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HISTORY

The scenario was based on the unpublished novel, "Suzanna" by Linton Wells. Principal photography at Mack Sennett Studios in Los Angeles, CA, was underway by 27 November 1921, as stated in that day’s edition of the Los Angeles Times. Location scenes, depicting 1930s California, were to be taken in various parts of the state, and possibly in Mexico City, Mexico. The 25 December 1921 issue credited Sennett with writing Linton’s original story, although other sources indicated that he merely commissioned Linton to write a novel set in colonial California. An item in the 29 December 1921 issue listed cast member Indian Minnie as “Minnie-Ha-Ha.”
       While the 4 February 1922 Exhibitors Herald claimed that production was only interrupted by occasional rainstorms, the 18 March 1922 issue revealed that star Mabel Normand had missed several days of work due to an attack of influenza. Otherwise, work continued at a rapid pace, with many cast and crew members sleeping on or near the studio grounds. The completion of filming was announced in the 29 April 1922 Camera. The 27 January 1923 edition later noted that co-star Eric Mayne worked on the picture for twenty weeks.
       On 14 August 1922, Film Daily announced that a novelization of the scenario by Harry Sinclair Drago was to be published by the Macaulay Co. More than four months later, the 24 January 1923 Los Angeles Times reported that Linton Wells was suing Sennett for $10,000, claiming that the filmmaker commissioned him to write the novel with the promise of screen credit and book royalties. At the time ...

