Boston Blackie's Little Pal (1918)

Drama | 26 August 1918

Full page view
HISTORY

There have been many films and a television series based on the Boston Blackie character, including Boston Blackie made by Scott Dunlap for Fox in 1923 (See AFI Catalog of Feature Films, 1921-30 ; F2.0549), and Meet Boston Blackie (1941), directed by Robert Florey for Columbia which was one of thirteen Boston Blackie films made in the 1940's that starred Chester ... More Less

There have been many films and a television series based on the Boston Blackie character, including Boston Blackie made by Scott Dunlap for Fox in 1923 (See AFI Catalog of Feature Films, 1921-30 ; F2.0549), and Meet Boston Blackie (1941), directed by Robert Florey for Columbia which was one of thirteen Boston Blackie films made in the 1940's that starred Chester Morris. More Less

BIBLIOGRAPHIC SOURCES
SOURCE
DATE
PAGE
ETR
5 Oct 18
p. 1531.
MPN
14 Sep 18
p. 1751.
MPW
31 Aug 18
p. 1309.
MPW
27 Apr 18
p. 2556.
NYDM
14 Sep 18
p. 412.
Variety
6 Sep 18
p. 39.
Wid's
8 Sep 18
p. 15.
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
WRITER
PHOTOGRAPHY
SOURCES
LITERARY
Based on the short story "Boston Blackie's Little Pal" by Jack Boyle in The Red Book Magazine (Jun 1918).
AUTHOR
DETAILS
Release Date:
26 August 1918
Copyright Claimant:
Metro Pictures Corp.
Copyright Date:
24 August 1918
Copyright Number:
LP12779
Physical Properties:
Silent
Black and White
Length(in feet):
4,157
Length(in reels):
5
Country:
United States
SYNOPSIS

Boston Blackie, a gentleman crook, and his accomplice, Mary, plan to rob the Wilmerding mansion while Mr. Wilmerding is out of town. Mary is hired as a nurse to Martin Wilmerding, Jr., and after Mrs. Wilmerding has gone to a ball, she admits Blackie, who starts to open the safe. Just then little Martin enters, and he and Blackie play and become fast friends. Mrs. Wilmerding returns with her lover, Donald Lavalle, and when Blackie overhears their plans to elope together with her jewels, he tricks Donald into giving him the jewels by posing as the jealous husband. Through several telegrams, he effects the reconciliation of his little pal's parents but cannot decide whether or not to return the ... +


Boston Blackie, a gentleman crook, and his accomplice, Mary, plan to rob the Wilmerding mansion while Mr. Wilmerding is out of town. Mary is hired as a nurse to Martin Wilmerding, Jr., and after Mrs. Wilmerding has gone to a ball, she admits Blackie, who starts to open the safe. Just then little Martin enters, and he and Blackie play and become fast friends. Mrs. Wilmerding returns with her lover, Donald Lavalle, and when Blackie overhears their plans to elope together with her jewels, he tricks Donald into giving him the jewels by posing as the jealous husband. Through several telegrams, he effects the reconciliation of his little pal's parents but cannot decide whether or not to return the jewels. +

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

TOP SEARCHES

CASABLANCA

During World War II, Casablanca, Morocco is a waiting point for throngs of desperate refugees fleeing Nazi-occupied Europe. Exit visas, which are necessary to leave the country, are at ... >>

CITIZEN KANE

Seventy-year-old newspaper tycoon Charles Foster Kane dies in his palatial Florida home, Xanadu, after uttering the single word “Rosebud.” While watching a newsreel summarizing the years during which Kane ... >>

REAR WINDOW

Laid up with a broken leg during the height of summer, renowned New York magazine photographer L. B. “Jeff” Jeffries enters his last week of home confinement, bored and ... >>

RAGING BULL

In 1941, at a boxing match in Cleveland, Ohio, pandemonium breaks out when Jake La Motta, an up-and-coming young boxer, loses a decision to Jimmy Reeves, suffering his first ... >>

CITY LIGHTS

At an outdoor dedication ceremony, a tramp is discovered sleeping in the arms of a statue as it is being unveiled before a crowd. He is chased into ... >>

The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.