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HISTORY

This was Norma Talmadge's first film for her own production company, and her first to be distributed by Selznick. It was shot at the Biograph Studios in New York City. Some contemporary sources give the film's length as seven, instead of five, reels. The actress playing Gerald's sister, whose name is spelled in a variety of ways by contemporary reviewers, is probably Eileen Percy. One modern source gives Mildred Considine the scenarist's credit, though the copyright holdings and other contemporary sources credit Dwan. Various modern sources credit Harold Rosson as cinematographer along with Roy Overbaugh. According to the 1918 MPSD, Henry Grant worked on the film in the capacity of actor, assistant director or writer. In a modern interview, Dwan stated that Erich von Stroheim served on the film as an assistant director as well as an actor. Both modern and contemporary sources dispute von Stroheim's status as a count. One modern source gives the film's release date as 6 Jan 1917. Selznick re-released the film on 2 Aug 1920. ...

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This was Norma Talmadge's first film for her own production company, and her first to be distributed by Selznick. It was shot at the Biograph Studios in New York City. Some contemporary sources give the film's length as seven, instead of five, reels. The actress playing Gerald's sister, whose name is spelled in a variety of ways by contemporary reviewers, is probably Eileen Percy. One modern source gives Mildred Considine the scenarist's credit, though the copyright holdings and other contemporary sources credit Dwan. Various modern sources credit Harold Rosson as cinematographer along with Roy Overbaugh. According to the 1918 MPSD, Henry Grant worked on the film in the capacity of actor, assistant director or writer. In a modern interview, Dwan stated that Erich von Stroheim served on the film as an assistant director as well as an actor. Both modern and contemporary sources dispute von Stroheim's status as a count. One modern source gives the film's release date as 6 Jan 1917. Selznick re-released the film on 2 Aug 1920.

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SOURCE CITATIONS
SOURCE
DATE
PAGE
Exhibitors Trade Review
13 Jan 1917
---
Motion Picture News
23 Dec 1916
---
Motion Picture News
27 Jan 1917
---
Moving Picture World
1 Aug 1918
---
Moving Picture World
6 Jan 1917
---
Moving Picture World
27 Jan 1917
---
Moving Picture World
31 Jul 1920
---
NYDM
2 Dec 1916
p. 30
NYDM
23 Dec 1916
p. 25
NYDM
20 Jan 1917
p. 26
New York Times
8 Jan 1917
p. 9
Variety
12 Jan 1917
p. 26
Wild's Daily
11 Jan 1917
p. 24
CAST
PRODUCTION CREDITS
NAME
PARENT COMPANY
PRODUCTION COMPANY
NAME
CREDITED AS
CREDIT
DIRECTORS
Asst dir
PRODUCER
WRITER
Scen
PHOTOGRAPHY
Roy Overbaugh
Cam
SOURCES
LITERARY
Based on the play Panthea by Monckton Hoffe (London, 1913).
LITERARY SOURCE AUTHOR
DETAILS
Release Date:
January 1917
Production Date:

Copyright Info
Claimant
Date
Copyright Number
Norma Talmadge Film Corp.
8 January 1917
LP9961
Physical Properties:
Silent
Black and White
Length(in reels):
5
Country:
United States
Language:
English
SYNOPSIS

Panthea is a brilliant young Russian pianist who marries English composer Gerard Mordaunt. Her husband is losing his sanity because he has failed to produce an opera that he has written, and the sight of his suffering forces Panthea to sacrifice herself to the elderly Baron de Duisitor on condition that the opera be produced. Soon after the opera becomes a success, Panthea is arrested by the Russian government for her supposed involvement in a Nihilist plot and is exiled to Siberia. When Gerard learns of the cost at which his success has been gained, he is at first revolted, but later comes to realize the motive for Panthea's actions and follows her to Siberia. Meanwhile, Gerard's father, learning of their plight, uses his political influence to obtain a pardon for the couple, and they are freed to begin life anew in ...

More Less

Panthea is a brilliant young Russian pianist who marries English composer Gerard Mordaunt. Her husband is losing his sanity because he has failed to produce an opera that he has written, and the sight of his suffering forces Panthea to sacrifice herself to the elderly Baron de Duisitor on condition that the opera be produced. Soon after the opera becomes a success, Panthea is arrested by the Russian government for her supposed involvement in a Nihilist plot and is exiled to Siberia. When Gerard learns of the cost at which his success has been gained, he is at first revolted, but later comes to realize the motive for Panthea's actions and follows her to Siberia. Meanwhile, Gerard's father, learning of their plight, uses his political influence to obtain a pardon for the couple, and they are freed to begin life anew in England.

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GENRE
Genre:


Subject

Subject (Minor):
Legend
Viewed by AFI
Partially Viewed
Offscreen Credit
Name Occurs Before Title
AFI Life Achievement Award

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