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The scenario was based on the unpublished novel, "Suzanna" by Linton Wells. Principal photography at Mack Sennett Studios in Los Angeles, CA, was underway by 27 November 1921, as stated in that day’s edition of the Los Angeles Times. Location scenes, depicting 1930s California, were to be taken in various parts of the state, and possibly in Mexico City, Mexico. The 25 December 1921 issue credited Sennett with writing Linton’s original story, although other sources indicated that he merely commissioned Linton to write a novel set in colonial California. An item in the 29 December 1921 issue listed cast member Indian Minnie as “Minnie-Ha-Ha.”
       While the 4 February 1922 Exhibitors Herald claimed that production was only interrupted by occasional rainstorms, the 18 March 1922 issue revealed that star Mabel Normand had missed several days of work due to an attack of influenza. Otherwise, work continued at a rapid pace, with many cast and crew members sleeping on or near the studio grounds. The completion of filming was announced in the 29 April 1922 Camera. The 27 January 1923 edition later noted that co-star Eric Mayne worked on the picture for twenty weeks.
       On 14 August 1922, Film Daily announced that a novelization of the scenario by Harry Sinclair Drago was to be published by the Macaulay Co. More than four months later, the 24 January 1923 Los Angeles Times reported that Linton Wells was suing Sennett for $10,000, claiming that the filmmaker commissioned him to write the novel with the promise of screen credit and book royalties. At the time he began work on Suzanna, Wells was a member of Sennett’s scenario department, although the novel was to have been written under a separate agreement. Sennett submitted Wells’s manuscript to the Macaulay Co., but it was declined because the writer was unknown. He then paid Drago, an established author, $1,500 to rewrite the novel, which Wells described as “wholesale plagiarism.” Drago did, however, add a preface and a minor character to the book. Wells introduced as evidence a letter from Sennett guaranteeing “a bonus and the bulk of the royalties” for the novel, along with publicity clippings attributing the published novel to the plaintiff. Sennett was accused of reneging on the deal and intended to fight the lawsuit. Wells went on to a successful career as a foreign correspondent and broadcaster.
       The 2 September 1922 Camera stated that editing of the film was currently underway. An item in the 19 August 1922 Motion Picture News noted that a release was planned for the second half of September 1922 through Associated First National Pictures, Inc. Sennett publicist E. M. Asher arranged a cross-promotional campaign with the Columbia Records release, “Suzanna,” as stated in the 27 October 1922 Film Daily. The campaign also extended to publisher M. Witmark & Sons, which featured Normand’s image on sheet music for the song. In addition, the Shotwell Mfg. Co. marketed a “Suzanna” chocolate bar with scenes from the picture included in the packaging.
       On 30 December 1922, Camera announced that all Sennett pictures were to be released through Allied Producers and Distributors, a subsidiary of United Artists Corp. The 22 January 1923 Film Daily noted that a Spanish-language version of the picture was to be exhibited on a “road show tour” through Latin America. Days later, the 1 February 1923 Variety reported that exhibitors were balking at Allied’s rental fee for the picture, estimated at nearly twice that set by First National.
       Suzanna was released on 15 February 1923, preceded by a 23 December 1922 premiere at the Mission Theatre in Los Angeles, initiating an eight-week run. A New York City debut followed on 25 March 1923 at the Capitol Theatre, attracting “capacity business,” as stated in the 7 April 1923 Moving Picture World.
       According to the Library of Congress American Silent Feature Film Survival Database, this film is extant.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Camera
29 Apr 1922
p. 9
Camera
13 May 1922
p. 8
Camera
2 Sep 1922
p. 4
Camera
30 Dec 1922
p. 8, 10
Camera
27 Jan 1923
p. 8, 11
Exhibitors Herald
31 Dec 1921
p. 68
Exhibitors Herald
4 Feb 1922
p. 69
Exhibitors Herald
18 Mar 1922
p. 36
Exhibitors Herald
14 Apr 1923
p. 54
Exhibitors Trade Review
31 Mar 1923
p. 917
Film Daily
1 Apr 1923
---
Film Daily
9 Aug 1922
p. 2
Film Daily
14 Aug 1922
p. 2
Film Daily
27 Oct 1922
p. 4
Film Daily
22 Dec 1922
p. 2
Film Daily
22 Jan 1923
p. 6
Film Daily
28 Mar 1923
p. 5
Film Daily
8 Apr 1923
p. 13
Los Angeles Evening Express [Los Angeles, CA]
18 Dec 1922
p. 22
Los Angeles Times
27 Nov 1921
p. 59
Los Angeles Times
25 Dec 1921
p. 37
Los Angeles Times
29 Dec 1921
p. 32
Los Angeles Times
24 Jan 1923
Part II, pp. 1-2
Motion Picture News
5 Aug 1922
p. 641
Motion Picture News
19 Aug 1922
p. 867
MPN Booking Guide
Apr 1923
p. 97
Moving Picture World
3 Mar 1923
p. 68
Moving Picture World
7 Apr 1923
p. 664, 665
New York Times
26 Mar 1923
p. 16
Variety
1 Feb 1923
p. 43
Variety
18 Feb 1923
p. 45
Variety
29 Mar 1923
p. 36
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCERS
WRITER
PHOTOGRAPHY
Dir of photog
Fred W. Jackman
Dir of photog
Dir of photog
Lighting expert
ART DIRECTOR
FILM EDITOR
Film ed
COSTUMES
SOURCES
LITERARY
Based on the novel, Suzanna by Linton Wells, credited to Harry Sinclair Drago (New York, 1922).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
15 February 1923
Premiere Information:
Los Angeles premiere: 23 Dec 1922; New York opening: 25 Mar 1923
Production Date:
Nov 1921--Apr 1922
Copyright Info
Claimant
Date
Copyright Number
Mack Sennett
4 January 1923
LP18621
Physical Properties:
Silent
Black and White
Length(in feet):
6,500
Length(in reels):
8
Country:
United States
Language:
English
SYNOPSIS

In old California, Don Fernando and Don Diego hope to consolidate their adjoining ranches by betrothing their children, Ramón and Dolores. However, Ramón is in love with Suzanna, the daughter of a peon on his father's ranch, and Dolores is interested in Pancho, a toreador. When Suzanna learns that she and Dolores were switched in infancy, making her Don Diego's actual daughter, she keeps silent. Ramón finally rebels and steals Suzanna from the altar as she is about to marry Pancho. Following the necessary explanations, Ramón marries Suzanna and Dolores marries ...

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In old California, Don Fernando and Don Diego hope to consolidate their adjoining ranches by betrothing their children, Ramón and Dolores. However, Ramón is in love with Suzanna, the daughter of a peon on his father's ranch, and Dolores is interested in Pancho, a toreador. When Suzanna learns that she and Dolores were switched in infancy, making her Don Diego's actual daughter, she keeps silent. Ramón finally rebels and steals Suzanna from the altar as she is about to marry Pancho. Following the necessary explanations, Ramón marries Suzanna and Dolores marries Pancho.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.