into his home and demands money from Gail. The butler, thinking that Orcutt is a thief, shoots and kills him. Seeing that the imposter, whose name is really Keith Edgerton, now remembers that he went into shock upon learning that his parents died, and that he and Gail are in love, reporter Fisher and D.A. John Kent agree to keep the matter secret.

Less

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

Casablanca

In the onscreen credits, actor S. Z. Sakall's name is incorrectly spelled "S. K. Sakall." HR news items add the following information about the production: ... >>

Mr. Smith Goes to Washington

According to HR news items, "The Gentleman from Montana" (an unpublished story by Lewis R. Foster, alternately called "The Gentleman from Wyoming" by both contemporary and modern ... >>

Gone with the Wind

[Note from the Editors : the following information is based on contemporary news items, feature articles, reviews, interviews, memoranda and corporate records. Information obtained from modern sources is ... >>

Arabian Nights

Arabian Nights opens and closes with a framing story featuring an elderly guardian relating the story of two rival brothers, Haroum-al-Raschid and Kamar al Zaman, to six ... >>

Star Wars

The film’s title card is preceded by the statement: “A long time ago in a galaxy far, far away....” Afterward, a prologue reads: “It is a period of ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.