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HISTORY

The play Divorçons was produced in Germany and other countries under the title Cyprienne. It seems to have been produced in the English language under both titles. The first American production, which was entitled Divorçons, opened on Broadway on 14 Mar 1882 and was revived several times during the first decades of the twentieth century. Although the Var review credits William Marshall as the film's cinematographer, most other contemporary sources credit Hal Young.
       Many other adaptations of the Victorien Sardou and Émile de Najac play have been filmed: 1915's Divorçons, produced by Biograph and distributed by General Film Co.; 1925's Kiss Me Again, a Warner Bros. film directed by Ernst Lubitsch; 1927's Don't Tell the Wife, another Warner Bros. version; and 1941's That Uncertain Feeling, released by United Artists and also directed by Lubitsch (see entries). ...

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The play Divorçons was produced in Germany and other countries under the title Cyprienne. It seems to have been produced in the English language under both titles. The first American production, which was entitled Divorçons, opened on Broadway on 14 Mar 1882 and was revived several times during the first decades of the twentieth century. Although the Var review credits William Marshall as the film's cinematographer, most other contemporary sources credit Hal Young.
       Many other adaptations of the Victorien Sardou and Émile de Najac play have been filmed: 1915's Divorçons, produced by Biograph and distributed by General Film Co.; 1925's Kiss Me Again, a Warner Bros. film directed by Ernst Lubitsch; 1927's Don't Tell the Wife, another Warner Bros. version; and 1941's That Uncertain Feeling, released by United Artists and also directed by Lubitsch (see entries).

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SOURCE CITATIONS
SOURCE
DATE
PAGE
ETR
27 Apr 1918
p. 1695
ETR
11 May 1918
p. 1838
MPN
4 May 1918
p. 2662, 2718
MPW
24 Feb 1917
p. 1210, 1249
NYDM
11 May 1918
p. 668
New York Times
29 Apr 1918
p. 11
Variety
26 Apr 1918
p. 40
Wid's
2 May 1918
p. 1113
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
DISTRIBUTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTOR
PRODUCER
WRITERS
Adpt
PHOTOGRAPHY
Hal Young
Cam
SOURCES
LITERARY
Based on the play Divorçons by Victorien Sardou and Émile de Najac (Paris, 6 Dec 1880).
LITERARY SOURCE AUTHORS
DETAILS
Release Date:
29 April 1918
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Famous Players-Lasky Corp.
13 April 1918
LP12315
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

In order to relieve the monotony of her life in a French convent, Cyprienne Marcey indulges in romantic fantasies to such a degree that when her friend Yvonne's brother, Henri de Prunelles, falls in love with Cyprienne, Yvonne suggests that he abduct her from the convent garden rather than stage a conventional wedding. This exciting arrangement pleases Cyprienne, who willingly consents to the elopement, but after Henri has resumed his work as a writer, his young wife becomes restless. Consequently, when Henri's foolish cousin Adhemar flirts with Cyprienne, she convinces herself that she loves him and asks her husband for a divorce. Determined to teach his impulsive wife a lesson, Henri calmly gives his consent and then feigns interest in another woman while she entertains Adhemar. Because her meetings with Adhemar are no longer clandestine, Cyprienne loses interest in him until finally, she begs her husband's forgiveness and settles happily into married ...

More Less

In order to relieve the monotony of her life in a French convent, Cyprienne Marcey indulges in romantic fantasies to such a degree that when her friend Yvonne's brother, Henri de Prunelles, falls in love with Cyprienne, Yvonne suggests that he abduct her from the convent garden rather than stage a conventional wedding. This exciting arrangement pleases Cyprienne, who willingly consents to the elopement, but after Henri has resumed his work as a writer, his young wife becomes restless. Consequently, when Henri's foolish cousin Adhemar flirts with Cyprienne, she convinces herself that she loves him and asks her husband for a divorce. Determined to teach his impulsive wife a lesson, Henri calmly gives his consent and then feigns interest in another woman while she entertains Adhemar. Because her meetings with Adhemar are no longer clandestine, Cyprienne loses interest in him until finally, she begs her husband's forgiveness and settles happily into married life.

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GENRE
Genre:


Subject
Subject (Major):

Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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The American Film Institute is grateful to Sir Paul Getty KBE and the Sir Paul Getty KBE Estate for their dedication to the art of the moving image and their support for the AFI Catalog of Feature Films and without whose support AFI would not have been able to achieve this historical landmark in this epic scholarly endeavor.