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HISTORY

The copyright entry gives the film's title as Kildares of Storm, the same name as the underlying novel by Eleanor Mercein Kelly. Exhibitors Trade Review listed Yorke Film Corp. as the producing company, while all other sources credited Metro Pictures Corp.
       Edwin Carewe was initially attached to direct, and his brother Finis Fox, was set to assist him, as announced in the 22 June 1918 Motography and 13 July 1918 Motion Picture News. However, an illness prevented him from working on the project and he was replaced by Harry L. Franklin, as reported in the 5 July 1918 Variety. The 29 June 1918 Motography noted that principal photography was set to take place at the Biograph Studio in the Bronx neighborhood of New York City. Location shooting also took place at a residence in Rye, NY; as indicated by a 10 August 1918 Motion Picture News brief, this residence may have been the home of a Major Parsons, then stationed in France with the American Aviation Corps.
       Following the film’s release on 16 September 1918, a review in the 24 September 1918 Wid’s Daily suggested that the picture’s dark subject material would not be popular with audiences, specifically citing “the wife-beating incidents and other depressing spots all through the story.” For its release in Chicago, IL, the Chicago Board of Censors required the following cuts be made: “Reel 1, two close-ups of baby in crib to include first kidnaping scene. Reel 4, two close-ups of men fighting on ground.”
       The National Film Preservation Board (NFPB) included this title on its ...

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The copyright entry gives the film's title as Kildares of Storm, the same name as the underlying novel by Eleanor Mercein Kelly. Exhibitors Trade Review listed Yorke Film Corp. as the producing company, while all other sources credited Metro Pictures Corp.
       Edwin Carewe was initially attached to direct, and his brother Finis Fox, was set to assist him, as announced in the 22 June 1918 Motography and 13 July 1918 Motion Picture News. However, an illness prevented him from working on the project and he was replaced by Harry L. Franklin, as reported in the 5 July 1918 Variety. The 29 June 1918 Motography noted that principal photography was set to take place at the Biograph Studio in the Bronx neighborhood of New York City. Location shooting also took place at a residence in Rye, NY; as indicated by a 10 August 1918 Motion Picture News brief, this residence may have been the home of a Major Parsons, then stationed in France with the American Aviation Corps.
       Following the film’s release on 16 September 1918, a review in the 24 September 1918 Wid’s Daily suggested that the picture’s dark subject material would not be popular with audiences, specifically citing “the wife-beating incidents and other depressing spots all through the story.” For its release in Chicago, IL, the Chicago Board of Censors required the following cuts be made: “Reel 1, two close-ups of baby in crib to include first kidnaping scene. Reel 4, two close-ups of men fighting on ground.”
       The National Film Preservation Board (NFPB) included this title on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Herald and Motography
26 Oct 1918
p. 27
Exhibitors Trade Review
28 Sep 1918
p. 1413
Motion Picture News
29 Jun 1918
p. 3808
Motion Picture News
13 Jul 1918
p. 229
Motion Picture News
20 Jul 1918
p. 402
Motion Picture News
10 Aug 1918
p. 909
Motion Picture News
17 Aug 1918
p. 1072
Motion Picture News
7 Sep 1918
p. 1543
Motion Picture News
5 Oct 1918
p. 2250
Motography
15 Jun 1918
p. 1136
Motography
22 Jun 1918
p. 1172
Motography
29 Jun 1918
p. 1215
Moving Picture World
3 Aug 1918
p. 697
Moving Picture World
6 Jul 1918
p. 111, 118
Moving Picture World
5 Oct 1918
p. 118
NYDM
5 Oct 1918
p. 517
Variety
5 Jul 1918
p. 34
Variety
27 Sep 1918
p. 43
Wid's Daily
24 Sep 1918
p. 4
Wid's Daily
29 Sep 1918
pp. 19-20
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
PRODUCTION TEXT
BRAND NAME
All-Star Series
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITERS
PHOTOGRAPHY
SOURCES
LITERARY
Based on the novel Kildares of Storm by Eleanor Mercein Kelly (New York, 1916).
LITERARY SOURCE AUTHOR
DETAILS
Alternate Title:
Kildares of Storm
Release Date:
16 September 1918
Production Date:
ca. Aug 1918
Copyright Info
Claimant
Date
Copyright Number
Metro Pictures Corp.
13 September 1918
LP12858
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Because her mother wishes it, Kate Leigh marries Basil Kildare, the wealthy owner of a Southern plantation called Storm. His servant Mahaly, the mother of his illegitimate son, protests his infidelity so bitterly that Basil takes the child away from her. Kate soon finds that her new husband is a coarse and brutal alcoholic and seeks comfort in the friendship of Dr. Jacques Benoix and his mother. When Basil obtains a note written from his wife to Jacques, he finds the doctor and engages him in a brutal fight. After Basil is found dead, Jacques is sentenced to life in prison, but some years later, owing to Kate's unceasing efforts on his behalf, he is granted a pardon. On her deathbed, Mahaly confesses that she killed Basil, leaving Kate and Jacques to begin a new life ...

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Because her mother wishes it, Kate Leigh marries Basil Kildare, the wealthy owner of a Southern plantation called Storm. His servant Mahaly, the mother of his illegitimate son, protests his infidelity so bitterly that Basil takes the child away from her. Kate soon finds that her new husband is a coarse and brutal alcoholic and seeks comfort in the friendship of Dr. Jacques Benoix and his mother. When Basil obtains a note written from his wife to Jacques, he finds the doctor and engages him in a brutal fight. After Basil is found dead, Jacques is sentenced to life in prison, but some years later, owing to Kate's unceasing efforts on his behalf, he is granted a pardon. On her deathbed, Mahaly confesses that she killed Basil, leaving Kate and Jacques to begin a new life together.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.