The Man from Funeral Range (1918)

Western | 6 October 1918

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HISTORY

The working title for this film was Broken Threads, after the 1917 Ernest Wilkes play upon which it was based. Principal photography was set to begin at Morosco Studios in Hollywood, CA, the week of 12 July 1918, according to that day’s Variety. On 3 August 1918, Motion Picture News indicated that the title had been changed to The Man from Funeral Range, and that leading man Wallace Reid and company were “making rapid work” on the picture.
       Theatrical release occurred on 6 October 1918. The film was met with mixed reviews, including criticisms in the 19 October 1918 Motion Picture News and 24 December 1918 Los Angeles Times that the scenario by Monte M. Katterjohn illogical.
       The National Film Preservation Board (NFPB) included The Man from Funeral Range on its list of Lost U.S. Silent Feature Films as of February 2021. ...

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The working title for this film was Broken Threads, after the 1917 Ernest Wilkes play upon which it was based. Principal photography was set to begin at Morosco Studios in Hollywood, CA, the week of 12 July 1918, according to that day’s Variety. On 3 August 1918, Motion Picture News indicated that the title had been changed to The Man from Funeral Range, and that leading man Wallace Reid and company were “making rapid work” on the picture.
       Theatrical release occurred on 6 October 1918. The film was met with mixed reviews, including criticisms in the 19 October 1918 Motion Picture News and 24 December 1918 Los Angeles Times that the scenario by Monte M. Katterjohn illogical.
       The National Film Preservation Board (NFPB) included The Man from Funeral Range on its list of Lost U.S. Silent Feature Films as of February 2021.

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GEOGRAPHIC LOCATIONS
SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
19 Oct 1918
p. 1699
Motion Picture News
29 Jun 1918
p. 3864
Motion Picture News
3 Aug 1918
p. 740
Motion Picture News
19 Oct 1918
p. 2595
Moving Picture World
15 Feb 1918
p. 51
Moving Picture World
12 Oct 1918
p. 282
Moving Picture World
19 Oct 1918
p. 444
NYDM
16 Nov 1918
p. 734
Variety
12 Jul 1918
p. 36
Variety
11 Oct 1918
p. 44
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITER
PHOTOGRAPHY
James C. Van Trees
Cam
SOURCES
LITERARY
Based on the play Broken Threads by Ernest Wilkes (New York, 29 Oct 1917).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
6 October 1918
Production Date:
began mid Jul 1918
Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
2 September 1918
LP12831
Physical Properties:
Silent
Black and White
Length(in feet):
4,512
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

When prospector Harry Webb returns to town from the Funeral Range, he falls in love with cabaret singer Janice Williams. Mark Brenton, an unscrupulous lawyer, lures Janice to his room but is shot by his jealous former sweetheart Dixie. Harry, rushing into the room, believes that Janice is guilty and assumes the blame in order to shield her. During the trial, Brenton's partner, Frank Beekman, holds Janice prisoner to prevent her from testifying; consequently, Harry is convicted and sentenced to death. En route to prison, Harry escapes into the desert, and some time later, he returns to town to sell one of his mines to Freddie Leighton. Despite Harry's disguise, Beekman recognizes him, and when they fight, a gun is discharged, mortally wounding Dixie who has been standing behind a screen. Before her death, she confesses that she killed Brenton, which clears Harry's name and allows him finally to marry ...

More Less

When prospector Harry Webb returns to town from the Funeral Range, he falls in love with cabaret singer Janice Williams. Mark Brenton, an unscrupulous lawyer, lures Janice to his room but is shot by his jealous former sweetheart Dixie. Harry, rushing into the room, believes that Janice is guilty and assumes the blame in order to shield her. During the trial, Brenton's partner, Frank Beekman, holds Janice prisoner to prevent her from testifying; consequently, Harry is convicted and sentenced to death. En route to prison, Harry escapes into the desert, and some time later, he returns to town to sell one of his mines to Freddie Leighton. Despite Harry's disguise, Beekman recognizes him, and when they fight, a gun is discharged, mortally wounding Dixie who has been standing behind a screen. Before her death, she confesses that she killed Brenton, which clears Harry's name and allows him finally to marry Janice.

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Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.