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HISTORY

This was the first film directed by Albert Capellani for Metro Pictures Corp. The studio’s acquisition of screen rights to Jane Cowl and Jane Murfin’s 1917 play was announced in the 26 October 1917 Variety, which noted that Emily Stevens was set to star. Shooting began in early or mid-November 1917 at Metro’s studio in New York City, according to the 17 November 1917 Motion Picture News. The 8 December 1917 issue added that one of the sets erected at the studio was a five-room apartment representing the “Frome” residence on Riverside Drive. Edward J. Shulter, the technical director for Metro, supervised the set building. Location shooting took place at an unnamed New York City theater, as noted in the 22 December 1917 Motion Picture News.
       A release date of 7 January 1918 was cited in the 29 December 1917 Motion Picture News. For the picture’s Chicago, IL, opening, the Chicago Board of Censors required that the following subtitles be excised: “‘Now I know the truth—you have a child and Dr. Brett is the—’; ‘Yes, and I know who’s the father’”; a shooting scene was also cut.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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This was the first film directed by Albert Capellani for Metro Pictures Corp. The studio’s acquisition of screen rights to Jane Cowl and Jane Murfin’s 1917 play was announced in the 26 October 1917 Variety, which noted that Emily Stevens was set to star. Shooting began in early or mid-November 1917 at Metro’s studio in New York City, according to the 17 November 1917 Motion Picture News. The 8 December 1917 issue added that one of the sets erected at the studio was a five-room apartment representing the “Frome” residence on Riverside Drive. Edward J. Shulter, the technical director for Metro, supervised the set building. Location shooting took place at an unnamed New York City theater, as noted in the 22 December 1917 Motion Picture News.
       A release date of 7 January 1918 was cited in the 29 December 1917 Motion Picture News. For the picture’s Chicago, IL, opening, the Chicago Board of Censors required that the following subtitles be excised: “‘Now I know the truth—you have a child and Dr. Brett is the—’; ‘Yes, and I know who’s the father’”; a shooting scene was also cut.
       The National Film Preservation Board (NFPB) included the picture on its list of Lost U.S. Silent Feature Films as of February 2021.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald
17 Nov 1917
p. 30
Exhibitors Herald
19 Jan 1918
---
Exhibitors Herald
26 Jan 1918
p. 33
Exhibitors Trade Review
5 Jan 1918
p. 447
Exhibitors Trade Review
19 Jan 1918
p. 600
Motion Picture News
17 Nov 1917
p. 3446
Motion Picture News
8 Dec 1917
p. 4012
Motion Picture News
22 Dec 1917
p. 4367
Motion Picture News
29 Dec 1917
p. 4557
Moving Picture World
19 Jan 1918
p. 411
Moving Picture World
20 Jul 1918
p. 463
Variety
26 Oct 1917
p. 24
Variety
11 Jan 1918
p. 40, 46
Wid's Daily
10 Jan 1918
p. 866
DETAILS
Release Date:
7 January 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
31 December 1917
LP11879
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
SYNOPSIS

Arthur Frome, a successful businessman who drinks too much, pushes a newsboy under an automobile, thus causing him severe injuries. His wife Edith then becomes disillusioned with her husband and leaves him. After an absence of a few years, Edith returns to her husband but offers no explanation of her behavior. Soon, however, Arthur becomes suspicious when she and their family friend, Dr. Brent, frequently visit a house in which a small child is living. Arthur has Edith followed by the wife of one of his employees, whom he has caught stealing, and soon discovers that the child, who is gravely ill, is his own. Edith confesses that she did not want to raise their child under the influence of a drunkard and so left him in someone else's care. Soon after this confession, Arthur is shot by the husband of the woman who has followed Edith because the man suspected his wife of having an affair. Arthur recovers, however, as does the child, and through Dr. Brent's intervention is happily reconciled with Edith, with whom he plans a new ...

More Less

Arthur Frome, a successful businessman who drinks too much, pushes a newsboy under an automobile, thus causing him severe injuries. His wife Edith then becomes disillusioned with her husband and leaves him. After an absence of a few years, Edith returns to her husband but offers no explanation of her behavior. Soon, however, Arthur becomes suspicious when she and their family friend, Dr. Brent, frequently visit a house in which a small child is living. Arthur has Edith followed by the wife of one of his employees, whom he has caught stealing, and soon discovers that the child, who is gravely ill, is his own. Edith confesses that she did not want to raise their child under the influence of a drunkard and so left him in someone else's care. Soon after this confession, Arthur is shot by the husband of the woman who has followed Edith because the man suspected his wife of having an affair. Arthur recovers, however, as does the child, and through Dr. Brent's intervention is happily reconciled with Edith, with whom he plans a new life.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.